Sunday, December 22

Author: Ben Pearson

I’m Sexy and I Know It – Sprout Studio, Greenside
Scotland

I’m Sexy and I Know It – Sprout Studio, Greenside

Everyone should watch this show. And I mean everyone. As a 21-year-old man, it would be easy to assume that I wasn’t the target audience for a performance about a middle-aged woman’s relationship with her sexuality and her body. But that could not be more wrong. Anna Friend has devised an utterly hilarious, and incredibly moving, play about the struggles that women go through from such an early age to feel ‘sexy’ and desirable. She charts the course of her relationship to this struggle throughout her life. Beginning with when she first watched porn at the age of 11, to her more recent revelation that she is in fact bisexual. She holds nothing back as she takes the audience through this journey, which leads to as many hilarious moments as it does profound ones. I’ll try not to give away too...
Gaslighting is my Love Language – Just The Tonic at The Grassmarket Centre
Scotland

Gaslighting is my Love Language – Just The Tonic at The Grassmarket Centre

Fielding Edlow’s Gaslighting is my Love Language is a brutally honest, unapologetically explicit, and immensely entertaining hour of comedy. The premise is simple; Edlow has recently divorced her husband of thirteen years and wants to share her new perspective on the marriage with the audience. What results is akin to a farcical therapy session, where the audience plays the role of the therapist. While they don’t often get involved, with one notable exception you’ll have to discover for yourself, Edlow regales them with the ups and downs of the marriage, pinpointing exactly where it all went wrong. Spoiler alert, it was when they first met. While most comedians bring in elements of truth to their performances, Edlow takes it to a whole new level. She makes a point of informing the audie...
Temping – Assembly George Square Studios
Scotland

Temping – Assembly George Square Studios

Temping is like nothing else I’ve seen at the Edinburgh Fringe, being more of an interactive experience than a show. The premise is simple, you have been brought into the company to cover some shifts for an absent employee. I was led into my new office, an excellently decorated set inside a cargo container, and told that the owner of the office, Sarah Jane, had left an instruction message for me. Throughout the hour, I had to complete various tasks, primarily changing former employees’ statuses from active to deceased, as well as answer phone calls and emails, each instructing me on how to proceed. The genius of the show though, is that many of these emails are not scripted. If I replied to an email, I would get a response to it. In a way, it is like you’re improvising. The general script ...
CSI: Crime Scene Improvisation – Underbelly, Bristo Square
Scotland

CSI: Crime Scene Improvisation – Underbelly, Bristo Square

CSI: Crime Scene Improvisation was the first improvised performance I have seen so far at this Edinburgh Fringe Festival, and I was not disappointed. It began as many improvisations do, with the performers asking the audience to provide certain details that form the bedrock of the show. In this case, we had to name the victim, their job, and the weapon with which they were murdered. It was like an exceptionally fun game of Cluedo. I was already laughing as we named our victim Jervaiz Pickle, yes it was spelt like that. The unfortunate victim had been a Travelodge receptionist and was brutally murdered by limp hearts of Romaine lettuce. I must give credit to whoever thought of this genius weapon as it propelled much of the slapstick comedy throughout the show. The details of the m...
Christian Brighty: Playboy – Pleasance Below
Scotland

Christian Brighty: Playboy – Pleasance Below

I wasn’t sure what to expect as I sat down to watch Christian Brighty: Playboy. I’d read the synopsis, a scandalous Lord in the 18th century falls for a duchess and must try and reform his rakish ways to win her hand. And I’d seen the poster, Lord Christian Brighty standing with an enormous padlock covering his crotch. But other than that, I was clueless. I thought I was in for something special when I was handed a ball of socks at the door and told it was a cannonball. If the audience weren’t aware of exactly what they’d got themselves into, it became apparent very quickly. Brighty entered covered in a hood as the sounds of an orgy played throughout the venue. He tells ‘naughty Susan’, a recurring character in the sketch, that he must sadly leave. I haven’t seen many a funnier start to a ...
Twelfth Night Lite – Paradise in Augustines
Scotland

Twelfth Night Lite – Paradise in Augustines

Twelfth Night is my favourite Shakespeare play, so, I was intrigued when I came across Twelfth Night Lite, a three-person, hour long version of the show brought to the Edinburgh Fringe Festival by Evoke Productions. How would they tell the at times complicated and weaving plot with so few performers? Overall, I think they did an admirable job at cutting the play so drastically, while still making it easy to follow. The plot was streamlined, focusing on the love triangle between Olivia (Francesca Firman), Viola (Susie Garvey-Williams) and Orsino (Matthew Leigh). Characters including Sir Toby Belch, Feste and Sir Andrew Aguecheek were cut entirely. This, I think, was the weakness of the play. It felt like something was missing. For instance, character arcs were left unresolved, primarily ...