There are certain shows that feel timeless in their simplicity and power, and A Chorus Line is one of them. The Altrincham Garrick Playhouse’s current production, directed by Joseph Meighan, captures that magic beautifully, offering a night of theatre that is both dazzling and deeply human.
The story, set in the world of Broadway auditions, follows director Zach Wilson (played here with presence and precision by Joseph Meighan himself) as he whittles down a group of hopeful dancers competing for a coveted spot in his new chorus line. The show strips back theatrical spectacle to its essence, focusing instead on raw storytelling with its mirrored backdrops and nothing else allowing the cast’s talent and truth to shine.
What sets this production apart is the electric chemistry between Meighan’s Zach and Caitlyn Brady’s Cassie Ferguson, his ex-girlfriend and one-time star who finds herself back in the audition room. Their scenes together were poignant and layered, filled with the tension of past love and present ambition. Brady’s solo moments were magnetic, her performance soaring both vocally and emotionally.
Among a hugely talented cast, there were standout performances that must be mentioned. Helen Swain’s dry wit and grace as Sheila made her scenes sparkle; Madeleine Healey’s Maggie was heartfelt and tender; Casey Johann Martin delivered Paul’s monologue with such vulnerability that you could feel the audience collectively holding its breath; Amy Dart brought finesse as Lois, Zach’s dance instructor; and Max Lawrence as Bobby lit up the stage with charm and comic flair.
The younger performers were a delightful addition, particularly in “At The Ballet”, where they portrayed the dancers’ younger selves with innocence and sincerity. The final moment, revealing Zach’s younger self, was a moving touch that rounded the story off beautifully.
Louise Pettitt’s choreography deserves high praise. Every number was tight, synchronised, and visually stunning, with “At The Ballet” a particular highlight thanks to the stunning female dancers. Cameron Kershaw, in his debut at the Garrick, was a revelation his dancing was sharp, expressive, and full of stage presence. I very much hope this is just the first of many appearances from him.
The musical backbone of the show came from Mark Goggins and his 14-piece live band, who played with energy, precision, and flair. Their sound filled the theatre, lifting every number and adding to the show’s golden glow.
As a long-time reviewer, I have seen ‘A Chorus Line’ many times but never before felt compelled to review it. This production, however, was too sensational to remain silent about especially when I heard it was Meighan as the director who is one of my all-time favourite Artistic Directors and has been for many years. In fact, one of the evening’s most joyful moments for me was seeing Niamh Mulvihill return as Valerie. I last saw her in 2017, when Joseph Meighan directed MYT, and even then, she played the role with wit and energy. Now, she has blossomed into a sensational actress, and her rendition of “Dance: Ten; Looks: Three” was magnetic, holding the audience in the palm of her hand. Ciara-Alexandra Booker also gave unforgettable performance with her “Nothing” was a masterclass in delivery, and “What I Did for Love” was a true showstopper that earned extended applause.
The ensemble work was equally impressive. The four montages were slick, energetic, and packed with personality, each dancer giving 100% to make every beat land. What struck me most was how every cast member found their moment to shine, and no one faded into the background. This was a team effort through and through, and it showed in the electric connection they shared on stage.
The creative team deserve immense credit. The lighting and sound were flawless, enhancing the minimalist staging with atmosphere and precision. Glittering costumes in the finale brought that Broadway dazzle, and the audience responded with thunderous applause and cheers. It was especially moving to see former Garrick performers in the audience, supporting their fellow actors with warmth and enthusiasm.
And then there was the finale “One Singular Sensation” with the infamous gold costumes, sharp lines, and a breathtaking wall of sound and movement. It was pure theatrical joy, the kind of ending that sends you home buzzing.
This was theatre at its best with pure escapism for two and a half hours, where you forget the outside world and are swept away into a place of lights, music, and glittering spectacle. Meighan’s production is the perfect example of theatre magic, and this show reminds us why we fall in love with theatre in the first place.
Joseph Meighan has long been notorious for his successes as a director but seeing him not only lead this company but also step into the spotlight himself was an absolute bonus. His ‘A Chorus Line’ is gold standard theatre – polished, passionate, and unforgettable.
Every cast member deserves recognition, and while space doesn’t allow me to mention them all by name, I hope they know that they each stood out in their own way. This was a truly remarkable ensemble effort
A thoroughly enjoyable evening, delivered by a sensational cast and creative team. Quite simply, this ‘A Chorus Line’ was theatre at its very best – uplifting, heartfelt, and unforgettable. It was a reminder that, in the right hands, a stage, some lights, and a company of dedicated performers can create magic that lingers long after the curtain falls.
The show runs until Sunday 14th September 2025 so grab a ticket and escape into a wonderful world of musical theatre.
Reviewer: Katie Leicester
Reviewed: 8th September 2025
Northwest End UK Star Rating: