Carole Gordon, Author at North West End UK

14Jul

By Carole GordonNo Comments

London

Shake The City – Jermyn Street Theatre

The 1970 unofficial strike by five thousand clothing factory workers in Leeds has been largely forgotten and tends to be ignored by historians and anyone outside the immediate area. At the time though, it had a massive impact in raising the issue of equal pay for equal work, eventually to be enshrined in law in the Equal Pay Act. Millie Gaston's Shake The City looks at the strike and its origins from the perspective of four of the factory workers, exploring the narrative through the lives of the women. Margaret (Rachael Halliwell) has been promoted from the factory floor to supervise the workers, and at times uncomfortable position as she finds herself straddling the worlds of the workers and the management. Lori (Stephanie Hutchinson) is full of desire to fight for equality, w...

19Jun

By Carole GordonNo Comments

London

That Is Not Who I Am – Royal Court

"Just cos it's in your imagination doesn't mean it's not real." Dave Davidson's first (and possibly last) play is a conceit, wrapped in an enigma, inside just about every conspiracy theory on social media. Set in the style of those ever-popular true crime drama documentaries, the playwright acts as narrator, but he/she is also hiding in plain sight. Undercover due to alleged Government surveillance, writer Lucy Kirkwood (Chimerica, Mosquitoes) gives actor Priyana Burford the job of setting the scene and giving voice to the various possibilities of what actually happened. It's the account of Noah and Celeste Quilter, who meet on a blind date, banter, lie to each other, get married, have a much-wanted baby and then fall down the rabbit-hole of conspiracy theories, all while in the grip of...

Impromptu Shakespeare – New Wimbledon Theatre

18Jun

By Carole GordonNo Comments

London

Impromptu Shakespeare – New Wimbledon Theatre

"The best actors in the world, either for tragedy, comedy, history, pastoral, pastoral-comical, historical-pastoral, tragical-historical, tragical-comical-historical-pastoral; scene individable, or poem unlimited." Polonius (Counsellor to King Claudius in Hamlet) would likely be itching to be involved in Impromptu Shakespeare if he was around now. This talented troupe of improvisers take random words from the audience - acrobat, gaolers, window, rift - and weave a complex, chaotic and bonkers tale of love, castles, self-loathing, lobsters and twirling. As it's shaped by audience intervention, every performance is different, the cast of five (from a company of thirteen) taking on a variety of roles, whatever is required to create the Shakespeare-esque tale. Producing a Sh...

Alistair McGowan: The Piano Show – Cadogan Hall

19May

By Carole GordonNo Comments

London

Alistair McGowan: The Piano Show – Cadogan Hall

Alistair McGowan's show is a "game of two halves", a unique blend of stand-up impressions and classical piano. McGowan's self-titled debut album reached No 1 in the Classical Album charts, launching his rebranded career as a classical pianist. His second classical album has also just been released. In this new show, he combines his abilities as well-known impressionist and comedian with his more recent classical music talents. His career so far has been as eclectic as this show; he starred in The Big Impression, one of the BBC's top-rated comedy programmes for four years, has worked in the West End (Art, Cabaret, Little Shop of Horrors, Mikado), written plays and books and provided voice-overs for Spitting Image. McGowan's impressions are spot-on, with some well-known voices mixed...

12May

By Carole GordonNo Comments

London

As You Like It – Wilton’s Music Hall

As You Like It, thought to have been written in 1599, was historically never one of Shakespeare's most popular pieces, his tortured kings and princes apparently preferred by audiences and critics over his frolicksome pastorals. It has come to the fore in more recent years with multiple adaptations on stage, screen and even radio. Northern Broadsides' production focuses on the power of love coupled with the force of nature to change the world. So "All the world's a stage and all the men and women merely players". Duke Frederick has exiled his older brother, Duke Senior, to usurp his duchy. Duke Senior's daughter, Rosalind, was permitted to remain in court but is then likewise exiled for reasons which are never entirely clear. She leaves with her cousin, Celia, and they disguise thems...

18Apr

By Carole GordonNo Comments

London

Scandaltown – Lyric Hammersmith

Mike Bartlett's Scandaltown is contemporary London writ very large - big, crass, rollicking London as Restoration comedy. As Cromwell banned theatre in the 17th Century, and Covid managed to do the same in the 21st, both led to a restoration of theatre to (hopefully) their former glory. In Scandaltown there are debauched parties, lies, social media manipulation and cancel culture putting the reputation and power of London's political and social elite at stake. So, it's just about as topical as it gets. The story centres on the thoroughly woke Phoebe Virtue who, when she hears news (on Instagram of course) that her twin brother Jack is up to no good in London, she heads to town to find and save him. In true comedy fashion, she disguises herself as a man and persuades Jenny, Freddie an...

The Marriage Of Alice B Toklas by Gertrude Stein – Jermyn Street Theatre

27Mar

By Carole GordonNo Comments

London

The Marriage Of Alice B Toklas by Gertrude Stein – Jermyn Street Theatre

Everything about Edward Einhorn's "The Marriage of Alice B Toklas by Gertrude Stein" is an enigma. Is it comedy, tragedy, tragi-comedy? Farce? All of the above? It's a play within a play within a play in which everyone (audience included) has been invited to the wedding of Gertrude and Alice. The circles in which the two literary superstars of their time moved means that their guest list includes those who are regulars at their Paris salon. There is Picasso (along with one of his wives and two of his mistresses), T.S. Eliot, James Joyce, Ezra Pound, and the less-than-welcome Ernest Hemingway who turns up uninvited with his wife and a matador pal. With such exalted company, the conversation naturally revolves about the nature of art, genius, fame, sex and love. Love is certainly...

Figs in Wigs: Little Wimmin – Southbank Centre

14Mar

By Carole GordonNo Comments

London

Figs in Wigs: Little Wimmin – Southbank Centre

Pitched somewhere between anarchic performance art and chaotic high-concept mockery of theatrical and literary analysis, the Figs in Wigs' satirical adaptation of Louisa May Alcott's "Little Women" veers from Greek chorus, avant-garde dance to groan-ful puns and visual humour. Alcott's work, given an unnecessarily deep and pretentious analysis of the text can, the Figs suggest with tongues stuck firmly in cheeks, be linked to climate change, astrology, the future of humankind and the patriarchy. And cocktails. The five Figs in Wigs (Alice Roots, Sarah Moore, Suzanna Hurst, Rachel Gammon and Rachel Porter), rounding out the Southbank's Women of the World Festival in recognition of International Women's Day, give the show their all in their various roles, with impeccable chore...

The Merchant of Venice – Shakespeare’s Globe

3Mar

By Carole GordonNo Comments

London

The Merchant of Venice – Shakespeare’s Globe

The current rise of antisemitism around the world gives extra resonance and relevance to Shakespeare's 16th Century play on usury, religious conflict, revenge and the manipulation of justice. Abigail Graham's direction packs a serious punch, with a stellar cast who draw out every nuance of the text. The claustrophobic atmosphere of the Sam Wanamaker Playhouse is brilliantly heightened in this beautiful candlelit production set in the present day, but which could relate to any era. Young Bassanio is a spendthrift and hedonist, partying with his buddies and going through money as though there's no tomorrow. Needing cash to pursue his wooing of the rich heiress, Portia, he turns to his friend, the merchant, Antonio, who has bailed him out previously. Antonio agrees and asks Shylock, ...

9Feb

By Carole GordonNo Comments

London

Blood Brothers – New Wimbledon Theatre

Willy Russell's Blood Brothers is back and it's back with a bang. In the 40 years since the show was first performed in Liverpool, Blood Brothers has garnered global acclaim and success. The themes are broad - the class divide, nature versus nurture, poverty, friendship, sibling rivalry, family relationships. Twins Mickey and Eddie are born to working class mother Mrs Johnstone, already a mother of five, who is struggling to feed and clothe them all. Living on the "never-never", she has bailiffs at the door, so in the depths of her despair, she agrees to give up one of the new-borns to the wealthy Mrs Lyons who has been unable to have children. Mrs Lyons has one major condition in this arrangement; the boys must never find out that they are brothers. As the tale unfolds of the ...