Gonzalo Sentana, Author at North West End UK

3Jun

By Gonzalo SentanaNo Comments

London

Gypsy – The Mill at Sonning

Can one live vicariously? Can one be successful through one's child's success? How much can one change when pushed to the edge of exhaustion? Welcome to Gipsy, a classic that will make you shiver in your seat. This staging of the now classic Musical on the Mill at Sonning hits all the right spots. When going to the performance, the ticket includes a two-course dinner, about which this reviewer cannot knowledgeably comment, other than to say that it was almost as great as the main dish: the theatre part. This play written by Arthur Laurents, with music by Jule Styne, and lyrics by Stephen Sondheim is entire directed and choreographed for The Mill by Joseph Pitcher, with Francis Goodhand in charge of musical arrangement, direction and keyboards, Jason Denvir in the incredibly lively Se...

1Jun

By Gonzalo SentanaNo Comments

London

I Found My Horn – Riverside Studios

What mark are we leaving? What can provide for sense? Is there anything to give wings to our life? In this production of I Found My horn, based on the book by Jasper Rees, with direction by Harry Burton and performed by Jonathan Guy Lewis, the audience delves into questions of existential dimension with a kind perspective, and navigating through the difficulties of music, art, and life. The play starts in an attic overcrowded by objects, many of which are covered by old rags, as if in hiding while waiting for the action to begin. When a hatch opens on the left, letting the light come in, it is as if magic were happening, and the actor were coming from deep beneath the stage. The physical space will barely change during the piece, but we will be taken to different times and spaces, an...

Under the Kundé Tree – Southwark Playhouse Borough

31May

By Gonzalo SentanaNo Comments

London

Under the Kundé Tree – Southwark Playhouse Borough

Important topics and neglected topics are both amongst the main raw materials that theatre brings forth to create and look at reality. In the case of Under the Kundé Tree, it is both. This play, written by Clarisse Makundul and director Ebenezer Bamgboye, takes us back to the times of the Cameroonian independence conflicts, with an interesting emphasis on the role women had during these times. Throughout the story the audience will be following Sara, played by Selina Jones, who will be having encounters with Jean, his suitor, played by Fode Simbo; Nadia, her cousin, played by Amma-Afi Osei; and his father Pa, played by Yinka Awoni. Finally, Makundul herself plays an uncredited role. The play starts with a short section of dance. Beautiful short choreographies will be seen the rest of...

30Apr

By Gonzalo SentanaNo Comments

London

Richard III – Rose Theatre

What is the right way to do Shakespeare? Is there a right way? Is there only one way? How are his characters seen today, and what do they mean for today's audiences? Adjoah Andoh takes a bold swing at one of Shakespeare's most hateful villains, and strikes the audience with wit. This staging of Richard III, coproduced by Rose Theatre and Liverpool Everyman & Playhouse Theatre, toys with the idea that the non-able bodied title character is being judged by his appearance more than his actions. All the historical explanations notwithstanding, it is interesting to think about discrimination and marginalization based on physical appearance. It's just… well… according to the text, Richard did order the murder of two children who were in his way, amongst several other people. The question ...

Love Talk – New Wimbledon Theatre Studio

28Apr

By Gonzalo SentanaNo Comments

London

Love Talk – New Wimbledon Theatre Studio

How would it feel to see a very toxic relationship described as love? How would it look like to see the representation of a separation letter gone wrong? In this production of Love Talk, written and directed by Emma Gueye, the audience is presented with the characters of Lauren, played by Megan Cooper, Adam, played by Will Charlton, and Ethan, by Chris Austin. The set and costume design are minimal and have little to no interest in the performance, but that will come back later. When the audience enters the theatre, there seems to be a party going on, with between 6 to 10 people having fun, talking, and laughing on stage. This is a very promising start that is, however, deceptive. The rest of the play will be surprisingly static, not only from a corporeal point of view, but from the ...

15Apr

By Gonzalo SentanaNo Comments

London

Life is A Dream – Barbican

Life without consequences. Life as theatre. The great stage of the world. Life as a dream, and dreams as dreams. Welcome to the undying and unrelentlessly current world of Calderon de la Barca. In the huge stage of the Barbican, the companies Cheek by Jowl, LAZONA and Compañía Nacional de Teatro Clásico join forces to bring this oneiric classic to life, with a staging irreverent and bold, but thoughtfully provoking and challenging. Directed by Declan Donellan, and Design by Nick Ornerod, the stage is very simple yet effective in its metaphor: the audience is received by a wall of doors that will open and close during the performance, to let characters in, but also to hide and show the farce that is about to be shown. The known story of Segismundo, played by Alfredo Noval born ill-fat...

13Apr

By Gonzalo SentanaNo Comments

London

Family Tree – Brixton House

"Black is everything. Black is life." Let yourself be introduced to Henrietta Lacks, the inhabitant of petri dishes who you might already know, without knowing it. In this production of Mojisola Adebayo's Family Tree, directed by Matthew Xia, the audience will find a very sensitive and warm approach to difficult topics that need to be addressed, with deep historic roots, and ramifications up to our times. The play has the magnificent performances of Aminita Francis as Henrietta Lacks; Mofetoluwa Akande as Ain, Anarcha and Oshun; Keziah Joseph as Bibi and Betsey and Aimeé Powell as Lyn and Lucy, and the pertinent and silent participation of Alistair Hall as the Smoking Man. The group delivers for astonishing poetical texts, embodied in a beautiful way. The show starts with a speech fr...

The Two Gentlemen of Verona (& Sonnet 104) – Barons Court Theatre

8Apr

By Gonzalo SentanaNo Comments

London

The Two Gentlemen of Verona (& Sonnet 104) – Barons Court Theatre

Relentless, quick-witted, fast-paced, surprising. Shakespeare has not yet said everything he had to say. The approach taken by Evan L. Barker in this new staging of Shakespeare's The Two Gentlemen of Verona is to set the action in a school environment, redefining and giving new meaning to the situations the characters are put through and their decisions in that context. The apparent freedom of the cast in the performance, while being strict with the words and rhythm of the piece (abridged and adapted by the same Barker), gives it a solidity and integrity that further contributes to a contemporary interpretation of the play. The audience is received by a character painting on stage. After a short very intense introduction where the actors rile up the audience and set the tone with juv...

7Apr

By Gonzalo SentanaNo Comments

London

Electra Untitled – The Cockpit

Bloody your hands if your story is being told without you having a say in it. "Dance, dance, furies, lock your arms!". This rendition of Electra's part of Greek mythology, produced and presented by Vertebra Theatre, explores the story of this controversial character, with the legacy it has had in theatre, through the eyes of four actors and a director, who devised and interpreted it: Alexa Komari, Emilie Largier, Masumi Saito, Elena Stamoulakatou, Mayra Sergiou. Sergiou oversaw the concept, the adaptation and the direction as well. On stage, we also see Gregory Emfietzis, who composed the music and plays the violin, the drum and the electronics. The play introduces us to the pathos of Elektra's story immediately, through the image of four faceless, red-tinted actors, covered in drape...

Gone Too Far! – Theatre Royal Stratford East

31Mar

By Gonzalo SentanaNo Comments

London

Gone Too Far! – Theatre Royal Stratford East

As a young immigrant, seeing one's own problems and conflicts being represented on stage is a strong message of resistance and support. When a text is straightforward and the acting is full of life, nothing can go wrong. Gone Too Far!, written by Bola Agbaje and Directed by Monique Touko, is a clear and dynamic play, being staged again in Theatre Royal Stratford East after premiering in 2007 as a commissioned work for the Royal Court Theatre. Here, problems are faced straight on, without any fears of provoking booing or indignation from the audience. I found myself sighing and sitting on the edge of my seat, uncomfortable with some of the situations that the main characters had to go through. As soon as the piece starts, we are introduced to the two main characters: Yemi, played by J...