Hannah Esnouf, Author at North West End UK

Girls Don’t Play Guitars – Liverpool’s Royal Court

5Oct

By Hannah EsnoufNo Comments

North West

Girls Don’t Play Guitars – Liverpool’s Royal Court

Reading the 2019 reviews of this show it was natural that I took my seat at its revival with high expectations. The story is undoubtably inspiring and it feels right at home in this theatre, however, as a stage show this lacked depth for me. With an 80:20 ratio of music to dialogue, albeit good music, it was difficult to feel much emotional pull towards these characters. As characters themselves, I imagine it was difficult to ascertain much difference between them for the actors as their personalities were as similar as their costumes in most parts of the script, noticeably different only by which love interest they had. Nothing can be said of the talent of the cast though. Their skills as musicians were undeniably central to the success of this show’s success; I just wish they were ...

23Aug

By Hannah EsnoufNo Comments

North West

Lost Soul 2 – Liverpool’s Royal Court

Although the title might make some presume this to be a connected sequel to a show they should watch first, they needn’t worry. I was five when the first Lost Soul took to the same stage in 2007 and so there was no chance of me having any accurate grounds for comparison, but, from what I have read, that show was electric with scouse humour, a laugh-a-minute kind of affair and I took those expectations with me into Lost Soul 2. You’re never far away from a laugh in the Royal Court and this show was no different. Straight away it’s adult content and unapologetic farce gives you a flavour of the rest of the evening and that doesn’t let up, I was pleasantly surprised to see. The comedy was well-balanced and well-timed. Though sometimes predictable, it genuinely had people rolling around ...

12Jul

By Hannah EsnoufNo Comments

North West

The Giant Killers – Royal Court Studio

Leaving behind them a trail of raving reviews as they travel around the country, it is no surprise that Long Lane Theatre keeps impressing. The story is simple enough, but it is brought to us in a way that is both remarkably efficient, funny and educational. Though it is set in the 1800s, something that may put theatregoers off, may they be assured that this production feels as present as the day itself. Each performance has tenacity, complexity and human value and will keep audiences, whether they’re football fans or not, entertained throughout. The studio at Liverpool Royal Court is not a massive space, and noticing the compact nature of The Giant Killers set, neither were any of the touring show’s previous venues. It is testament to the quality of the cast of four per...

Boys From the Blackstuff – Liverpool’s Royal Court

25Apr

By Hannah EsnoufNo Comments

North West

Boys From the Blackstuff – Liverpool’s Royal Court

After its sell out run last Autumn and news of a transfer to the National Theatre, this production remains keenly awaited. The industrial, bare-boned set frames a strong start. Punchy, witty and clear are the performances, with a sense of foreboding about what’s to come. That ever-present feeling of foreboding is what keeps this play alive. Other than the everyday feel, the unassuming personalities on stage and the important subject matter, this play survives, just, on likeability of characters. As someone not originally from Liverpool, especially not in the mid-80s, I fear that presenting to a non-scouse audience, this production would not hit emotional beats as strongly when those watching do not necessarily understand the realities of this quintessentially scouse story of struggle. ...

24Apr

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North West

The Kite Runner – Liverpool Playhouse

Settling into a packed auditorium, there was a palpable expectation. Another world class story has been taken to the stage and I was keen to see if it was going to work. Hanif Khan takes his place at the front of the stage. A hush descends, but the play is yet to start. Filling the space with sound, he plays his tabla drums with gentle tenacity, bringing the Liverpool crowd into another world. This musical intro is something familiar to theatre goers that can go one of two ways, either the performance that follows is over-acted to the point where our presence in this new world is glaringly false or where we are truly transported. I’m glad to say this performance is of the latter. Amongst frequent soundscapes made by performers, this production aptly delivers the essence of Khaled Hossei...

Pride and Prejudice – Shakespeare North Playhouse

9Feb

By Hannah EsnoufNo Comments

North West

Pride and Prejudice – Shakespeare North Playhouse

After their greatly received production of ‘Strange Tale’ at the same venue last year, Imaginarium Theatre’s latest performance was hotly anticipated. Though some may stray from this type of re-telling when they are unfamiliar with the original tale, Imaginarium, I’m pleased to write, has achieved a very good balance in terms of audience accessibility as it centres on the essence of the 19th century classic whilst incorporating many relatable quirks. The Bennet family are loud, colourful and a smack in the face for ridding any pre-meditations of Georgian England. Lily Kelly’s Elizabeth was the most grounded performance and countered humorously by Kim Bennett’s bouncy namesake Mrs Bennett. Fully of energy and verve, these Bennett’s were exactly what is to be expected of Imaginarium: a go...

18Dec

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North West

The Wizard of Oz – Liverpool Empire

Aston Merrygold as the Tin man and The Vivienne as the Wicked Witch of the West, star in a vibrant and colourful stage adaptation of the classic film. Transferred to the Empire from their stint in London’s West End Jeremy Sams version stays true to the innocence and magic of the original tale. With new songs, written and composed by longstanding musical theatre icons Tim Rice and Andrew Lloyd Webber, friendship and fantasy were at the forefront. Full of flair, this production lived up to the expectation of the full crowd. Not only did the A-list names pay homage to their classic roles, they did not over play and stayed true to the production as a whole letting other cast members have their moments of too, of which there were many. Aviva Tulley’s Dorothy was understated but stoic. The Em...

Dracula: Mina’s Reckoning – Liverpool Playhouse

25Oct

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North West

Dracula: Mina’s Reckoning – Liverpool Playhouse

This play lends itself perfectly to the spooky season. Aberdeen Performing Arts and the National Theatre of Scotland have created a uniquely adapted tale from the late 19th Century. Dreamlike Scottish folk music swaddles you into the world of the play, where the audience held their breaths about what might happen. Scottish culture is not in the mainstream theatrical circuit, so it was educational as well as entertaining for the audience. The way that this production was adapted by Morna Pearson from Bram Stoker’s American story, with detail, humour and a real sense of world building, meant the audience really bought the world of Aberdeen’s hospital for women and the characters in it. Lighting (Aideen Malone) and sound (Fraser Mackie) were parts of the production that I really enjoyed...

Jesus Christ Superstar – Liverpool Empire

24Oct

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North West

Jesus Christ Superstar – Liverpool Empire

High expectation was felt amongst the sell-out crowd and this performance lived-up to and exceeded its title as a classic of British musical theatre. Tom Scutt (set and costume) and Drew Mconie (choreography) brought something new and exciting to this particular production. The industrial feel of the set, the paring back to bare metal really added to it and allowed those performing to shine and the multipurpose props were a savvy touch. Also, the movement elements of this piece were really impressive. Rugged, grounded and grungey would be the terms I would use, which brought a new take to the show to highlight the turmoil and obsessive themes of the story. All cast members gave their all in the physical demands of the routines which paid off, and their energy was felt right to the back ...

High Times and Dirty Monsters – Liverpool Everyman

12Oct

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North West

High Times and Dirty Monsters – Liverpool Everyman

A colourful, vibrant celebration of how it feels to be young and different in today’s society. Keith Saha has developed a production that is going to start important conversations and that is testament to the honesty of the stories and the real issues that they explore. Structured as a collection of four short stories following four young British people that have to deal with issues not limited to homelessness, ableism and financial difficulties, the play presents an earthy realism, and the representation is broad and necessary. As a whole, the piece is a sensory delight. Visually and audibly the three companies that created this show, 20 Stories High in a co-production with Graeae, Liverpool Everyman & Playhouse and LEEDS 2023 have produced a space that is inclusive and wholesom...