Gaurav Singh, Author at North West End UK

The Seven Pomegranate Seeds – Rose Theatre

11Nov

By Gaurav SinghNo Comments

London

The Seven Pomegranate Seeds – Rose Theatre

Fifteen years after it was commissioned and performed as a staged reading, Colin Teevan’s contemporary amalgamation of mythical stories receives a stunning production at the Rose Theatre in Kingston. Directed and designed by Melly Still, the text brings to life the legends of female characters from Euripedes’ plays, namely Persephone, Hypsipyle, Medea, Alcestis, Phaedra, Creusa and Demeter, and situates them in the present-day UK. Each story touches upon different themes – rage, fear, vanity, obsession and more – and are tied together with a larger thread of motherhood, grief and loss. The show is backed by formidable performances by Niamh Cusack and Shannon Hayes who rely on rhythmic vocal delivery and effortless movement quality to bring out the best in Teevan’s text. Hayes’ embodimen...

31Oct

By Gaurav SinghNo Comments

London

Night, Mother – Hampstead Theatre

Marsha Normon’s 1983 Pulitzer-winning drama “‘night, Mother” returns to the Hampstead Theatre after its European premiere at the same venue in 1985. Directed by artistic director Roxana Silbert and designed by Ti Green, this two-hander explores the complicated relationship between a mother and a daughter in what would have otherwise been an ordinary, quiet evening in their isolated house in the rural American hinterlands. Touching upon the themes of suicide, mental health and isolation, the show unfolds as a series of conversations between the two characters about a disturbing decision that awaits them, and us in the audience, at the end of the night. With measured performances by Stockard Channing and Rebecca Night, it is a hauntingly gripping experience that seeks to remind us about the ...

22Oct

By Gaurav SinghNo Comments

London

Flushed – Park Theatre

For many of us, our closest confidantes have been our siblings. From secrets and admissions, including the ones within shared knowledge and the ones deliberately kept hidden from each other, this relationship is equally unique in its love-hate characteristics. In Catherine Cranfield’s play Flushed, we see this contradiction at play through the story of sisters Marnie and Jen. From boy problems and adulthood woes to annoying habits and profound decisions, they rely on each other for better and for worse. Unfolding as a series of unfiltered conversations shared between cubicle walls of public bathrooms, we meet the older sister Marnie (Elizabeth Hammerton) who tries to play by the rules and is working hard to become a self-functioning adult. Her hopes for a fulfilling romantic relationshi...

22Oct

By Gaurav SinghNo Comments

London

Sold – Park Theatre

Mary Prince lived an extraordinary life. Born into enslavement in Bermuda in 1788, her life was filled with struggle and pain, but she refused to let it define who she was. Her book ‘The History of Mary Prince’ published in 1831 offers a first-hand account of the brutalities of the slavery regime in the British Caribbean colonies of the time, and forms the source material for Kuumba Nia Arts’ show ‘Sold’. Through theatre, song, music, drumming and dance, we witness Mary’s momentous journey, from childhood to her late 40s, which had an electrifying effect on the abolitionist movement. Directed by Euton Daley and written (and performed) by Amantha Edmead, the show intends to offer a chronological retelling of Mary’s life, tracing her experiences as a young woman of colour trying to come t...

Chop Me Up or Let Me Go – Hen & Chickens Theatre

21Oct

By Gaurav SinghNo Comments

London

Chop Me Up or Let Me Go – Hen & Chickens Theatre

Among the things that we all have collectively experienced over the past year, one of them has to be the physical and mental limits we are pushed to in confinement (read: lockdown). This set-up is not unfamiliar to the dramatic world – being stuck in a place with nowhere to go and nothing to do – and has been aptly used as a narrative structure in this new production by the Albiston Line Theatre Company. Chop Me Up or Let Me Go is a terse two-hander written and directed by Lesley Ann Albiston that explores survival, obsession and human relations through the lens of its two characters. Thomas Reynolds, a famous actor, has been kidnapped by Astrid Barton, a researcher who swears she’s his biggest fan. Astrid’s motives for the kidnapping aren’t particularly clear but it’s evident that Thomas ...

15Oct

By Gaurav SinghNo Comments

London

Screen 9 – The Pleasance Theatre

Making any artistic project that deals with someone’s lived experience is a challenging endeavour, especially when it touches upon trauma and hurt that one continues to live with every single day. Between remaining true to the testimonies that drive the story and holding a safe space for an audience to explore the subject area, it calls for a dramaturgy of care and empathy. Piccolo Theatre’s new verbatim show Screen 9 succeeds in doing precisely that. Based on the 2012 mass shooting incident that occurred in a movie theatre in Aurora, Colorado, the show uses the real-life testimonies and interviews of survivors to reconstruct the gruesome July night which left 12 dead and over 70 injured. Focusing on the life of these survivors in the years since the shooting and their attempts to deal wit...

14Oct

By Gaurav SinghNo Comments

London

No Fear! – Hoxton Hall

From an undercover operator and rebellious rock star to a manic mother and prolific performer, Linda Marlowe has lived many different lives within one lifetime. Interspersed with her real-life experiences, relationships and encounters as well as a larger personal commentary about her age and the legacy she wishes to leave behind, ‘No Fear!’ is a one-woman show being staged at the Hoxton Hall. The show is directed by Gavin Marshall, who joins Josie Lawrence and David Benson to share the writing credit. The production follows in the footsteps of Marlowe's previous stage productions such as ‘Berkoff’s Women’ and ‘Diatribe of Love’, in which she says she “expressed (her) love of physical theatre and, the power of words from two great writers, Berkoff and Marquez”. This production touches upon ...

10Oct

By Gaurav SinghNo Comments

London

Roots – Wilton’s Music Hall

As I found myself settling into my seat at the historic Wilton’s Music Hall, I registered a strange feeling. Perhaps it was the humdrum of excited, hushed voices that swept the hall or maybe it was the fact that we were all gathered here, together, to listen to some folk tales. However, what followed next completely disarmed me (in a good way) and for the next hour, I surrendered myself to the lure of a good story. Independent performance company 1927’S Roots is a playful, multi-faceted exploration of stories from a simpler time. Written and directed by Suzanne Andrade with Paul Barritt on animation and design, the show is an anthology of ancient folk tales from the Aarne index which has categorized and numbered thousands of stories from all over the world. 1927’s trademark aesthetic combi...

Behind Closed Doors – Christ Church Spitalfields

8Oct

By Gaurav SinghNo Comments

London

Behind Closed Doors – Christ Church Spitalfields

If there’s one thing that transcends linguistic, cultural and socio-political boundaries for humans, it’s our curiosity about other human beings. More specifically, the people who live in our neighbourhoods and their lives. Multicultural collective 27 Degrees seeks to bring forth this innate curiosity about people who live next door to us through their show Behind Closed Doors, a site-specific theatrical experience that unfolds on the streets of East London. The journey begins at the steps of Christ Church in Spitalfields where you are invited to put on your headphones and access the audio instructions. Step by step, you are introduced to the rules of the world and you begin your journey on foot. Guided by audio, you cross different streets in and around Spitalfields. As you progress, y...

7Oct

By Gaurav SinghNo Comments

London

Fritz & Matlock – The Pleasance Theatre

Fritz & Matlock is a new two-hander play by James Wallwork and Salvatore D'Aquilla that makes its way to the Pleasance Theatre’s autumn programming, after being written over Zoom during the pandemic. The show, produced by Part of the Main and directed by Jessica Millward, has been described as a contemporary 'Waiting for Godot’, an almost tongue-in-cheek reference to how its two titular characters find themselves trapped in a dingy basement, grappling with the consequences of an unfortunate incident, and are waiting to make their next move. These are childhood friends Carl Fritz (D'Aquilla) and Barry Matlock (Wallwork) whose vastly different outlooks on life are, perhaps, only exceeded by their considerably different approaches to the situation at hand. The story begins sometime mid...