Akshay Raheja, Author at North West End UK

19Jul

By Akshay RahejaNo Comments

London

Diana – Soho Theatre

In Diana, a captivating one-person musical, Peter Smith draws inspiration from the enigmatic Diana, the blonde British icon who bared her soul on television. Smith, a renowned figure in the New York cabaret circuit, reveals their fascination with Diana, ignited by watching Martin Bashir's infamous interview. Yet, the show appears more about Smith, frequently delving into anecdotes about family, leaving us perplexed about its true focus. The lack of clarity leaves us yearning for a clearer narrative. Smith excels at crafting sensationalist one-liners, but disappointingly, do not lead anywhere substantial. Instead, it feels like a collection of shallow headlines, akin to tabloid gossip that entices but lacks depth. This alluring yet ultimately open production leaves much to be desired. ...

13Jul

By Akshay RahejaNo Comments

London

Cuckoo – Royal Court

Michael Wynne's play delves into the lives of a typical family, examining the profound impact of mobile phones on their relationships. Seventeen-year-old Megyn barricades herself inside her grandmother's bedroom following a heated family discussion, leaving her mother Carmel and sister Sarah deeply concerned. The play explores the isolation caused by these devices, their psychological allure, the troubles they pose for teenagers, and the detachment experienced in online encounters, devoid of genuine emotion. While Carmel's character is well-developed, her dismissal of her sister, mother, and daughter presents subjective and intriguing reactions, leaving the audience yearning for deeper exploration. Under the direction of Vicky Featherstone, the staging of Cuckoo remains straightforward ...

The Secret Life of Bees – Almeida Theatre

22Apr

By Akshay RahejaNo Comments

London

The Secret Life of Bees – Almeida Theatre

Set in South Carolina in 1964 and tells the story of Rosaleen, who is fighting for her right to vote, and Lily, who is trying to escape her abusive father. Together, they seek refuge at a remote honeybee farm run by the Boatwright sisters. Abiona Omonua, who played Rosaleen, was the standout performer. The ensemble cast also did an excellent job, including Eleanor Worthington-Cox as Lily, Ava Brennan as June, Tarinn Callender as Neil, Madeline Charlemagne and Shekinah Mcfarlane as the daughters of Mary, Danielle Fiamanya as May, Richard James-Neale as multiple characters, Rachel John as August, Mark Meadow as T-Ray, and Noah Thomas as Zachary. While there were a few moments where the dramatic moment could be anticipated in the performer’s body, overall, the performances were strong and ...

20Apr

By Akshay RahejaNo Comments

London

Little Scratch – New Diorama

A Thought-Provoking and Emotionally Charged Exploration of Trauma Little Scratch, adapted from Rebecca Watson's novel by Miriam Battye and directed by Katie Mitchell, is a powerful and unconventional portrayal of a day in the life of a rape victim. The performance is narrated by four voices in her head, played with great coordination and nuance by Eleanor Henderson, Rebekah Murrell, Eve Ponsonby, and Ragevan Vasan. Their narrations are accompanied by foley sounds that enhance the play's visceral effect with occasional moments of poetic rhythm that feel like music to the ear. The sound and score by Melanie Wilson are also remarkable, as they accurately compose the protagonist's life experiences and trigger the audience's memories of daily sounds we usually ignore. Through this rapid i...

Further than the Furthest Thing – Young Vic

18Mar

By Akshay RahejaNo Comments

London

Further than the Furthest Thing – Young Vic

Further than the Furthest Thing is a play in two acts by the Scottish playwright Zinnie Harris, set in 1961 on a remote island based loosely on Tristan da Cunha in the first act and in an industry in England in the second act. The play opens with Bill Laverello, played by Cyril Nri, swimming in the volcano's lake, which dominates the island; he leaves the water as tremors rise. The play then moves to Mill Laverello, played by Jenna Russell, where Francis Swain, played by Archie Madekwe, the nephew of Mill and Bill, meets Mill, having left the island for roughly a year. Francis reveals that he has invited Mr Hansen, a factory owner he introduces as his friend, to the island. The play is staged in an arena with seating that looks like marble slabs transporting us to a remote island awa...

<strong>Best of Enemies – Noel Coward Theatre</strong>

1Dec

By Akshay RahejaNo Comments

London

Best of Enemies – Noel Coward Theatre

It is 1968 in the United States of America. The elections are approaching, ABC news trails behind NBC and CBS. To catch up with the competition, they setup an experimental debate between Gore Vidal, a left-wing writer and William Buckley, a pamphleteer for the Conservatives; in one of a kind prime time show. The conflict is simple. Conservatives goes against Libertarianism. (And we can never get enough of it). ‘Which country do you belong to?’ The right or the left? Democratic or Republican? The incorrect question is the backbone of the conflict. It simply assumes the answer has to be an either, or. Throughout the play, one kept wondering what happens if a citizen chooses neither, nor? Or what happens to the subjective benefits and failures that come with choosing one and vice versa. Du...

<strong>Henry V – Shakespeare’s Globe</strong>

27Nov

By Akshay RahejaNo Comments

London

Henry V – Shakespeare’s Globe

When Henry IV dies, his son takes over the crown. The new king has risen to power in fragile and uncertain times. He is provoked by an insult from the French Prince Louis. His brother and his uncle elicit him to prove himself. Henry V decides to invade France. Henry V has popularly been received as the celebration of an uncompromising nationhood and the eminence of imperial ambitions. But this production seems to offer several counter-narratives that exist within the story. Such as the story of Pistol, Bardolph, Nym and a young Boy, who are all caught up in the patriotic fervour and join Henry's army, hoping to enrich themselves in the chaos of invasion. Their narrative brings to light the indifference of the kings towards their infantry and the unfair imbalance of power structures that...

<strong>Dinner With Groucho – Arcola Theatre</strong>

23Nov

By Akshay RahejaNo Comments

London

Dinner With Groucho – Arcola Theatre

In 'Dinner with Groucho', Frank McGuinness tells the story of Groucho Marx and T.S. Eliot having dinner in a strange restaurant on the edge of heaven. There is a brilliant moment in the play when Shakespeare is contradicted by the host proprietor of the restaurant. ‘To Be is to not be’ she says. Life is death. All past, present and future are now, have been and will be. It seems to echo the themes of Eliot's 'The waste land'. The production is aesthetically lit by Paul Keogan with a unique combination of natural and artificial lights. Ingrid Craigie was the stand-out performer as the Proprietor. Her performance was fresh, unpredictable and seemed enigmatic -at the same time- clear. The absurdity in the play’s design shines because of the brilliant treatment by the director, Loveday I...

<strong>Antigone: A Russian play essaying Authoritarianism – Cockpit Theatre</strong>

7Nov

By Akshay RahejaNo Comments

London

Antigone: A Russian play essaying Authoritarianism – Cockpit Theatre

Antigone: Sophocles' Greek tragedy is adapted-rewritten by Evgeniya Palekhova into a compelling two-hander anti-authoritarian debate between the transgressive niece, Antigone and the dictator Creon. The war has ended. Antigone learns that both her brothers are dead. Forced onto opposite sides, they have killed each other in battle. When dictator Creon takes control of the torn and hostile state, he buries one and proclaims the other as a traitor, leaving him to rot in the streets of Thebes. Antigone chooses to bury her brother despite the danger it entails. The director, Ovlyakuli Khodzhakuli is very sensitive to the use of the material in the play. Each property is either destroyed or broken by the end of the play. The continuous smoke and flashing lights appropriately create a post-wa...

20Oct

By Akshay RahejaNo Comments

London

The Poltergeist – Arcola Theatre

Sasha, once a renowned child artist, is now a stationer and haunted by the artist he could never be. The Poltergeist is a play about art, family and memory. In many ways, the experience of this play felt like a good rock concert. Just as one feels the drops and hits of the distortion of an electric guitar, one is hit by the movement, switch and the strong performance by Joseph Potter who seems to be playing an overwhelming number of roles (instruments) in the play. The heavy movements of the performance resemble the sensibilities of ritual theatre made by the ingredients of the alienation of modern subjects and the rage of a failed artist. “3…2…1…” Sasha expects a response from his partner, and we wait. The performer's intensity and the rhythm of narrating the story are central t...