Anna Chiari, Author at North West End UK

Hi, I’m Zoë… – Laughing Horse @ Eastside

29Aug

By Anna ChiariNo Comments

Scotland

Hi, I’m Zoë… – Laughing Horse @ Eastside

It's challenging to write about Hi, I’m Zoë, this one-woman show that attempts to be a satire of the world of online dating but ends up feeling like mundane barroom chatter, devoid of wit and bite. Anyone in the audience could have something more interesting to say about their personal life than Zoë, who also lacks any significant stage presence. The show's crux is meant to revolve around Tinder (already a tired and overused topic these days) and the absurd cast of characters one encounters online. However, there's hardly anything grotesque or genuinely amusing about it. In Hi, I’m Zoë, everything feels like a parade of clichés that have been seen and heard before, lined up like a shopping list without any narrative construction or structure. It is an hour that's difficult to end...

The Life Sporadic of Jesse Wildgoose – Pleasance Courtyard

29Aug

By Anna ChiariNo Comments

Scotland

The Life Sporadic of Jesse Wildgoose – Pleasance Courtyard

Voloz Collective is known for its experiments in physical theatre, and after The Man Who Thought He Knew Too Much, they returned to the Fringe with a completely different performance. The Life Sporadic of Jesse Wildgoose is a coming-of-age story set in the world of finance during the famous 2007-2008 crisis. However, the story is not very conducive to a physical theatre performance, unlike The Man Who Thought He Knew Too Much, which blends thriller, adventure, and comedy seamlessly. The Life Sporadic of Jess Wildgoose centres around the journey of Jess Wildgoose, a young American idealist who ventures to New York City with aspirations of finding success in the bustling financial district. Throughout her odyssey, she becomes entangled with the wolves of Wall Street, absorbing life's ...

29Aug

By Anna ChiariNo Comments

Scotland

Heart – Roundabout @ Summerhall

In Heart, actress Jade Anouka’s debut play offers a raw and sincere exploration of femininity, love, trauma, and mental health. It’s a journey of self-discovery and self-empowerment, but it’s the mode of presentation that captivates: the actress transcends herself and presents a narrative, a sort of monologue, where music, trap beats, and storytelling blend seamlessly. In sync with beatboxer Grace Savage, who also happens to be her life partner, Anouka shares the story of a failed marriage, insecurities, societal pressures, and, ultimately, the process of rebirth in discovering her own bisexuality and her relationship with Grace. At the core are themes of mental health, often described as a dark beast capable of taking over, and the toxicity of social and romantic relationships that...

29Aug

By Anna ChiariNo Comments

Scotland

Beautiful Evil Things – Pleasance Dome

Deborah Pugh’s one-woman performance, presented by Ad Infinitum Theatre Company, a co-creation between Deborah Pugh and George Mann, draws inspiration from Greek myths, channelling their epic power through a contemporary feminist lens. Beautiful Evil Things revolves around Medusa and her story. As she recounts the events that led to her head adorning Athena’s shield, she captivates the audience with tales of three Greek heroines: the fearless Amazonian queen, Penthesilea, engaged in a captivating duel with Achilles during the Trojan War; the prophetic Cassandra, cursed with the gift of foresight but doomed to be unheard; and the vengeful mother Clytemnestra, who seeks justice for her slain child. With its grand storytelling and potent script, the performance envelops us with the ...

Good and Gaslit – theSpace @ Surgeons Hall

29Aug

By Anna ChiariNo Comments

Scotland

Good and Gaslit – theSpace @ Surgeons Hall

Inspired by the film Gaslight starring Ingrid Bergman, Good and Gaslit delves into the concept of gaslighting – the more or less indirect manipulation perpetrated on women by a society that neither wants to see them in control nor to achieve success, a society deeply misogynistic that seems to harbour disdain for women. Good and Gaslit explores the perspective is that of a woman who has lived through a significant portion of her life's most meaningful events and looks back at them with disillusionment and newfound awareness. She revisits and reevaluates these events in the light of a rekindled feminism and the concept of gaslighting, something she wasn't familiar with in her youth. Written by Deborah Cincotta, an experienced TV producer and first-time theatre performer, and direc...

Room – A Room of One’s Own – Pleasance Courtyard

19Aug

By Anna ChiariNo Comments

Scotland

Room – A Room of One’s Own – Pleasance Courtyard

Room- A Room of One’s Own, written and performed by Heather Alexander, is a refined, intimate, and literary pleasure. A room for the soul, where one can meditate, reflect on contemporary reality, be enchanted by the beauty of prosody, and let oneself go with hope, not only in the future but also in an illustrious past that still lives within us. Everything, from the scenography to Dominique Gerrard's direction, is impeccable. With just a few props, Alexander moves around the stage in a monologue, almost a stream-of-consciousness, transporting the spectator to a very precise era, a very precise environment, and a very precise mind. We are in the early 1900s in the room, or instead at the desk, of Virginia Woolf, the author of One Room of One's Own, and the words, the reflections, and the...

Half Empty Glasses – Roundabout @ Summerhall

17Aug

By Anna ChiariNo Comments

Scotland

Half Empty Glasses – Roundabout @ Summerhall

After the success of Patricia Gets Ready, Kaleya Baxe returns to direct in collaboration with playwright Baruwa-Etti for a story of friendship, anger and courage where nothing is completely black or white. Half Empty Glasses is a coming-of-age story that explores what it means to step into a world of possibility and begin to see its injustices, deformities and annihilating inequalities, coming face to face with one's own powerlessness for the first time. Hovering between the possibility of a radiant future and a bleak present, overshadowed by his father's degenerative illness, Toye (Samuel Tracy), the true dramatic focus of the play, is filled with a blind rage, toxic even, for those close to him, especially his friends Remi (Princess Khumalo) and Asha (Sara Hazemi). A play that aim...

A Sudden Violent Burst of Rain – Roundabout @ Summerhall

17Aug

By Anna ChiariNo Comments

Scotland

A Sudden Violent Burst of Rain – Roundabout @ Summerhall

Sami Ibrahim plays with the fable element to try to give new depth and strength to the old theme of immigration and British imperialism, creating a play that is surreal and cruelly realistic at the same time. The young London playwright tries to add levity and hope to the tale of a precarious, exhausting and irretrievably broken life and to make the injustice of a cruel and impersonal system even more evident through the strong contrast with the fairy-tale element. The play is indeed well written and superbly acted by the three cast members, Sara Hazemi, Princess Khumalo and Samuel Tracy, but at times verbose and unmoving. Ibrahim gets lost in metaphors, double meanings and symbols, and forgets to give us the human element, the only one that can really touch the audience. The story of E...

16Aug

By Anna ChiariNo Comments

Scotland

Still Floating – Summerhall Old Lab

A surreal, evasive and whimsical play that captivates with its sweetness, fantasy and gentle humour, with its characters at once sweet and grotesque and its fairy-tale dimension. In taking up the famous 2006 play, Floating, and the character of Hugh Hughes, Welsh artist Shôn Dale-Jones seems to want to build a bridge between past and present and investigate how the former can still speak to the latter. The performer, in fact, wants to deal with a theme that is as topical as ever, to speak to an uprooted generation, of young people who, by choice or lack thereof, have found themselves living with a suitcase in hand, constantly on the move in a world without borders. It is a theme that acquires new meanings for the post-Brexit Anglo-Saxon people who now identify with that Hugh Hughes who ...

15Aug

By Anna ChiariNo Comments

Scotland

Hungry – Roundabout at Summerhall

At the centre of the Roundabout tent, a minimal and effective installation by Paines Plough's production to gather the many pilgrims of the Fringe in a circle, a culinary drama unfolds that uses the metaphor of food to investigate themes such as identity, emotional dependence and cultural appropriation. Although playwright Chris Bush's new play sins by an excess of verbiage, the pièce takes flight thanks to the naturalness and communicative energy of the two lead actresses. An encounter-clash between the insecure and fragile chef Lori, played by Eleanor Sutton, and the grumpy and recalcitrant Bex (Melissa Lowe) at the two extremes of two kitchen trolleys that clash, drift apart and grow closer as their relationship progresses. Of romance, affection or passion there is very little, releg...