Monday, October 14

Author: Jo Tillotson

Anthony and Cleopatra – Shakespeare North Playhouse
North West

Anthony and Cleopatra – Shakespeare North Playhouse

‘Anthony and Cleopatra’ is not an easy play to get right. William Shakespeare took the story of political intrigue, family jealousy, and blinding love right from the pages of ancient history, and wove a tale that is dramatic, tragic and loving in equal measure. It is an even harder play to get right when you are a company of only seven players, each permitted to learn only your own lines and cues, thrust onto an unfamiliar stage with no rehearsal. That said, the talented company from Shake-Scene Shakespeare did just that… performing Anthony and Cleopatra as the second play in their mini repertory residency at the Shakespeare North Playhouse this week with resounding success. Opening with ‘As You Like It’ yesterday (the review of that show can be found here: https://northwestend.c...
As You Like It – Shakespeare North Playhouse
North West

As You Like It – Shakespeare North Playhouse

'As You Like It' - one of William Shakespeare's many comedies - is ultimately a story of love: what it means to be in love and how to find your true love. Of course, as in many of the Bard's works, the course of true love never runs smooth, and this play is no different. The lovers here have to navigate banishment from their homes, hidden identities and burning jealousy in order to see the way through the trees and find their way to what they really want. In this particular production, the players also had to battle through the lack of rehearsal, the absence of a set, and minimal props and costumes, as well as the elements in the Sir Ken Dodd Performance Garden; with only the support of the book-holder to prompt lines and missed cues. For this is Shakespeare, but not as you know ...
42nd Street – Liverpool Empire
North West

42nd Street – Liverpool Empire

“Think of musical theatre,” says Julian Marsh, “The most glorious words in the English language!” And in the hands of director Jonathan Church, choreographer Bill Deamer and designer Robert Jones, this musical theatre production is a feast for the eyes. The transitions between scenes are impeccably planned and executed, and I love the way that the cast used the space in creative and interesting ways. The set transforms from rehearsal room to backstage to magical opening night with ease. The costumes perfectly fit both period and characters. And the clever and sumptuous lighting, designed by Ben Cracknell, is the icing on this cake! 42nd Street follows the story of Peggy Sawyer, a chorus girl from Pennsylvania who is newly arrived in New York City with dreams of joining a new producti...
SEVEN and a half YEARS – Salford Arts Theatre
North West

SEVEN and a half YEARS – Salford Arts Theatre

Mark Glentworth experienced incredible success as a composer, and then his life changed. But not in the way that you would expect. This autobiographical one-act musical tells the story of what came next: it is a journey that takes Glentworth from the heights of his success to the depths of his despair and isolation, ending with his first steps towards a new start. The production makes the most of the simple set and lighting designs, and Glentworth moves around the space well. It is his authenticity that is most striking; it cannot be easy for him to perform this material over and over and relive the best and worst moments of his life. Glentworth is clearly an outstanding musician, and the music in the show – which switches seamlessly from prerecorded tracks to live piano and back...
Titanic the Musical – The Lowry
North West

Titanic the Musical – The Lowry

The RMS Titanic. Owner J. Bruce Ismay wanted to create a legend – it was the largest moving object in the world when it was built. Sadly, the legend of the Titanic we know today is not the one he wanted. In one of the worst tragedies of the 20th Century, 1517 people died when the ship sank on 14 April 1912. This production tells the story of the maiden voyage of the Titanic, and it does so with an extremely high production value. The set and costumes designed by David Woodhead are as epic as the ship itself, and are used to the maximum to indicate at every point where the action is taking place on the ship and which class the passengers are from. The lighting (Howard Hudson) and sound (Andrew Johnson) designs are clever and intricate, used to particularly excellent effect in the Act I f...
Leaves of Glass – Hope Mill Theatre
North West

Leaves of Glass – Hope Mill Theatre

This play is exceptional. If only I could end my review there! Philip Ridley has written a truly heartbreaking exploration of how we use memory to protect, to manipulate and to hide; and I was captivated from start to finish. As we see glimpses of Steven’s life in the present day, and flashbacks to his childhood, we start to build a picture of Steven and his family. But is everything as clear as it seems? The acting in this play is outstanding. Director Max Harrison has brought out every drop of subtle emotion and humanity from this incredible cast of four. Ned Costello as Steven never leaves the stage. He gives a stunningly authentic performance, whether in the middle of a monologue or with one of his scene partners. His ability to move us from present to past with just a clenche...
Julius Caesar – The Lowry
North West

Julius Caesar – The Lowry

‘Friends, Romans, Countrymen; lend me your ears!’ Julius Caesar contains some of William Shakespeare’s most quoted lines, and in fact this play begins with Caesar celebrating the height of his power and influence and being faced with a stark warning to ‘Beware the Ides of March’. What follows is a dramatic exposition of the struggles of power, that is equally relevant today in 2023 as it was when it was published in 1599. This play calls on us to consider whether our actions can be justified on the basis of their goal, and whether it is a right or a duty to speak truth to those in authority. The design of the production (Rosanna Vize) is for the most part outstanding. The creeping introduction of colour into a monochrome space was really powerful, and really made me think; why is it ...
Private Lives – Cheadle Players
North West

Private Lives – Cheadle Players

Amanda and Elyot have been divorced for five years. Now recently remarried… to other people… the play opens on the first night of their honeymoons as they discover that they have by chance booked adjacent rooms at the same hotel in the north of France. What follows is an excellent study into human nature, love and relationships, with a healthy dose of gender politics that still resonates now, despite having been written in 1930. It is very funny, which you would expect from writer Noel Coward. However, director David Burns has also managed to tease out moments of introspection, and almost vulnerability, which gave the exuberant characters a much greater depth of personality than I expected. The action was beautifully framed by the simple but elegant set, also designed by Burns, which...
Too Much World At Once – HOME, Manchester
North West

Too Much World At Once – HOME, Manchester

In many ways, Noble is a totally normal 15-year-old boy: his Dad works away, he fights with his Mum about pretty much everything and his close relationship with his sister is in pieces as she has moved across the world to study the future of various bird species. Totally normal – until one day he feels the world pressing in, too much to handle… and he becomes a bird. Able to fly, to be free, to reach his sister, to escape from the family and the home that are crumbling around him. This great new play from Billie Collins is produced by stalwart supporters of new writing, the Box of Tricks theatre company. It cleverly uses the breakdown of the family environment as a metaphor for the breakdown of our ecosystem, making a strong point: “we did see this coming,” but without bashing you round...
The Bodyguard – Regent Theatre
North West

The Bodyguard – Regent Theatre

Grammy award-winning singer and actress Rachel Marron has a stalker, and he’s getting bolder and cleverer by the minute. Enter bodyguard Frank Farmer, a rather emotion-less figure with a guilt complex, who is charged with the protection of Rachel, her son Fletcher and her sister Nicki. Echoing the successful 1992 film starring Whitney Houston and Kevin Costner, this musical diverges slightly from the well-known plot, but all the key moments that a fan of the film would be looking for are incorporated into this stage musical, which premiered in London in 2012. The strength of the film lay in its soundtrack, and that is definitely what makes this musical so enjoyable. Filled to the brim with iconic songs made famous by Houston: including “One moment in time”, “Saving all my love for yo...