Hannah Esnouf, Author at North West End UK

It’s a Wonderful Life – Liverpool’s Royal Court Studio

21Nov

By Hannah EsnoufNo Comments

North West

It’s a Wonderful Life – Liverpool’s Royal Court Studio

I was glad to see how busy it was in the Studio for this production. Sometimes one feels slightly exposed and as though they should fear the worst sitting in a sparsely filled audience. Old Fruit Jar Productions is beginning to build up a solid reputation for bringing trustworthy and impactful theatre to the local area and I must say they continue that trend with this staging of It’s a Wonderful Life. Firstly, if you have yet to feel Christmassy then seeing a show like this will at once change that. The wholesome and honest story is a classic for a reason, that said, a classic on screen and so I was curious to see what it could be on stage. Due to the small space, they had to be economical and efficient with set and frills; not even the most high-tech theatres can jump from an off...

20Nov

By Hannah EsnoufNo Comments

North West

An Inspector Calls – Liverpool Empire

With the size and grandeur of the Empire stage, any play has a feat to reach the farthest eyes and ears in the audience. Especially a play that has such a wide and respecting reputation, not to mention a sell-out run to precede it. I didn't watch that initial tour of this production, so I have no comparison. That said, I was keen to see the calibre of the National Theatre re-produced, albeit with a hint of apprehension as to whether it would feel big enough for a space so different to the intimate Littleton. However, sat way back in the stalls I was pleased to feel so much life from the distant stage. The characters were bold and worked very hard to keep us in that world of tailcoats and silk gloves. Sheila Birling (Leona Allan) had humility, and a subtlety needed to counteract Mr an...

14Nov

By Hannah EsnoufNo Comments

North West

Dear Evan Hansen – Liverpool Empire

The classic saying always favours the book over the film of story but when a book comes off the back of a musical, then that musical has got to be next level. Dear Evan Hansen therefore comes with a calibre. The show is the blueprint that went to Broadway before Hollywood film sets and so future renditions can sometimes be overshot with assumed greatness. Instantly this performance was not that. What I noticed first was that the story was the main character rather than the individual performers which so often occurs during ‘big’ shows. I say it every time I go to the Empire, but that theatre is a big space that demands a strong stage presence. This cast were instantly electric, purposeful and slick that captured me and the packed seats three tiers high. Ryan Kopel’s Evan wa...

Girls Don’t Play Guitars – Liverpool’s Royal Court

5Oct

By Hannah EsnoufNo Comments

North West

Girls Don’t Play Guitars – Liverpool’s Royal Court

Reading the 2019 reviews of this show it was natural that I took my seat at its revival with high expectations. The story is undoubtably inspiring and it feels right at home in this theatre, however, as a stage show this lacked depth for me. With an 80:20 ratio of music to dialogue, albeit good music, it was difficult to feel much emotional pull towards these characters. As characters themselves, I imagine it was difficult to ascertain much difference between them for the actors as their personalities were as similar as their costumes in most parts of the script, noticeably different only by which love interest they had. Nothing can be said of the talent of the cast though. Their skills as musicians were undeniably central to the success of this show’s success; I just wish they were ...

23Aug

By Hannah EsnoufNo Comments

North West

Lost Soul 2 – Liverpool’s Royal Court

Although the title might make some presume this to be a connected sequel to a show they should watch first, they needn’t worry. I was five when the first Lost Soul took to the same stage in 2007 and so there was no chance of me having any accurate grounds for comparison, but, from what I have read, that show was electric with scouse humour, a laugh-a-minute kind of affair and I took those expectations with me into Lost Soul 2. You’re never far away from a laugh in the Royal Court and this show was no different. Straight away it’s adult content and unapologetic farce gives you a flavour of the rest of the evening and that doesn’t let up, I was pleasantly surprised to see. The comedy was well-balanced and well-timed. Though sometimes predictable, it genuinely had people rolling around ...

12Jul

By Hannah EsnoufNo Comments

North West

The Giant Killers – Royal Court Studio

Leaving behind them a trail of raving reviews as they travel around the country, it is no surprise that Long Lane Theatre keeps impressing. The story is simple enough, but it is brought to us in a way that is both remarkably efficient, funny and educational. Though it is set in the 1800s, something that may put theatregoers off, may they be assured that this production feels as present as the day itself. Each performance has tenacity, complexity and human value and will keep audiences, whether they’re football fans or not, entertained throughout. The studio at Liverpool Royal Court is not a massive space, and noticing the compact nature of The Giant Killers set, neither were any of the touring show’s previous venues. It is testament to the quality of the cast of four per...

Boys From the Blackstuff – Liverpool’s Royal Court

25Apr

By Hannah EsnoufNo Comments

North West

Boys From the Blackstuff – Liverpool’s Royal Court

After its sell out run last Autumn and news of a transfer to the National Theatre, this production remains keenly awaited. The industrial, bare-boned set frames a strong start. Punchy, witty and clear are the performances, with a sense of foreboding about what’s to come. That ever-present feeling of foreboding is what keeps this play alive. Other than the everyday feel, the unassuming personalities on stage and the important subject matter, this play survives, just, on likeability of characters. As someone not originally from Liverpool, especially not in the mid-80s, I fear that presenting to a non-scouse audience, this production would not hit emotional beats as strongly when those watching do not necessarily understand the realities of this quintessentially scouse story of struggle. ...

24Apr

By Hannah EsnoufNo Comments

North West

The Kite Runner – Liverpool Playhouse

Settling into a packed auditorium, there was a palpable expectation. Another world class story has been taken to the stage and I was keen to see if it was going to work. Hanif Khan takes his place at the front of the stage. A hush descends, but the play is yet to start. Filling the space with sound, he plays his tabla drums with gentle tenacity, bringing the Liverpool crowd into another world. This musical intro is something familiar to theatre goers that can go one of two ways, either the performance that follows is over-acted to the point where our presence in this new world is glaringly false or where we are truly transported. I’m glad to say this performance is of the latter. Amongst frequent soundscapes made by performers, this production aptly delivers the essence of Khaled Hossei...

Pride and Prejudice – Shakespeare North Playhouse

9Feb

By Hannah EsnoufNo Comments

North West

Pride and Prejudice – Shakespeare North Playhouse

After their greatly received production of ‘Strange Tale’ at the same venue last year, Imaginarium Theatre’s latest performance was hotly anticipated. Though some may stray from this type of re-telling when they are unfamiliar with the original tale, Imaginarium, I’m pleased to write, has achieved a very good balance in terms of audience accessibility as it centres on the essence of the 19th century classic whilst incorporating many relatable quirks. The Bennet family are loud, colourful and a smack in the face for ridding any pre-meditations of Georgian England. Lily Kelly’s Elizabeth was the most grounded performance and countered humorously by Kim Bennett’s bouncy namesake Mrs Bennett. Fully of energy and verve, these Bennett’s were exactly what is to be expected of Imaginarium: a go...

18Dec

By Hannah EsnoufNo Comments

North West

The Wizard of Oz – Liverpool Empire

Aston Merrygold as the Tin man and The Vivienne as the Wicked Witch of the West, star in a vibrant and colourful stage adaptation of the classic film. Transferred to the Empire from their stint in London’s West End Jeremy Sams version stays true to the innocence and magic of the original tale. With new songs, written and composed by longstanding musical theatre icons Tim Rice and Andrew Lloyd Webber, friendship and fantasy were at the forefront. Full of flair, this production lived up to the expectation of the full crowd. Not only did the A-list names pay homage to their classic roles, they did not over play and stayed true to the production as a whole letting other cast members have their moments of too, of which there were many. Aviva Tulley’s Dorothy was understated but stoic. The Em...