Greg Holstead, Author at North West End UK

Mary: A Gig Theatre Show – theSpace @ Symposium Hall

15Aug

By Greg HolsteadNo Comments

Scotland

Mary: A Gig Theatre Show – theSpace @ Symposium Hall

Ahhh! The youthful enthusiasm approach! Recently graduated from QMU, Rona Johnston, writer and lead performer, gathers her (5) Marys to tell the story of Mary Stewart, Queen of Scots. The 6 young ladies squeeze onto the tiny stage, smirking, impetuous and ready. With a strong feminist thread and music at its heart and a SOLD OUT run, this feels close to being a hit! But SIX this is not. Not yet! Through a mixture of verse and song we follow Mary and her inner circle (known as her Marys) from France to Scotland and on to London and her ultimate demise. It is a strong story which lends itself to performance. Eight songs (soon to be released on Spotify) light up the production, ranging from Celtic ballads to grunge-rock anthems. Alli Von Hirschberg on electric lead guitar is a star ...

The Kate Bush Story – theSpace @ Surgeons’ Hall

15Aug

By Greg HolsteadNo Comments

Scotland

The Kate Bush Story – theSpace @ Surgeons’ Hall

I took my seat at this one slightly concerned for the welfare of the singer. Would she try to be like Bush and fail, or try to be like Bush, but just be a parody or mimic, affecting a false voice (the worst of all options!), or just try not to be like Bush at all? The whole premise of the show seems like a bear-trap. After all, who can compare to the incomparable Bush, sing the unsingable songs, or be the unbearable complexity that is Kate. The first two intro songs of Hounds of Love and Wuthering Heights do nothing to quell my concerns. Thank God therefore for The Man With the Child In His Eyes, which sees Richards sitting down on keyboard, calm the hell down, and channel the essence of Kate for the first time with a sensitive and beautiful interpretation. Brilliant! The wonderf...

21: The Music of Adele – theSpace @ Symposium Hall

15Aug

By Greg HolsteadNo Comments

Scotland

21: The Music of Adele – theSpace @ Symposium Hall

Ella McCready comes from an early life immersed in the music of Adele, a true fan, which is very apparent in this performance. Close your eyes, and you could easily be in the front row of an intimate audience with one of the all-time greats. Her voice is remarkably similar, singing and phrasing are faultless which is obviously a good thing, right? McCready’s tender, breathy, rendition of When We were Young, which she acknowledges as one of her all-time favourites, and mine, is one of the undoubted highlights of this dedicated homage. However, there is always a fine line between mimicry and artistry, and this walks perilously close to the former. In danger of becoming the equivalent of listening to a greatest hits album, salvation here comes from an unlikely source, the skins. The...

007 Voices of Bond – theSpace @ Symposium Hall

15Aug

By Greg HolsteadNo Comments

Scotland

007 Voices of Bond – theSpace @ Symposium Hall

Following a brief video-briefing from M…M….Mike, we are passed into the very capable hands of femme fatale Ella McCready, resplendent centre stage in shimmering red sequin dress, supported by a full band. The scene is set for a journey through the music of Bond in the more than capable hands of Fringe music experts, Owl….. Night Owl. So, relax into the superior comfort of real leather upholstery, and the stunning acoustic of The Symposium Hall. All the expected songs are here, but also some welcome surprises. And these are not mere copies. McCready’s brilliantly Jazzy, upbeat version of Nobody Does it Better, is quickly bettered by an elastic and colourful interpretation of, For Your Eyes Only, a sure improvement on the dour Easton original. McCready’s range is exceptional, worki...

My English Persian Kitchen – Traverse Theatre

15Aug

By Greg HolsteadNo Comments

Scotland

My English Persian Kitchen – Traverse Theatre

World Premier A unique play involving the live creation (and ultimate consumption) of a popular Iranian soup dish, ash-e-reshteh, which is, we are told, dished out on the streets of Iran every day, as common as Ice cream. Cultural differences are at the centre of this story by award-winning writer Hannah Khalil. Adapted from the real life story of Atoosa Sepehr as she flees from Iran to escape an abusive husband, and her subsequent journey to settle in England. Isabella Nefar (Salome, National Theatre) welcomes us into Traverse 2 as though to a dinner party, smells of chopped onions, herbs and spices waft through the space. There is a buzz of conversation. Food, a bridge of the senses, cultures, the very essence of our being, and within the ceremony of sharing food, the hand of f...

14Aug

By Greg HolsteadNo Comments

Scotland

In Two Minds – Traverse Theatre

Joanne Ryan’s delicately observed portrayal of a mother-daughter relationship complicated by mental illness is beautifully brought to life by Pom Boyd (The Dry), as Mother and Karen McCartney (A Very Old Man with Enormous Wings) as Daughter. In Two Minds finds insight in the darkness, humour in the pain, and tenderness in difficult family dynamics. But don’t expect dramatic revelations or grand gestures, its simply not that kind of play. Sarah Jane Scaife’s unhurried production for Dublin’s Fishamble is light and practical and dwells on the ordinary rather than the extraordinary, a semi-autobiographical scenario, of Ryan’s relationship with her own mother. Set during the extension of her house, Mother has to share a small studio flat with her grown up Daughter for howev...

14Aug

By Greg HolsteadNo Comments

Scotland

BATSHIT – Traverse Theatre

BATSHIT is an unexpectedly funny, but also deeply intimate story of female madness. Created and performed by Leah Shelton (AU) and directed by Olivier award-winning performance artist Ursula Martinez (UK), this is a portrait cum-memoir of Leah’s grandmother Gwen, who was incarcerated for seeking personal independence from her husband in 1960s Australia. It looks like Gwen just didn’t like her husband very much anymore, but in this era that constituted a mental illness which required serious medical interventions. Using Gwen’s actual medical records from the period, real voice over clips, video clips and television interviews, this highly technical show transports the audience back in time to consider what now seems clear, from this evidence, the sexual inequality, of a deepl...

Natalie Palamides: WEER – Traverse Theatre

14Aug

By Greg HolsteadNo Comments

Scotland

Natalie Palamides: WEER – Traverse Theatre

Clown princess Natalie Palamides has become a force to be reckoned with, scoring huge acclaim with her first Edinburgh outing, Laid, in 2017, which won her Best Newcomer award, and Nate (Netflix special 2020). Last year she directed Bill O’Neill’s superb The Amazing Banana Brothers, a Fringe highlight. Any new work by this performer is now very much on the radar. So, it was an absolute delight to see that the 34-year-old LA-based performer was returning this year with a solo show to world premiere at the Traverse. The show does not disappoint. It’s a hilarious hot-mess of clown mayhem in the style of a ’90s-style romcom, which stars Palamides as a pair of star cross'd lovers, having a quarrel at a party cabin in the woods, before midnight as the millennium fast approaches. Y2K ma...

13Aug

By Greg HolsteadNo Comments

Scotland

Cyrano – Traverse Theatre

European Premier Virginia Gay writes and stars in this acclaimed Aussie deconstruction of the classic romance. Portrayed as a gen-Z, gender-flipped take on Edmond Rostand’s classic story of a shy poet who lends his words to a handsome young man to woo Roxanne, the object of both their desires. The first act of this play promises much, as the chorus, a hilarious double act of Tessa Wong and David Tarkenter, play their unnamed roles like an attentive PA and an aging thespian on his way to a King Lear rehearsal, to a tee. The talented and versatile Tanvi Virmani also wanders onto the stage at one point like a deer in the headlights. The trio are highly amusing as they never leave the stage and query what they are doing in this play, bickering continuously or offering unhelpful advi...

13Aug

By Greg HolsteadNo Comments

Scotland

The Sound Inside – Traverse Theatre

Bookish brilliance! The new Dead Poets Society. Nominated for six Tony Awards, this UK premiere of Adam Rapp’s spellbinding play stars Merchant Ivory’s Madeleine Potter and The Kite Runner’s (Broadway) Eric Sirakian. From director of Psychodrama Matt Wilkinson. Beverley Baird is the unmarried and childless, cat lady, Yale creative writing professor, who tells her students to write with economy and let the reader’s imagination do the heavy lifting. Writing that your character has the ‘eyes of a star-faced mole’, or ‘a mean mouth, like a half-healed axe scar’, will tell your reader more than a page and a half full of flowery description. In reality, she is resigned to the fact that creative writing is all but dead and that her students are more interested in social media than Dostoe...