The classic tale of Phileas Fogg and Passepartout, who, to win a wager, travel around the world in no less than 80 days, is back and this magical adventure has been brought to life once more.
Fact meets fiction in this production as the audience is treated to the incredible true story of American journalist Nellie Bly who decided to take Phileas’ goals and make them a reality. In a somewhat Brecht style, the show is a “play within a play” and creates some fun stylistic moments. The set is bright and vibrant, allowing for dynamic movement across several levels, featuring some unusual and fun props.
Though a cast of only five, this performance is nothing less than rich. Every cast member gives a full and polished performance, each playing at least three different characters, making it hard for any single actor to stand out as they are all on equal footing. Phileas Fogg (Alex Phelps), although the centrepiece of the story, is the least exciting character Phelps portrays. Phelps shines in his other comedic roles, his facial expressions and movement large and expressive, him blending well in ensemble parts. Nellie Bly (Katriona Brown) is a charming addition to this production, Brown creating warmth and depth in her portrayal. Each actor is skilled in accents and dialects, an appealing addition to the feeling of being transported ‘around the world’. Princess Aouda (Genevieve Sabherwal) and her story is wonderfully portrayed, Sabherwal keeping to her Indian accent throughout, a hard feat.
A particular highlight and comedic moment is the scene where Passepartout (Wilson Benedito) and Detective Fix (Eddie Mann) are having ‘a’ drink. A seesaw is used as the bench the two gentlemen are seated on, which, after one gin too many, becomes the centrepiece of some hilarious slapstick comedy. Benedito has fantastic physicality and strikes the right balance between portraying inebriation and keeping it child friendly. Mann plays Detective Fix as smarmy yet comical, and mingles well with the audience. Moments where the characters break the fourth wall and interact with the audience are particularly enjoyable and engaging.
With the cast portraying multiple roles, each moving seamlessly into character, there is no need for dramatic costume changes. Props are used extensively, as well as easy additions to costumes such as hats or coats, but the actors rely on their characterisation and their movement to really transform. The physical theatre in this production is impressive, some choices especially innovative and clever such as the characters travelling by train and, fittingly, on an elephant.
The show, marginally aimed at children, has educational value and elevates different cultures. There are some hard hitting but vital social topics, which are dealt with well and are given the appropriate time. Packed with a multi-talented and theatrically diverse cast, this performance is enjoyable and fun for the whole family, with plenty of comedy and heart.
Around the World in 80 Days is currently playing for a limited run at Richmond Theatre until 20th May 2023. Tickets can be purchased and more information can be found at: https://www.atgtickets.com/shows/around-the-world-in-80-days/richmond-theatre/
Reviewer: Maani Way
Reviewed: 16th May 2023
North West End UK Rating: