Monday, December 23

Author: Greg Holstead

The Aretha Franklin Story – The Space @ Symposium Hall
Scotland

The Aretha Franklin Story – The Space @ Symposium Hall

Cleopatra Higgins of 90s girl group Cleopatra, is probably as much of a draw for this one as fans looking for the back story to Aretha Franklin. They both come together brilliantly in this short musical programme. There is no doubting the quality of Higgins’ performance as she takes us through the hits of the undisputed Queen of Soul, with high energy versions of Think, Natural Women and Respect. Likewise, there is the brilliant Night Owl band behind her, pretty much note perfect. Producing no less than 11 shows at Edinburgh Fringe this year, the Night Owl formula is fast becoming a Fringe staple. You can take your pick, with shows ranging from Fleetwood Mac to Amy Winehouse and Blondie, and many already sold out. Cleopatra is also on later in the day in The Whitney Houston Story...
Picasso: Le Monstre Sacre – Assembly Roxy
Scotland

Picasso: Le Monstre Sacre – Assembly Roxy

Guy Masterton’s name attached to any Fringe production usually guarantees quality and this piece is no exception. Brilliantly acted by Peter Tate, who is electrifyingly terrifying as the human Minotaur Pablo Picasso. One cannot love the Minotaur, and live, Tate portrays the Infamous womaniser as the ultimate home fatale, as he crawls from needy journalist to idolising art student, all looking for a part of him that he is more than willing to give, for a price. Tate starts the show astride a paint-splashed ladder, at the top of his game, later in his life, looking out intently at a single spotlight, the sun. Behind and around him a muslin cloth hangs limply to the floor from a high semi-circlular rail, his canvas, but also the thin veil that surrounds his boudoir, the spiders lair, to...
As Far As Impossible – Lyceum Theatre
Scotland

As Far As Impossible – Lyceum Theatre

The stage is set with a giant white cloth, held up in places by cables and pulleys. It looks like snow covered mountains, peaceful and serene. This is what ‘the impossible’ looks like from far away. Like a picture postcard. But look closer. Four actors of different nationalities and a drummer combine at various times under, in or in front of the vast cloth structure, which is raised, dropped, illuminated in various ways.  This is a land that most of us do not know of, or ignore, or just wish were not there. But it is. A land visited by aid workers and humanitarians, at least for as long as their sanity can stand it. In the face of civil war, genocide, mass killings how long can anyone’s mind last before cracking apart? And yet, incredibly, some are drawn back again and again to the...
Dusk: A Bite-Size Love Story – Greenside @ Infirmary Street
Scotland

Dusk: A Bite-Size Love Story – Greenside @ Infirmary Street

Congrats should go the PR team of Dusk, I guess, for making this production a complete sell-out, (this early?!) via the viral wonders of Tik Tok, whatever that is! But is it any good? Well, yes and no. Firstly, I must profess to being a 50+ man, knowing absolutely nothing about the show Twilight upon which this is based, never watched a single episode, but with an open mind I take a seat amongst the 20-something sea of hormones. Feeling very much like an old cod. Missing every reference, every in-joke, every internet discussion group thread meant that the audience were in howls of laughter around me. And well, I wasn’t. However, I have to say, I was blown away by the sheer energy and commitment of this large cast but in particular by the performance of Eva-Marie Blaire as B...
Sunshine on Leith – Assembly Rooms, Bijou (tent) George Street
Scotland

Sunshine on Leith – Assembly Rooms, Bijou (tent) George Street

Set in the inspired venue choice of a giant tent on George Street, Captivate Theatre bring this breezy and lively musical which can easily cope with some background street chatter. In fact, it fits right in (as if it’s meant) to many of scenes; in the pub, on the football terraces or in the hospital. And as for the lighting techie! It took me a while to realise that we were at nature’s mercy, and miraculously it seemed that the light rose and fell at all the right points. Behind a cloud for the sad scenes and full sun for the bright ones. Miraculous! To the wonderful music and lyrics of Scotland’s finest, The Proclaimers, Scottish Country (without the Western), we follow two likely lads, Ally and Davy, discharged from the army and returning home to Edinburgh (no, Leith!) to try to carve...
Food – The Studio
Scotland

Food – The Studio

I am one of the ‘lucky’ ones chosen to be seated at a gargantuan table fully laid out with plates and glasses and cutlery, with about 30 other guests, the rest of the ‘audience’ are seated around us on three sides. Geoff Sobelle dressed as a fancy waiter struts around us, in charge of proceedings. He pretends to light a candle and pulls it on a cloth into the middle of the table. Of course, it is only a little pretend candle; no one is allowed to use a naked light in theatre land these days. In fact, as he pulls it, it falls over, so we can all see that it is a little battery powered prop, there is a ripple of laughter. Sobelle shrugs with a grin. Any so it begins. As the lights drop lower and lower and we are asked to close our eyes and are taken on a journey with Sobelle’s sonorous vo...
Macbeth by the Sea – The Space on the Mile
Scotland

Macbeth by the Sea – The Space on the Mile

Second up in my Macbeth marathon this Fringe was this lightweight absurd piece by American group John Hancock Productions. With an open mind, I allowed the onslaught to commence, and commenceth it did. More Spamalot than Shakespeare, this one would have had the bard rolling in his grave, and not necessarily with laughter. Whilst there were moments of fun and pith from the four strong cast, led muscularly by Ric Walker in the titular role, this was still pretty thin gruel. Macbeth and Lady Macbeth are trying to relax in a seaside resort after the murder of Banquo, but confronted in turn by his ghost, the witches and an incompetent masseuse (out damn knot!) hotel manager who is a weird mixture of Faulty and Renee. You get the picture. The picture that probably looked great on th...
Late Bloomers Tales – The Jazz Bar
Scotland

Late Bloomers Tales – The Jazz Bar

Italian Jazz and soul singer, Anna Vanosi, is fast become a Fringe regular since she came here 4 years ago. Her soulful voice and playful storytelling brighten up the subterranean room of The Jazz Bar. She is no stranger to the venue throughout the year, but during August it seems to be where she lives! This set is as much a coming-of-age tale as a musical show, Anna draws her life out with lyrical richness, always finding the right song to tell her story, from tourist guide to traveller through Asia, to full time singer, and all dedicated to her Italian Grandma who has always been her guiding light. The songs when they come are rich and beautifully sung, aided by two talented backing musicians. Time is different for different things, Anna’s asks, ‘how long does it take water ...
Macbeth: Sleep No More – The Space @ Niddrie Street
Scotland

Macbeth: Sleep No More – The Space @ Niddrie Street

A cleverly shortened and in places rewritten version of the Scottish Play which takes nothing away from its power and fascination, performed very nicely by a four female cast, in what is normally a male heavy production. All four actresses do very well to play a screed of different characters, but none shines brighter than Victoria Adler, who is scintillating in whichever body she is inhabiting. Alder’s sword fighting scene with Amy Floyd’s slightly pedestrian Macbeth is one of the highlights of the whole show, with audience members visibly shrinking back and pulling up legs from the thrusting and whirling bodies as the contest progresses to its inevitable bloody climax. Absolutely riveting stuff! Perhaps a bit more cut and thrust in the lines department would not have gone amiss...
Matilda Jr – Edinburgh Academy, Magnusson Theatre
Scotland

Matilda Jr – Edinburgh Academy, Magnusson Theatre

A lone pink teddy bear sits centre stage under a yellow spotlight, behind it a bare scaffold. Do not expect lavish sets, this is a stripped back and shortened, junior, version of this family favourite. But worry not, what it loses in artifice it more than makes up for in oodles of acting, singing and dancing talent, from juniors and adults alike, and a sound system to die for. The well appointed auditorium is full and child heavy, crisps and haribos are munched, capri suns slurped. There is an expectant murmur from the packed crowd, and why not, this is after all a totally sold out run by Edinburgh crowd favourites Captivate, old hands at putting on fabulous fringe productions. A child walks out and picks up the teddy bear, is joined by another and another until, by my calculatio...