Charles Pipe, Author at North West End UK

Gawain and the Green Knight – Park Theatre

15Dec

By Charles PipeNo Comments

London

Gawain and the Green Knight – Park Theatre

Based on the medieval Arthurian poem, Gawain and the Green Knight is a new reinterpretation by Felix Grainger and Gabriel Fogartey-Graveson, that transposes the story to a modern-day corporate setting. Cybersecurity firm Camelot Corp is undergoing major restructuring and rebranding. The CEO Arthur (Cara Steele) has decided to adopt a new model that mimics stories of the heroic Knights of the Round Table. Gary (Felix Grainger) – redubbed Gawain – is being sacked (exiled) just before Christmas for being too boring and lacking “spark”. When a mysterious green stranger shows up at the office Christmas party and proposes a game, Gawain accepts the challenge, beheads the stranger, and wins the respect of his boss. One year later, Gawain must uphold his end of the game and journey by elevator ...

Revenge: After The Levoyah – Soho Theatre

14Dec

By Charles PipeNo Comments

London

Revenge: After The Levoyah – Soho Theatre

Following the death of their grandfather, in the midst of the 2019 allegations of antisemitism within the Labour Party, Jewish twins Lauren (Gemma Barnett) and Ben (Charlie Cassen) are recruited by Malcolm Spivak to “do something about it”. Malcolm’s plan is to kidnap Labour Party leader Jeremy Corbyn. Nick Cassenbaum’s hilarious script satirises the media’s frenzied attacks on Jeremy Corbyn in the lead up to the 2019 General Election. Although set in 2019, there are clear modern-day parallels; claims of antisemitism are frequently used to discount any criticism of the State of Israel and its actions in Gaza. As well as being a sharp satire, the play excels as a spoof of gangster, heist, and spy movies. The playful script, dynamic direction, and evocative sound and lighting design perfe...

10Dec

By Charles PipeNo Comments

London

The Last Bantam – Etcetera Theatre

Written and performed by Michael Hughes, The Last Bantam tells the interesting true story of the “Bantam Battalions”: British WWI battalions composed entirely of men between the height of 5’ and 5’3”. If – like I hadn’t – you haven’t heard of the Bantam Battalions, then the story of how such battalions came to be is intriguing. From the various reasons short men would go out of their way to enlist, to the logistical considerations such as outfitting the soldiers in their uniforms, to having to raise the trenches’ firing steps, this play is full of fascinating historical titbits. History buffs will probably enjoy references to battles and events throughout the war and learning how the Bantams played a role in them. The fantastic costume and props add another degree of historical authenti...

The Problem with the Seventh Year – White Bear Theatre

6Nov

By Charles PipeNo Comments

London

The Problem with the Seventh Year – White Bear Theatre

In this one-man show, James McGrgory plays a mediocre medical student who is also a mediocre amateur boxer. He realises that his middling skills in both fields can be combined to make him an excellent cutman: the person responsible for patching a boxer’s wounds between rounds. (Even if you don’t know much about boxing, the play explains the sport just enough that you’ll be able to keep up.) Like a Scorsese movie, the plot meanders through various events in this character’s career as he interacts with shady characters, gets into scrapes, and scrabbles to make a decent life for himself. McGregor’s performance is enjoyably intense. The character has a certain charm and sweetness, and it’s endearing to hear him gush lovingly about boxing, but there is an unsettling aggression and anger ...

Moominvalley in November – Upstairs at the Gatehouse

30Oct

By Charles PipeNo Comments

London

Moominvalley in November – Upstairs at the Gatehouse

Moominvalley in November is a new musical adaptation of Tove Jansson’s book of the same name – the final book in the Moomin series. The first thing that stands out is the wonderful production design. The audience arrive to see gorgeous set (designed by Lu Herbert), with beautifully painted trees and fallen leaves, a lovely painted river and – in the centre – the Moominhouse. Warm shades of red, orange, and brown effortless evoke autumn, while the soft blue of the house stands out. Once the show begins, the costumes (also by Lu Herbert) are just as delightful as the set design. Even if you only have a passing familiarity with Moomins, you’ll recognise Snufkin’s iconic getup, which has been lovingly adapted. The designs do not attempt to perfectly imitate the original illustrations,...

30Oct

By Charles PipeNo Comments

London

Kindling – Park Theatre

Per the final wishes of a dead mutual friend, five very different perimenopausal women come together for a camping trip in Wales. The set design by Abi Groves goes a long way to make the play really feel like an authentic camping trip. The entire floor of the stage is covered with plant litter and woodland detritus. As the actors move around, they kick up leaves and twigs, creating realistic sound. The stage quickly becomes cluttered with tents, camping chairs, rucksacks, Ikea bags, and Tupperware, all haphazardly scattered around. The design immediately and evocatively captures the essence of a camping trip with friends. Not everything is as effective as the set design; some issue with the script and direction hold the play back in the earlier scenes. Some characters are presented a...

The Constant Cold – Baron’s Court Theatre

27Oct

By Charles PipeNo Comments

London

The Constant Cold – Baron’s Court Theatre

With a runtime of just 30 minutes, The Constant Cold by Zoë Cooper delivers a tight package of thrills and jump-scares while attempting to explore wider themes of misogyny, gaslighting, sexual assault, and the silencing of women’s voices. The plot follows three flatmates, one of whom – Megan – comes home frightened after a terrifying experience while walking home at night. As more and more frightening and unexplained things happen, the three are forced to face the existence of the supernatural as well as confronting difficult truths about one another as past events resurface. The script is engaging and creepy at times, but falters during the more intimate, character-focused moments. The characters aren’t well-developed, including the protagonist Megan (Zoë Cooper). Most of what we le...

The Wolf of Poyais – Golden Goose Theatre

24Oct

By Charles PipeNo Comments

London

The Wolf of Poyais – Golden Goose Theatre

The Wolf of Poyais is a new one-man historical satire play from BlueBar productions, written by Sam Went and starring Joz Norris. It tells the fascinating true story of con man Gregor MacGregor, who – in the early 1800s – swindled hundreds of people out of hundreds of thousands of pounds with an outrageous, fraudulent scheme. Sam Went’s script is both well-researched and very entertaining. The story itself is absolutely fascinating in itself, but Went’s script injects it with even more humour and poignancy. The script is darkly funny; it revels in the absurdity of MacGregor’s scheme, while still treating the devastating impact it had on people’s lives with gravitas. Many plays based on true stories fall into the trap of simply depicting one historical event after another, w...

20Oct

By Charles PipeNo Comments

London

Skeleton – Etcetera Theatre

Skeleton is a new one-woman horror play, written and performed by Lucy Spreckley, which delivers some intriguing and spooky thrills. At its best moments, Skeleton is atmospheric, unsettling, and creepy. Spreckley’s script does an excellent job of keeping the audience slightly disorientated, by drip feeding just the right amount of information to keep us intrigued and wanting to know more, without leaving us totally confused. Uncomfortable descriptions of childhood trauma are sprinkled in with just the right amount of frequency to gradually build a sense of mystery and dread. Lloyd Smith’s direction makes effective use of sound and lighting design to enhance this sense of dread further. Spreckley’s performance is solid; she equally effectively portrays emotional vulnerability, panicked t...

Michael Rosen: Getting Through It – The Old Vic

20Oct

By Charles PipeNo Comments

London

Michael Rosen: Getting Through It – The Old Vic

Getting Through It is a poignant, inspiring, heartbreaking and heartwarming storytelling show by acclaimed children’s author Michael Rosen (We’re Going on a Bear Hunt, Michael Rosen’s Sad Book). Unlike Michael Rosen’s best-known work, Getting Through It is not aimed at children. The show is a double bill of two true, personal stories. The first – The Death of Eddie – is about the sudden death of Michael’s son Eddie to meningitis, and Michael’s subsequent grief. The second story – Many Kinds of Love – is about Michael’s 48-day stay in intensive care due to COVID-19. Despite the heavy subject matter of both stories, the show is life-affirming, humorous, and absolutely engaging. Like in his children’s books, Michel’s language is simple and matter of fact. He chooses to describe events s...