Sunday, December 22

Author: Ben Pearson

007 Voices of Bond – theSpace @ Symposium Hall
Scotland

007 Voices of Bond – theSpace @ Symposium Hall

007 Voices of Bond is any James Bond fan’s dream. Brought to the Edinburgh Fringe Festival by Night Owl Shows, this hour-long concert takes the audience on a journey through the title tracks of Bond. Other than the opening number, Diamonds are Forever, the songs are performed in chronological order of release date, charting the evolving style of the music through the decades. Between each song either Maia Elsey, the truly phenomenal lead singer, or a pre-recorded video of ‘Mike’ (a hilarious yet informative M stand in), provide the audience with the context of each track. How they came to be made, what the meaning behind the song is, and its place within the wider world of music. These brief interludes were fascinating, and enhanced the experience from beyond just spectacle, to a genuine e...
Bacon – Summerhall
Scotland

Bacon – Summerhall

Bacon, written by Sophie Swithinbank, and brought to the Edinburgh Fringe by HFH Productions, is a masterclass in storytelling. Focusing on the lives of fifteen-year-old’s Mark, Corey Montague-Sholay, and Darren, William Robinson, it explores masculinity, sexuality, and the dangers of toxicity in youthful relationships. Mark has just joined a new school and is struggling to make friends until he meets the hot-tempered Darren. The two could not be more different, and as such seem drawn to one another. Swithinbank’s script is electric. Despite repeatedly switching between narration and dialogue, it feels incredibly real. The characters may address the audience, but they never stop feeling like actual human beings. Perhaps this is because they are both so relatable, albeit in very differen...
The Improv Musical – Gilded Balloon, Patter Hoose
Scotland

The Improv Musical – Gilded Balloon, Patter Hoose

Music Theatre Warwick, from the University of Warwick, have made the impossible look easy in this entirely improvised musical. The audience chose the two lead characters, Sherlock Holmes and SpongeBob SquarePants, and the location: the Titanic. The musical was named ‘who lives in a monocle under the sea’, by a particularly witty band member, and the performers got straight into it. What followed was hilarious, ridiculous, and highly entertaining.  I particularly enjoyed the short mid-way break, in which the audience decided the next plot point. In this case, that John Watson, who had been thrown overboard, would arrive back on the Titanic to declare his love to SpongeBob through an opera song.  It was just as crazy and hysterical as it sounds. Throughout the show, I was...
If You Were to Die Tomorrow – Paradise, St Augustine’s
Scotland

If You Were to Die Tomorrow – Paradise, St Augustine’s

If You Were to Die Tomorrow has been the most difficult show for me to review at the Edinburgh Fringe so far. Brought to the festival by Hive MCR, it uses a love story between Charlotte, Sasha Dowdy, and Hope, Frankie Weatherby, to explore existentialist questions about the universe and our place within it. Charlotte has a nihilistic approach to life, believing everything is predetermined and so there is no point actively trying to do anything. We’re not going to be able to change the course of our lives. In contrast, Hope seems to think that if there is no greater meaning to life, then we must find meaning in our everyday actions. To put it simply, the meaning of life is living.  This provides a good foundation for the play discuss these wider questions whilst simultaneously getting ...
Nobody’s Talking About Jamie – Underbelly Cowgate (Iron Belly)
Scotland

Nobody’s Talking About Jamie – Underbelly Cowgate (Iron Belly)

I am still not 100% sure whether this is a true story or not, but honestly it doesn’t matter. Whether fact or fiction, Jamie Finn has crafted a highly relatable, consistently entertaining and at times moving performance. Charting the highs and lows of romance and friendships, Finn takes us on his journey out of his first relationship and into the whirlwind life that followed. Accompanied by numerous original songs, the best of which is ‘a song for my ex-girlfriend’s current boyfriend (Warren)’, Finn’s storytelling is hilarious and heartfelt. The songs were all very funny, and suitably drove the plot. His voice was at times nasal and slightly out of tune, but I think this was a purposeful choice for the character. He isn’t meant to be a godly rockstar! There are so many moments in...
Lash – Bunker Three, Pleasance Courtyard
Scotland

Lash – Bunker Three, Pleasance Courtyard

Lash, written by Philip Stokes, and performed by Jack Stokes, was the most impressive thing I’ve seen at the Edinburgh Fringe this year. Written in lyrical, rhyming verses, it tells the story of a young man, Sonny, on a night out after work. Philip Stokes has crafted a remarkable script, which seamlessly blends comedy, tragedy and political commentary whilst never losing our protagonist’s voice. Despite speaking in rhyme, Sonny feels real and relatable. He’s working a job he doesn’t like, with people he has little in common with, and just wants to escape the harsh realities of existence with a good night out. Throughout the night, Sonny has run ins with drug dealers, colleagues and the local homophobic and toxically masculine ‘hard men’. Each of these encounters reveal something new abo...
Film Club: An improvised Comedy – Just the Tonic, The Caves
Scotland

Film Club: An improvised Comedy – Just the Tonic, The Caves

There is such an abundance of improvised comedy at the Edinburgh Fringe, that a performance must be truly excellent in order to stand out. Sadly, Film Club didn’t reach that level on this occasion. It began promisingly, as the audience were asked to shout out a film they loved as a child, a film they saw too young, and a film that moved them. One brave audience member volunteered to use their film choices. I can’t remember exactly what these were, but we ended up with a general theme of thriller time-travel, which seemed promising. All in all, the selection process took maybe five to ten minutes, which was a bit longer than most of the other improv I’ve seen, but by no means killed the energy of the audience and performers. The improvised skits were ultimately hit and miss. Whilst i...
I Consent, Aunty Ginger – Assembly, George Square Studios, Underground
Scotland

I Consent, Aunty Ginger – Assembly, George Square Studios, Underground

This show is not for the faint-hearted or easily offended. And that’s a good thing. I Consent is an utterly outrageous, and hilariously entertaining hour of drag-show comedy. Aunty Ginger has excellent stage presence from the second she introduces herself with a parody of ‘(Hey) Big Spender’. You may be able to guess what word she replaced ‘Spender’ with… I won’t pretend I’m an expert in drag styling and fashion, but I was incredibly impressed by her make-up, fabulous ginger wig and matching jewellery. The dress, designed by Peter Hewitt, was black and tight. Perfect for the occasion. In short, Aunty Ginger looked spectacular. I won’t spoil the contents of her show, but it includes an Agony Aunt style segment where she solves the sex life problems of ‘famous celebrities’ and memb...
Victor, Vi and the Volvo – Paradise Green (Vaults)
Scotland

Victor, Vi and the Volvo – Paradise Green (Vaults)

Victor, Vi and the Volvo, is a humorous, powerful, and endlessly real original show. Writer and director Sam Milnes has created a play that wouldn’t feel out of place on the West End. Set both in the present day, and in the memories of Victor and Vi, it tells their story from the day they met, through to their efforts to raise their son Callum. The most impressive quality of this play is just how real all the characters feel. Throughout the runtime, there are endless relatable moments that make you feel like Victor, Vi and Callum could all easily exist. Victor and Vi’s uncertainty of whether to discuss with Callum a condom they found in a bin, and his subsequent embarrassment, was a particular highlight. These moments often allow for very real comedy. Milnes hasn’t tried to create w...
Music – Bunker Three Pleasance Courtyard
Scotland

Music – Bunker Three Pleasance Courtyard

I was serenaded and handed a croissant as I walked into Bunker Three to watch Music by Hangdog, which set the tone for the performance perfectly. Music is a very silly, but equally entertaining sketch show about a young part-time receptionist/house band member called Dave who works for Stripefy and swallows the music algorithm, becoming the world’s greatest musician as a result. It’s just as insane as it sounds, but strong performances from Jack Toop and Jacob Lovick keep you mostly engaged throughout. Toop plays Dave with an endearing melancholy that allows you sympathise with his quest to become a full-time receptionist (not musician). This more soulful performance contrasts perfectly with Lovick’s manic presence, as he yo-yos between endless characters, accents and impressions. His John...