Klervi Gavet, Author at North West End UK

20May

By Klervi GavetNo Comments

London

Now I See – Stratford East

In a unique fusion of movement, music and text, “Now, I See” takes audiences on a vibrant, emotional journey through the joys and pains of being black and male in contemporary Britain. Directed, choreographed and written by Lanre Malaolu, this 130-min nugget offers a luscious dive into male consciousness and the culture that shapes childhood adventures and a man’s ability to choose his narrative later in life. Fans of Suzan-Lori Parks’ “Topdog/Underdog” should feel right at home. The story centres on three brothers, and the aftermath of the middle one’s death, Adeyeye, from sickle cell disease. His passing leaves big brother Kieron and youngest brother Dayo grappling with their grief and searching for a way forward. History, big and small, has not been kind to either and the brothers’ c...

9May

By Klervi GavetNo Comments

London

Spirited Away – London Coliseum

Faithfully based on the 2001 legendary animated film “Sen and Chihiro's Spiriting Away”, this Ghibli-backed stage production is a big bet that sometimes falls a bit short but will still delight most Miyazaki fans. Young Chihiro and her parents stumble upon a mysterious, deserted theme park. After her parents devour a seemingly abandoned food stall, they turn into pigs. Spirits appear and a young boy named Haku reveals to Chihiro that the park is actually a spa resort for supernatural beings tired from their experiences in the earthly realm. To save her parents from slaughter, she must now join the spirit world and get a job at the bathhouse. Fresh off its 2022 Tokyo opening and extended run throughout Japan, this adaptation by RSC’s honorary associate director, John Caird, is the fir...

8May

By Klervi GavetNo Comments

London

The Return – Streatham Space Project

In this intimate devised solo performance, Natasha Stanic Mann attempts to thread together personal and historical narratives, but the execution falls short of its promising premise. Intended to explore the psychological remnants of war, the complexities of Yugoslavian identity and the poignant search for a new home free from oppressive legacies, the performance struggles to deliver a cohesive and impactful experience. Stanic Mann possesses a certain delicate charm which, while endearing, unfortunately leads to a show lacking in the necessary tension and conflict that such heavy themes demand. The piece feels more like an unresolved work in progress rather than a polished production, with its sentimentality often overshadowing the substantial issues it wishes to address. As she navigate...

20Apr

By Klervi GavetNo Comments

London

Banging Denmark – Finborough Theatre

A fun, modern take on a romcom classic with a sociologist twist… Management consultant Jake Newhouse (Tom Kay) enrols super-duper feminist Ishtar Madigan (Rebecca Blackstone) to help him seduce the gorgeous, Danish, and totally unreceptive librarian of his dreams (Maja Simonsen). Now here’s the rub. Newhouse also goes by the name of Guy DeWitt, a powerful, misogynistic dating coach, pickup artist and deep voiced podcaster who recently sued Madigan for defamation. Unable to prove DeWitt sent his bros-before-hoes trolls out to destroy her reputation, her mental health and her mailbox, Madigan was forced to sell everything she owns to pay the settlement agreement. She now sleeps in the copy room of her university, a shadow of her glorious self - an alcoholic, paranoiac, horny PhD sch...

10Apr

By Klervi GavetNo Comments

London

The Retreat – White Bear Theatre

From the writer & creator of “Peep Show” & “Fresh Meat” comes a disappointing, often predictable farce on spirituality, mental health and the pressure of modern living. Monk-in-the-making Luke (Jed McLoughlin) escaped London’s City life and painful events to find inner peace at a spiritual retreat in the Scottish Highlands. His coke and sex addict of a brother, Tony (Harry Harding), comes to bring him down from his Gaelic cloud and back into carnal reality. Ensues an endless series of easy plot revelations, which sadly turns the play into a classic, yet unimaginative topping improv exercise of “Yes and…” There is little to no subtext here, nor emotional reality to hold on to. The somewhat intimate, confessional moments feel unearned. The childish blaming game gets old fast...

6Apr

By Klervi GavetNo Comments

London

The Pinot Princess – Omnibus Theatre

“Blessed are the hags and the harlots. For they shall be celebrated in this show.” A Bruntwood Prize 2022 nominee, this dark comedic Tale of Two Marys packs up a punch for all feminist and Life Of Brian enthusiasts out there in just under an hour. The Pinot Princess follows Irish actress Pamela Flanagan in her double portrayal of unruly, gender-tormented Marys. First as Pinot, a punk Virgin Mary and the lead character in a rebellious-soon-to-be-viral-hopefully-Vatican-banned production on Jesus’ legendary mum. Second as modern Mary, the catholic actress who portrays the horny, foul-mouthed heroine, and who is convinced she will go to hell for it. Opposite Mary is, of course, her co-star Joseph. Energetically portrayed by Neal Craig in a whirlwind of colourful role-playing, Joe off...

15Jul

By Klervi GavetNo Comments

London

Patriots – Almeida Theatre

How do you make a grown Russian man sing? Give him a piano and some vodka. How do you make him cry? Take him away from the Motherland. Patriots has all the hallmarks of a good political drama. Court intrigues, outrageous backdoor deals, international conflict, even memorable, poisonous assassinations… It is after all the new play of Peter Morgan, best known for his historical hits such as Netflix’s The Crown, The Audience, or Frost/Nixon. Here Morgan examines the making of oligarchs in post-soviet Russia and the rise of one Vladimir Putin from deputy mayor of Saint Petersburg to President of the Russian Federation, all through the eyes of mathematician genius turned businessman and kingmaker, Boris Berezovsky. Directed by Almeida Artistic Director Rupert Goold, this production often ...

Report to an Academy – Old Red Lion Theatre Pub

9Jul

By Klervi GavetNo Comments

London

Report to an Academy – Old Red Lion Theatre Pub

Adapted from Kafka’s short story of the same name, REPORT TO AN ACADEMY stars Robert McNamara as an intelligent ape retelling his forced evolution from primate to human after its capture in West Africa. An evolution that should mean new found humanity for the creature but instead forces it to adapt to mankind’s cruelty and mimic it as to not perish from their abuse. For a swift 60 minutes - though feeling closer to 45 - McNamara monkeys around as he reenacts the steps of its transformation. He often plays for laughs, without ever reaching the true ferocity nor heartbreak of a great primate deprived of its innate freedom. As the monologue progresses, his pantomimesque physicality grows more focused and less performative, offering a few evocative glimpses of great ape behavior - the backf...

6Jul

By Klervi GavetNo Comments

London

The Lesson – Southwark Playhouse

A zealous pupil comes over a professor’s house to study for her total doctorate, an educational certificate in all subjects of life. The excessively polite and timid professor grows restless and domineering as his ignorant student struggles to level up with his academic demands. The pupil develops a painful toothache which renders her incapable of listening to the professor’s teachings. Their mutual pains turn lethal when in an orgasmic climax, the professor murders the young girl. The maid comes in and reprimands the professor - this is his 40th kill of the day… Fortunately she knows how to get him out of trouble and cleans it all up before another student comes to the front door, starting the play all over again. The Lesson is a seminal text in the Theatre of the Absurd, a short-lived...