Wednesday, December 17

Author: Greg Holstead

Keli – Royal Lyceum Theatre
Scotland

Keli – Royal Lyceum Theatre

Keli is writer and composer, Martin Green’s response to his adopted community and its music. The writer moved to a small mining town in the South of Scotland and became fascinated by the relationship between the brass band and the pit. The mines were of course long gone, but the music remained and had become an emblem of continuity and resilience, where ‘the band is the toon, and the toon is the band’. At the centre of life Green’s a fictitious small mining town is Keli, a troubled and foul-mouthed young lady with few prospects, an anxiety-ridden mother and a dead-end job stacking shelves. The one good thing in her life is the band, and when she picks up the tenor horn, she becomes a different person, somehow empowered and necessary. When she blows those few inches of air it is the one ...
Scottish Ballet: The Crucible – Festival Theatre, Edinburgh
Scotland

Scottish Ballet: The Crucible – Festival Theatre, Edinburgh

Excelling in pretty much every aspect of theatrical performance, this revival of Scottish Ballet’s 2019 adaptation of Arthur Miller’s iconic play is a cast-iron cross-over hit full of exquisite movement, sublime sound, theatrical storytelling, ethereal lighting and brilliant set design, magical, darkly complex and supernaturally good. I say cross-over because this does not feel, or indeed sound like any ballet I have ever witnessed before. There is so much modern dance and passionate movement mixed in here with storytelling and set to a scintillating modern score by Peter Salem it feels like something completely new, different and exciting. The giant stage of The Festival Theatre can be daunting, some productions just get swallowed up here. But not this one. In Emma Kingsbury and Dav...
Soundhouse: A New International – Traverse Theatre
Scotland

Soundhouse: A New International – Traverse Theatre

What a joy this was! Returning to the Traverse for the first time since 2019, 8-piece Glasgow New Romantic band A New International kick up a storm in front of an appreciative packed house performing hits from their first three albums, a generous few from the soon to be released fourth (later this year) and a couple from the mythical fifth. As a newcomer to their music, it was certainly an eye opener! I enjoyed hearing their early back catalogue particularly History Will Be Ours, the wonderfully toe-tapping, Necrapolitan and the hilarious Trump love song New American, but it was their latest songs, particularly The Girls Sing Country Blue, (dedicated to Auntie Rita) and Flicker, Flicker Firelight, which hit me the hardest and show that this band is still very much on an upward trajector...
Donald Grant and The Scottish Ensemble: Thuit an Oidhche Oirnn (The Night Overtook Us) – Queen’s Hall, Edinburgh
Scotland

Donald Grant and The Scottish Ensemble: Thuit an Oidhche Oirnn (The Night Overtook Us) – Queen’s Hall, Edinburgh

A foot tapping and thought provoking night from one of Scotland’s finest fiddle players accompanied by the tartan security blanket of the Scottish Ensemble, who together created something of a sonic explosion at The Queen’s Hall. Following on from their puppet based space Odyssey The Law of Gravity which I loved at The Traverse earlier this year, The Scottish Ensemble, champions of classical Scottish string, led by Artistic Director, and 1st violin Jonathan Morton head back to their native roots, but with many a twist along the Highland track. Before Donald Grant takes to the stage we are treated to the Ensemble’s remarkable rendition of Touch and In Memorium, by Martin Suckling, like a murmuration of starlings, swooping and wheeling seemingly defying logic (or melody) and yet still ...
Nessie – The Studio, Edinburgh
Scotland

Nessie – The Studio, Edinburgh

Produced by Capital Theatres & Pitlochry Festival Theatre, Nessie, is a family-orientated tale of friendship, set to music with nods towards global warming, climate change and clean energy production that plays out a bit like a tick-box exercise for the 21st Century. However, from the reactions, the ooos and awwws, of the younger audience members and their quiet attention for 80 minutes it certainly seems to hit its target. And that, as we all know, is no easy feat! The life-sized puppets of Otter, ‘Oggie’ played by Keith Macpherson and Grey Heron ‘Heather’, operated by Alison Orr play a big role and are certainly cute and cuddly. And star of the show Nessa operated by Eden Barrie has a gurgling prehensile presence and a clever operation which allows her to be handled and operated r...
Beauty and the Beast – Church Hill Theatre
Scotland

Beauty and the Beast – Church Hill Theatre

We all know that opening nights can go one of two ways; either a riot of mistakes ,technical blunders and missed lines or that rare perfect explosion of nervous energy which propels the production to new heights. I’m happy to say that tonight, on April Fool’s day, this is no blundering joke, instead it is one of those unique stunning, wonderful events. But this is no happy accident. Whether by stick or carrot, Director Louise Sables pulls off a masterclass of amateur direction and casting, to marshal the talented folks of EMT to tell a simple story with real emotion, humour and clarity, and at a pace that many a professional production would only dream of, whilst eking out a meagre budget in all the right places. Take the costumes for example: to open the programme and find that the ...
Death of a Salesman – Festival Theatre
Scotland

Death of a Salesman – Festival Theatre

Arthur Miller’s iconic treatise on the American Dream, often studied, but rarely performed, is brought to glorious life tonight on the Scotland’s biggest stage in front of a packed and almost reverential audience. It is a simple enough tale of an ordinary man, Willie Loman, who has worked all his life to live up to his, and America’s, idea of what a man should be; strong, dependable, financially stable and unexceptional – an automaton – A Salesman. We enter Willie’s world just as he seriously begins to question his life and whether it has been a success. He has begun to have lapses of concentration which might point towards the onset of dementia, which are now even affecting his ability to drive safely and ultimately be able to continue working. A life insurance policy of $20,000 feels ...
The Land That Never Was – The Studio, Edinburgh
Scotland

The Land That Never Was – The Studio, Edinburgh

Starting life as an idea broached on a Scratch night for budding theatre makers a year ago, Liam Rees brings a fascinating true story of financial fraud to fruition to a packed house tonight. Imagine a country so bountiful in flora and fauna, set in the warm rejuvenating waters of Central America, a tropical paradise, where you would be lord of all you surveyed. This is the dream that Stirling man (Sir) Gregor McGregor sold to over 300 Scots in 1820. The country was Poyais, it had its own currency, parliament, honours system and coat of arms, all described in loving detail in an illustrated 350-page guidebook. But the book, like the story was fake, as was the currency which padded the wallets of the hopeful on their long and perilous journey. The actual destination for the unfortunate S...
Piece of Work – Traverse Theatre
Scotland

Piece of Work – Traverse Theatre

This is a one man show about suicide, but with much wit and good humour and a blizzard of Shakespearean soliloquies you would hardly think it. Till later. Unfolded on the floor are tattered maps of Britain, The World, Greater Manchester and the tiny village where James Rowland paddled in the river. Standing on or hovering over these, master storyteller Rowland unfolds himself, all hands and mouth and sparkling eyes, creased and tattered and a bit ragged at the edges but still intact. His purpose, by way of many a Bard quote is not just to lay out a road map of his own ‘little life’, sustained by chicken burgers, but also to make us seriously consider our own and the sometimes very tenuous line that tethers us all in place. To be or not to be, is indeed the question, but it is one whi...
Now That’s What I Call A Musical – Edinburgh Playhouse
Scotland

Now That’s What I Call A Musical – Edinburgh Playhouse

It’s big, bold and cheesier than a Swiss Fondue, but if you can put up with the variably dodgy Brummie accents there is a lot to enjoy in this jukebox musical based on the best musical decade there ever was – the eighties of course! The story, set in Birmingham, follows two school chums Gemma and April and their friends and family between the year 1989 and a class reunion in 2009, and music is the elixir that never grows old – as powerful and evocative twenty years on as it was when they first heard it. It is certainly an interesting and well thought out concept for a musical and on the whole, it works, helped in no small part by a brilliant set which flips very cleverly from bar to lounge to park to video shop (remember those!). The clever and at times very funny script also skips alon...