Dave Smith, Author at North West End UK

12Dec

By Dave SmithNo Comments

London

Kenrex – The Other Palace

A true crime story of a still unsolved crime in small town America, KENREX blends genres, true crime, western, music into something far, far greater than the sum of its parts. What begins as an almost true crime podcast style reconstruction of a murder turns into a study of how a small community shapes its own mythology, and how fear, loyalty and silence can outlast the truth. After acclaimed runs in Sheffield and Southwark Playhouse, this transfer to The Other Palace just confirms how brilliant KENREX is. Ken Rex McElroy was a violent bully who terrorised the small town of Skidmore, Missouri, for years. With no sheriff and no police within an hour's drive, the law was never able to stop him. A snake-oil lawyer (with a brilliant introduction that almost adds musical as a genre to ...

A Midsummer Night’s Dream – Shakespeare’s Globe

30Nov

By Dave SmithNo Comments

London

A Midsummer Night’s Dream – Shakespeare’s Globe

You don’t necessarily expect a take on a A Midsummer Night’s Dream to have Pete Quince’s troupe cutting cocaine with credit cards but that’s far from the biggest change to this adaptation. Playing here now as more tragedy than comedy, Headlong adapted A Midsummer Night's Dream for its debut in the candlelight Wanamaker. Billed as a darker, more tragic version, there are still some laughs kept, perhaps some of them now more nervous laughs. There’s an undercurrent of sex and violence running throughout, sometimes uncomfortably combined. The lovers’ fallings-out in the woods, even when driven by Puck’s interference, move far away from the chaotic mischief and towards barely disguised emotional and physical abuse, playing with a hard edge to them. Sergo Vares’ Puck carries an air of male...

A Midsummer Night’s Dream – Golden Goose Theatre

29Sep

By Dave SmithNo Comments

London

A Midsummer Night’s Dream – Golden Goose Theatre

For the Lambeth Fringe, The New Rep Theatre tears through Richard Pepper’s adaptation of Shakespeare's A Midsummer Night's Dream in just 90 minutes. Focusing on the four lovers as they get twisted up by the fairies in the forest, while also bringing in the mechanicals, the actors in a play within a play - rehearsing in the forest and caught up in the fairies playing around. There’s a lot of fourth wall breaking, asides to the audience and some very modern moments, New Rep have certainly gone all out for the comedy to - mostly - success but a few moments land awkwardly and feel tacked on, pulling us out of the world rather than deeper into it. A sharper edit or simply more restraint would have helped here. Jack Gogarty’s Bottom works well but has a naive earnestness despite his se...

24Sep

By Dave SmithNo Comments

London

The Weir – Harold Pinter Theatre

Outside, it's gusting, the wind has picked up and outside isn’t the most welcoming. Inside the pub, it’s warm and welcoming, a proper locals pub where you can serve yourself and just put your money in the till. Not much happens, a few locals drink and chat. That’s The Weir, that’s Conor McPherson’s play. It is a slow-burn, more about mood than plot, and it's the beauty of the writing and the skill of the cast which envelops us, brings us along to the bar as we sit and share the evening. In this case, to welcome newcomer Valerie, a blow-in to the small village. As the drinks flow, the men swap local history, leading into ghost stories which get darker and darker. Valerie reveals her own story, moving the mood from mostly light banter to raw confession. The evening becomes less about the ...

14Jun

By Dave SmithNo Comments

London

…Earnest? – Richmond Theatre

Celebrating 130 years of Oscar Wilde’s masterpiece The Importance of Being Earnest, Say It Again, Sorry? offer up their own chaotic twist - part homage, part catastrophe. Oscar Wilde meets The Play That Goes Wrong - a heady blend of farce, improv, and gentle audience manipulation. ...Earnest? begins as normal: a servant considers it rude to listen to the piano, then cucumber sandwiches - but then the doorbell rings and Earnest is loudly announced… Yet now, the door stays closed and no one arrives. A quick interruption from the director fills some time while the cast of the play-within-a-play try to figure out how the show will keep going. The answer is simple: an audience member will join them on stage to stand in for the missing actor. When funny, ...Earnest? is hilariously funny. ...

20May

By Dave SmithNo Comments

London

The Fifth Step – @sohoplace

David Ireland’s Edinburgh Fringe hit The Fifth Step transfers to London, making its debut at @sohoplace in a new version with substantial changes. Staying from its Edinburgh run is Jack Lowden with Martin Freeman joining to complete the two-hander. The title refers to the fifth step of the 12-step programme; writing down everything which brings guilt and shame so you can tell them to a trusted friend in order to reduce the chance that these will drive you to drink. There is the usual David Ireland wit and black humour as he explores themes of addiction, masculinity, and in particular, religious faith. Photo: Johan Persson The set is minimal - a blank stage with just a few chairs and a coffee point. Director Finn den Hertog has chosen to strip away all the staging from the E...

9Mar

By Dave SmithNo Comments

London

The House Party – Rose Theatre

August Strindberg's Miss Julie may be approaching 140 years old, but it's themes of sex, misogyny and class remain timeless. Laura Lomas’ The House Party brings this right up to the modern age, dialling up the sex but leaving class - or more specifically money - as an undercurrent throughout Julie (Synnøve Karlsen) is turning 18, her dad has skipped their evening plans to spend the evening with his 24-year-old girlfriend, so Julie throws a house party. Aided by best friend Christine (Sesley Hope) she anxiously awaits any of her guests to arrive. Director Holly Race Roughan has them arrive in full on Frantic Assembly style, slickly choreographed dance, leaps and dips and a flurry of youthful movement to an energetic beat. Without the traditional servant role to tell us how the charact...

Distant Memories of the Near Future – Arcola Theatre

14Nov

By Dave SmithNo Comments

London

Distant Memories of the Near Future – Arcola Theatre

In the near future, love is just another commodity driven by an app called Q-pid. In fact, it’s a bit more than love, everything is commoditised. There are advertisements that it is legally mandated you listen and pay attention to, you are encouraged to report anyone you know who mutes the ad. In this future, AI dictates so much of life that those it cannot match with a partner are labelled as “undesirables”. In such a society, is there any space left for real human connection? Within this world, a lone narrator shares stories of love and connection. David Head, writer and performer, has an immediate rapport with the audience, he comes across as a natural born storyteller with a big heart, a warm smile and such a sense of humour with his wit and sarcasm sparkling across the stage. Dista...

La Clique 20th Anniversary – Leicester Square Spiegeltent

14Nov

By Dave SmithNo Comments

London

La Clique 20th Anniversary – Leicester Square Spiegeltent

Celebrating 20 years since David Bates debuted La Clique at Edinburgh Fringe, the acclaimed team return to the Leicester Square Spiegeltent for an evening of cabaret, circus and high-energy entertainment. An international ensemble of performers combines to leave audiences gasping and captivated by daring acts featuring a unique blend of humour, artistry, and charisma. You might not immediately think of Leicester Square as an intimate venue, but the Spiegeltent really pulls this off nicely. Just a few rows around the performances (which are mostly in the centre of the tent and often above the audience's heads so no need to worry about tall people sitting in front of you). Each performer brings their talent but combines it with such a sense of showmanship, it’s about teasing and flirting ...

Murder on the Orient Express – Richmond Theatre

6Nov

By Dave SmithNo Comments

London

Murder on the Orient Express – Richmond Theatre

On the famous Orient Express in between Istanbul and Calais, a disparate group of passengers are bound together. First by the train being forced to stop in a snowdrift and then by the discovery of a dead body, murder most foul! Who among them could have wielded the knife? Straight onto the case is the world-renowned Belgian (not French!) detective Hercule Poirot who uses his ‘little grey cells’ to unravel the mystery. Yes, this is Agatha Christie’s most iconic tale, now brought to life on the stage in an adaptation by Ken Ludwig, directed by Lucy Bailey. High praise to set designer Mike Britton for the fantastic train carriage set on display. The neat trick is making the carriages breakaway into different compartments which can be moved in and out of the set to bring us to the differ...