Kira Daniels, Author at North West End UK

The Space Between the Sheets – Lion and Unicorn Theatre

12Mar

By Kira DanielsNo Comments

London

The Space Between the Sheets – Lion and Unicorn Theatre

Gripping from its opening moments, this sixty-minute play is a two-hander that invites audiences to saddle on up and hang on for dear life. Detailing the one-night encounter of a Stratford born boy and a Texas bred girl. The Space Between the Sheets gets into all the nit, grit, and gristle of cross-cultural connection without even getting out of bed. Sexy and fun as Estelle’s “American Boy” and heartachingly funny as a Dolly Parton medley, the rare and gentle thing this play explores isn’t as butterfly-like as love but has many of its flighty and fascinating qualities. Writer and star Kelsey Ann Moebius takes on the role of the capricious outsider, a young American actor in London fizzing with loneliness and bristling with indignation at the fractured society that has left her so...

11Mar

By Kira DanielsNo Comments

London

maliphantworks4 – The Coronet Theatre

A two-part program comprised of In a Landscape (Russell Maliphant) and Afterlight (Daniel Proietto), maliphantworks4 puts out a fourty-five minute program full of twists and turns. Its first act, a solo performance by Russell Maliphant, founder of the much awarded Russell Maliphant Dance Company and choreographer of both of the evening’s performances, is a conversation between shadow, light, and movement, brilliantly designed by Panagiotis Tomaras and dramatically scored by Dana Fouras. Maliphant himself is utterly captivating but it is the interplay between his stage presence and the diaphanous and dynamic set dressings that unfurl and undulate throughout the performance that make In a Landscape so inescapably enthralling. The miasmic nature of simultaneously revealing and obfus...

One Day When We Were Young – Park Theatre

4Mar

By Kira DanielsNo Comments

London

One Day When We Were Young – Park Theatre

Opening with a bang (both literally and lasciviously) but ending with a whimper, One Day When We Were Young illustrates a little too effectively that for war’s hollow men, life is very long. The framework of the script is slightly too frail to support both its underwritten characters. Like the Titanic’s infamously splintered door, this play can only hold up one of its young lovers’ character development. Resultantly male lead Barney White gets to cut his teeth on a sturdily written World War II conscript while Cassie Bradley exhausts her jaw attempting to chew through all the scenery provided to the young lover turned middle aged mother turned elderly author who plays second fiddle to him throughout. Designer Pollyanna Elston’s set is surprisingly rich but unfortunately clashes in palet...

5Dec

By Kira DanielsNo Comments

London

A Trojan Woman – Kings Head Theatre

Sara Farrington’s A Trojan Woman simplifies and condenses Euripides’ The Trojan Women into a one woman hour long epic. With domestically inspired costumes and props reminiscent of a STOMP special, solo performer Drita Kabashi bends and billows her way through the performance of a panoply of (bicycle) helmeted soldiers, uncrowned queens, and childless mothers “in the chaos of modern warfare”. The lack of specificity in the setting and the generic dressing of the set unfortunately undercut the tragedy of the story being told under the shadow of horrific and unique atrocities very much at the forefront of viewers’ engagement with any war focused media today. Meghan Finn’s direction makes good use of the theatrical space but frequent transitions between broad comedy, reflective dance...

A Lady Does Not Scratch Her Crotch – Hen and Chickens Theatre

15Aug

By Kira DanielsNo Comments

London

A Lady Does Not Scratch Her Crotch – Hen and Chickens Theatre

It’s a tale as old as time and a song as old as rhyme. Beauty is painful and beastliness is punishable. For a young girl trying to break the glass ceiling of her blossoming rose’s bell jar there’s just no wiggle room. Written and performed by Celeste Cahn, A Lady Does Not Scratch Her Crotch is permeated with plenty of (a little too) personal details but carries a near universal appeal. Partially thanks to the ubiquity of Disney but in greater part due to the depressing universality of coming-of-age angst and female sexual frustration, A Lady Does Not Scratch Her Crotch hits right in the soft spots of its audience. Cahn is in turns pathetic and poised, cringe-inducing and awe-inspiring. Her generosity with the audience is palpable (really, you can touch, and we’re not playing by P...

5Aug

By Kira DanielsNo Comments

London

Edward II – Courtyard Theatre

The Troublesome Reign and Lamentable Death of Edward the Second, King of England, with the Tragical Fall of Proud Mortimer is a title too long by half but hardly shorter than this abridged adaptation of Marlowe’s malleable history. Cut down to a run time of a mere fifty minutes by the Small Beer Theatre company this fun size production powers through pages of plot at an astonishing pace. Beginning with the recall of controversial courtier and king’s favourite Piers Gaveston (Ciaran Barker) to Edward II’s (Alex Levy) well fashioned domestic abode and ending with a slew of homebrewed murders, the play’s middle section is populated with brief love scenes and extensive ireful monologues. Gaveston’s sway (and bend) over the delicate monarch draws the wrath of Queen Isabella (Zoe Mavri...

3Aug

By Kira DanielsNo Comments

London

I Love You, Now What? – Park Theatre

First comes love. Then comes marriage. Then comes anticipatory grief? Written by actor and comedian Sophie Craig, I Love You, Now What? is a play that weaves its way through the chronology of courtship just as it plows headlong through each of the stages of grief. Craig plays Ava, a young musician who idolizes her father (Ian Puleston-Davies) both musically and personally. When he is diagnosed with a terminal illness Ava tries to blow off steam with a young actor named Theo (Andy Umerah) and instead finds herself completely fogged up in love. As their romance blooms and her father’s health fades, the intermingling of joy and grief becomes too potent a force for one woman to bear and Ava begins to lose her grip on all the things she loves most. Director and dramaturg Toby Clarke a...

25Jul

By Kira DanielsNo Comments

London

Bangers – Arcola Theatre

“A lyrical love letter to UK garage,” Bangers is a mixed bag mix tape of bright futures and crushed dreams. Under the neon glow of Laura Howard’s chilled/chilly lighting design, the Arcola Theatre is transformed into a concert venue. DJ Tanya-Loretta Dee cues up tracks under an industrial scaffold as audiences file into the space, meander across the stage’s set of club speakers, and make their way to their assigned seats. There’s a strange uneasiness to the arrangement of the space which places a playing stage not above its audience but in the arena pit of the small Hackney theatre. Very much a North London storytelling theatre, and despite its ushering staff’s best efforts the atmosphere cultivated in the room is not that of bouncer patrolled nightclub where the music is booming and th...

24Jul

By Kira DanielsNo Comments

London

The Hot Wing King – National Theatre

Directed by Roy Alexander Weise, Katori Hall’s Pulitzer Prize winning comedy makes its London debut in the relatively modest Dorfman Theatre. Set in Memphis, Tennessee and playing out in the interior of a particularly well-endowed suburban home expertly designed for the stage by Rajha Shakiry, this is no minimalistic kitchen sink drama. With running water coming from the taps, steam rising from the pots, and marinade dripping from big wooden stirring spoons, this is a theatrical experience with all the trimmings. Head chef and hopeful hot wing competition champion, Cordell (Kadiff Kirwan), plates up scrumptious chicken and sizzling drama in his boyfriend Dwayne’s (Simon-Anthony Rhoden) illustriously decorated middle-class kitchen. Circumnavigating the colossal counter island where Co...

17Jul

By Kira DanielsNo Comments

London

Conversion – Lion & Unicorn Theatre

Precarious Theatre is taking its shot at proselytizing without any precarity to it. In both the writing and staging of its new play, Conversion, there are shockingly few risks taken and very little grit for audiences to sink their teeth into. As promised in its advertising, the play, written by Precarious Theatre founders Liam Grogan and Marc Biasioli covers an excerpt from the life and times of St. Augustine of Canterbury (David Allen). Beginning with his dispensation from sunny Rome and following his journey to the strange and savage land of Britain, this play is not shy of including multitudes of characters in its opening scenes. With more the aura of a school pageant than a fringe theatre production its cast galumphs and galivants across the stage in mock pagan revelry before...