Greg Holstead, Author at North West End UK

2Mar

By Greg HolsteadNo Comments

Scotland

Peak Stuff – Traverse Theatre

Edinburgh’s Traverse Theatre’s reputation as the Capital’s go-to venue for cutting edge, experimental and thought-provoking new work can only be enhanced by this belter of a play from award-winning theatre company Thickskin. Touring England for the last month, the Scottish premiere tonight of Peak Stuff, by young writer Billie Collins fairly fizzes along with new ideas and brilliant acting not to mention superb lighting and set and spectacular video design. Stage centre, on a raised LED-edged plate Meg Lewis takes us on an often-overwhelming journey, through the eyes of three characters, Alice, Ben and Charlie. All consumers, and all consumed to varying degrees by the world we live in today. Teenager, Alice wants to poke a stick into the wheel of fast fashion, Ben is hiding from reality...

17Feb

By Greg HolsteadNo Comments

Scotland

Two Sisters – Royal Lyceum, Edinburgh

Writer David Greig, returns to the stage for the first time since taking the reins as Artistic Director of The Royal Lyceum in 2016, with a whimsical exploration of time, memory, love and self-fulfilment. The title might be a nod to Chekhov, but the setting is closer to home ,a rusting and decrepit caravan park, on the shoreline of the Firth of Forth in the kingdom of Fife. Two thirtysomething sisters, Amy and Emma meet up in Holiday Heaven, the favourite holiday location of their youth. Emma is now a successful lawyer and company director who is just looking for peace and quiet and a space to write, on her own, a last chance of self expression before her first child arrives. Amy, leather clad and tottering about in high heals, is a failed rock star, who has jumped from one idea to the ...

13Feb

By Greg HolsteadNo Comments

Scotland

Ruins – Festival Theatre, Edinburgh

Part of Edinburgh’s Manipulate Festival 2024, Ruinsis a multi-media dance performance involving three humans, locked within a video cube, who represent the last of the human race, kept alive by machines. Created by Megahertz, a visual theatre company and relying on wordless, highly expressive, beautiful movement from Philip Alexander McDonald, Rita Hu and Suzi Cunningham, the performance is set against an extraordinary soundscape by Cucina Povera and Jamie Grier. The fourth star of this show is the video cube itself, which is extraordinary. Projections from three different directions onto a gauzelike material on a thin metal frame creates the impression of semi-solid walls surrounding the figures and hologram-like images seem to float unhindered within the cube. The effect is mesmeri...

13Feb

By Greg HolsteadNo Comments

Scotland

Ragnarok – Traverse Theatre

Part of Edinburgh’s Manipulate Festival 2024, Ragnarokis a hugely entertaining, massively ambitious and highly technical show, an international co-production between Edinburgh based, Tortoise In A Nutshell, and Nordland Visual Theatre of Norway. The show which has over 1100 cue lines, to give an idea of its scale, combines hundreds of mini stick-like figures living within a mini set and captured in real time with the use of the latest technology in micro cinema, combined with live music and live video projection to create an alternative universe in front of our eyes. Here the great wolf rattles its chains, and the world snake sleeps lightly, wrapping its tail covetously around the globe. If the great wolf escapes, it will eat the sun and the moon and infect the world with pestilence and di...

Shorts 3: Beyond Words – Summerhall, Edinburgh

13Feb

By Greg HolsteadNo Comments

Scotland

Shorts 3: Beyond Words – Summerhall, Edinburgh

Part of Edinburgh’s Manipulate Festival 2024, Shorts 3: Beyond Words is a great opportunity to see a wide and varied collection of animated short films from around the world, and to have your mind and imagination sparked by them. The third and final part of the animated film programme for this year. In the poignant and thought-provoking Sisters, by Andrea Szelesova, a young girl sullenly pulls a heavy load across a barren wasteland to the slumped body of a red skinned giant. She climbs up and grudgingly feeds bread and water to the giant, which rumbles and grows. Around the giant new flowers begin to sprout, their heavy heads tinkling in the breeze, the sound of tiny bells. The young girl resentfully continues to feed the giant, with the same results every day. One day she wakes up and ...

10Feb

By Greg HolsteadNo Comments

Scotland

Tess – Traverse Theatre

Part of Edinburgh’s Manipulate Festival 2024, Tess is an ambitious retelling of Hardy’s famous tale, Tess Of The D’Urbervilles, through a feminist lens by the acclaimed UK circus theatre company Ockham Razor. The original tale was set in Victorian England, but there are plenty of moral and ethical lessons which translate very easily into today’s Britain. The story of a naïve young girl, forced into low paid work by poverty, and then abused and violated by a rich arrogant seducer, seems all too familiar. The fact that the abuse becomes her almost unbearable cross to bear and yet means little or nothing to him also speaks volumes. In this production there are two Tesses, actor Macadie Amoroso who speaks the tale and Lila Naruse who physically enacts it. They are joined on stage by five...

10Feb

By Greg HolsteadNo Comments

Scotland

Pickled Republic – Traverse Theatre

Part of Edinburgh’s Manipulate Festival 2024, Pickled Republic is advertised as an existential dip into the pickle jar of life from Glasgow-based creator/performer Rudy Cantir. Originally from Moldova, where apparently every food is pickled, this one-woman show sees Rudy morph into various pickled vegetables to highlight the universal themes of abandonment, being unfulfilled and unwanted, the fundamental need to be loved, or in the case of the pickled tomato, just eaten would be nice! It sounds zany and it is! Sound designer John Keilty creates an atmospheric, gastric gurgling soundscape and I assume also writes the witty songs which pepper this dish. But the real driving force behind this show are the consumes, which are fabulously conceived by Fergus Dunnet, and which takes t...

Evahisseurs (Invaders) – Traverse Theatre

6Feb

By Greg HolsteadNo Comments

Scotland

Evahisseurs (Invaders) – Traverse Theatre

Part of Edinburgh’s Manipulate Festival 2024, Evahisseurs is a one-man show directed and performed by Olivier Rannou for Compagnie Bakelite. With tongue firmly planted in dead-pan cheek, Rannou shows that language is no barrier at all as he clowns his way wordlessly but very effectively through this short but nicely formed nostalgic, alien invasion caper. With little more than a table, and a handful of props, Rannou weaves his unlikely story, with just the hint of a glint in his mischievous eye! Featuring UFO abduction, human experimentation, dog decapitation and exploding jelly aliens, there are certainly plenty of laugh-out-loud moments. Rannou’s actions are nicely backed by a prerecorded soundtrack of weird and wonderful sounds and a miniature screen with scratchy black and white ...

5Feb

By Greg HolsteadNo Comments

Scotland

Plinth – Traverse Theatre

Part of Edinburgh’s Manipulate Festival 2024, Plinth is created and performed by Glasgow-based, Al Seed. A darkly intense, wordless portrayal of human conflict, and a timely reminder that actions speak louder than words. A show that comes with a warning, that it contains loud music/sounds, flashing lights and smoke effects, and rightly so. At times this was certainly in the ‘uncomfortable’ zone. But then again, you could argue that the depiction of war should be uncomfortable. Reminiscent of one of my favourite shows from last year, As Far As Impossible (Lyceum), which questioned why some medics continually return to conflict zones, Plinth asks some similarly unanswerable wordless questions about the inevitability of conflict and the human thirst for ascendancy. Seed’s unquestion...

Elliot Bibby – The Best of Bibby – Scottish Storytelling Centre

2Jan

By Greg HolsteadNo Comments

Scotland

Elliot Bibby – The Best of Bibby – Scottish Storytelling Centre

Perhaps more than any other performer at Edinburgh’s Magicfest 2023, Elliot Bibby is unashamedly a comedian and entertainer first and a magician second. There is certainly no shortage of laugh-out-loud moments from this cheeky and charming magic man which make it quite different to all the others I’ve reviewed so far on the programme. Of course, comedy within magic is nothing new. Add a funny hat to the tall, dark Bibby and the Cooperesque comparison would be inescapable. No more so than when Bibby carries out the hilarious Bottle Glass, Glass bottle routine, which was one of Tommy’s absolute highlights. A lady behind me was in total hysterics during this sketch as bottle after bottle appeared on the ever diminishing table! Whilst comedy, can, of course, be a strength when combined ...