Carole Gordon, Author at North West End UK

23Nov

By Carole GordonNo Comments

London

A Christmas Carol – Old Vic

Dickens' classic tale of redemption, empathy and love remains a powerful and timely reminder of the gross discrepancies between rich and poor. Seeing the intense deprivation many Londoners were experiencing, Dickens took up his pen and created Scrooge, a character whose name has become synonymous with miserliness. First published in 1843, the message of A Christmas Carol sadly remains just as valid in 2023. Ebenezer Scrooge is a man alone whose only love is money who literally receives a wake-up call on where his life will end up if he doesn't change his ways. Berated by a harsh father who showed no love to his son, but inculcated in him a need to pursue wealth, Scrooge leaves Belle, the love of his life and a secure position with Belle's father to take up an opportunity as Marle...

16Nov

By Carole GordonNo Comments

London

SuperYou – Lyric Theatre

Katie is a young girl struggling to find her way in the world, overwhelmed by self-doubt, and feeling that her older brother, Matty, a talented comic book artist, is their mother's favourite. Mother is dealing with her own difficulties. Domestic abuse has led to the break-up of the family and frequent house moves. The mother's eventual spiral into alcoholism results in her losing job after job leaving her daughter to care and provide for her. Like her brother, Katie has a talent for art and immerses herself in drawing, in particular developing her own comic book character, Lightning Girl. With her brother's encouragement, she creates a team of superheroines who she literally brings to life. In dealing with life's problems and losses, she learns to love herself and have faith in her o...

17Aug

By Carole GordonNo Comments

London

Express G&S – Wilton’s Music Hall

As if Gilbert and Sullivan's operettas weren't already bonkers enough, along comes the Charles Court Opera Company to pile on additional splendid craziness. This is a murder mystery tour in G&S song, with myriad references along the journey to many of their well-known, and some not so well-known works, from Pirates of Penzance and The Mikado, to Princess Ida and The Sorcerer. Some songs are kept intact, others rewritten to fit the narrative. There are puns both subtle and groan-worthy, clues and red-herrings galore, appropriately melodramatic and over-the-top acting by the three cast members and a slew of great sight gags. To make this show work though, it needs the attention to detail that G&S always brought to their writing, the superb diction to perform those word...

The Flying Dutchman – The Grand Junction

14Jul

By Carole GordonNo Comments

London

The Flying Dutchman – The Grand Junction

Glyn Maxwell and Laura Bowler's reworking of the mythic tale of the seaman condemned to sail the seas unless he finds his true love puts a topical spin on Wagner's 1843 opera, "Der fliegende Holländer". In this version, England's borders are closed to strangers, the vigilante Watch group scan the sea from the cliffs on the look-out for anyone trying to "invade", harsh measures are being implemented to deter those trying to cross the sea. One of the Watch, Starlight, begins to empathise with those seeking refuge and tries to persuade others to have more compassion. Mari, leader of the Watch and the antithesis of Starlight, sees her sympathy as treason. There's also a thread of unrequited love coming into play between Mari and Starlight. Meanwhile, the Mariner, injured and alone on his raft,...

28Jun

By Carole GordonNo Comments

London

Dear England – National Theatre

In 1996, Gareth Southgate stepped up to take the final kick in England's semi-final penalty shoot-out against Germany - and missed. That moment haunts Southgate, the team and the fans, exacerbating the "thirty years of hurt" and failure since England's World Cup win in 1966. James Graham's latest work explores the struggles of the England men's football team to turn failure to success, a metaphor for the plight of the country seen through the lens of football. Southgate, appointed manager of the England team in 2016, recognises that the team, while talented, are sabotaging their own efforts and brings in a psychologist to help them address their fears. One day, maybe, the nation would not be cowering behind the sofa in buttock-clenching terror every time an international match was de...

11Jun

By Carole GordonNo Comments

London

The Mikado – Wilton’s Music Hall

Take one classic operetta, mix it up a bit, add some brilliant choreography, phenomenal singing and a fantastically talented all-male ensemble and you have a witty and joyful new show. Gilbert and Sullivan purists might object, but Sasha Regan's imaginative take is stuffed full of all the elements that make a hit show. First performed in 1885, Gilbert and Sullivan's The Mikado was set in Japan so they could take sideswipes at the British establishment and idiotic laws, but with plausible deniability, by referencing a far-off land. At the heart of the convoluted plot is the law enacted by the Mikado that makes flirting a capital crime. Along comes the Mikado's son, in the guise of a wandering minstrel, who has fallen in love with a young lady who is the ward of the Lord High Execut...

30May

By Carole GordonNo Comments

London

Rose – Ambassadors Theatre

"The bullet hit her in the forehead. It caught her in the middle of a thought." An 80-year-old Jewish woman sits shiva on a wooden bench and talks about her life. That, in a nutshell, is Martin Sherman's play, Rose. But that is so far from doing it justice. It is very much more in its depth and breadth. As Rose reminisces about her life, her journey to that point in time, to that bench, she wonders whether she actually believes in God, whether her recollections are correct, whether she's remembering a movie. It's clear though that these were her true experiences. From a childhood in a shtetl in Ukraine (at that time part of Russia), to joining her brother in Poland to escape the Cossacks and the pogroms, falling in love, then suffering the trauma and horror of the Warsaw Ghetto, the Naz...

20May

By Carole GordonNo Comments

London

Bleak Expectations – Criterion Theatre

Based on the award-winning BBC comedy of the same name, Mark Evans' Bleak Expectations takes everything you think you know about Charles Dickens work, chucks it in the air and sees where it lands. There are some recognisable features of Dickens - foggy London, mistaken identities, legal intricacies, cruel headmasters. There the similarities deliberately end. Evans' hilarious comedy is narrated by Sir Philip Bin, who takes the audience through his life, introducing the characters who have shaped him. Known as Pip, Sir Philip's overwhelming motivations are to protect his family and find true love. This does not always prove straightforward; he survives the cruelty of a public school with its regular beatings and lack of edible food, his mother goes mad after Pip's father dies abr...

Tony! The Tony Blair Rock Opera – Leicester Square Theatre

26Apr

By Carole GordonNo Comments

London

Tony! The Tony Blair Rock Opera – Leicester Square Theatre

Relentlessly loud, unsubtle and lacking any pretence to charm or wit, Tony! The Tony Blair Rock Opera by Harry Hill and Steve Brown rattles through Blair's greatest life hits, from birth to eventual death, interspersed by his political rise and prosecution of four wars. It's an in-your-face puerile comedy at times hilarious but also cringeworthy. Blair is presented as weak, ineffectual and easily manipulated by those around him, particularly his wife, Cherie, Comms Director Peter Mandelson, and President Bush. A parade of political figures from Saddam Hussein and Osama bin Laden to John Prescott, Gordon Brown, Neil Kinnock and David Blunkett (with toy guide dog) populate the political landscape of Blair's career. The saving grace of the production is the cast. Full of energy and t...

Abigail’s Party – Churchill Theatre, Bromley

20Apr

By Carole GordonNo Comments

London

Abigail’s Party – Churchill Theatre, Bromley

It's the 1970s, the decade of social aspiration, middle class pretensions, horrible wallpaper, Estee Lauder's "Youth Dew", cocktail cabinets, gin and tonic and cigarettes. Beverly is awaiting her guests and anticipating the pleasure of showing off her new kitchen. Newcomers Angela and Tony have been invited for drinks to welcome them to the area and Susan, the next-door neighbour, has been asked to join them while her daughter, the titular but unseen Abigail, is having a party and wants mother out of the way. Alcohol flows, cigarettes are smoked, cheese and pineapple on sticks and crisps are handed around. Beverly lords it over her guests as she forces more and more alcohol and cigarettes on them and browbeats her stressed-out estate agent husband, Laurence. Eventually, t...