Customize Consent Preferences

We use cookies to help you navigate efficiently and perform certain functions. You will find detailed information about all cookies under each consent category below.

The cookies that are categorized as "Necessary" are stored on your browser as they are essential for enabling the basic functionalities of the site. ... 

Always Active

Necessary cookies are required to enable the basic features of this site, such as providing secure log-in or adjusting your consent preferences. These cookies do not store any personally identifiable data.

No cookies to display.

Functional cookies help perform certain functionalities like sharing the content of the website on social media platforms, collecting feedback, and other third-party features.

No cookies to display.

Analytical cookies are used to understand how visitors interact with the website. These cookies help provide information on metrics such as the number of visitors, bounce rate, traffic source, etc.

No cookies to display.

Performance cookies are used to understand and analyze the key performance indexes of the website which helps in delivering a better user experience for the visitors.

No cookies to display.

Advertisement cookies are used to provide visitors with customized advertisements based on the pages you visited previously and to analyze the effectiveness of the ad campaigns.

No cookies to display.

Friday, April 18

Once Upon a Snowstorm – Traverse Theatre

This gentle rendition of Richard Johnson’s wordless picture book, adapted and directed by Jo Timmins, produced by Lyra and with support from Catherine Wheels, is a surprisingly effective Christmas gift, very nicely wrapped and presented on the modified stage, turned grotto of the subterranean Traverse 2.

A delicate piece of theatre from talented duo, Adam Tompa and Fay Guiffo, who work closely together to recreate the touching relationship between father and son, and their desperation when they become separated during a snowstorm in the deep woods.

Guiffo’s particular gift for electric violin is very nicely integrated into the piece to recreate through sound the snowy textures and dulled stillness of their crystalised world and the animals which inhabit it. The set design by Sophie Gerguson and lighting by Emma Jones are simple but very effective and the use of a revolving lantern to recreate various animals and settings is also rather magically executed.

In a piece that seemingly seeks to celebrate the wordless economy of the original book, Guiffo’s bow becomes in turns the tentative steps of a fox, a hunting rifle or a fallen tree over a raging river.

When the boy finds a cave to wait out the storm we are introduced to a plethora of forest dwelling animals played mostly by Tompa, then also joined by Guiffo; here is the fox, the badger, the owl, the bear. Part of the joy of this section is in guessing which animal is being played, it is like animal charades for the young and captivated audience. When the bear appears, there is a verbal ‘oh oh’! from one concerned youngster. But worry not. All ends well.

There is much to enjoy here; the well-crafted adaptation, the captivating storytelling, the wonderfully realised roles of father and son, the forest creatures, the evocative music or the playful set, or the snow which drifts down and magically covers the audience at one point. As with all good theatre, it is a team effort by all concerned and it is the crafted whole which lives longest in the memory.

Running time – 50mins https://www.traverse.co.uk/whats-on/event/once-upon-a-snowstorm

Reviewer: Greg Holstead

Reviewed: 10th December 2022

North West End UK Rating: ★★★★

0Shares