Customize Consent Preferences

We use cookies to help you navigate efficiently and perform certain functions. You will find detailed information about all cookies under each consent category below.

The cookies that are categorized as "Necessary" are stored on your browser as they are essential for enabling the basic functionalities of the site. ... 

Always Active

Necessary cookies are required to enable the basic features of this site, such as providing secure log-in or adjusting your consent preferences. These cookies do not store any personally identifiable data.

No cookies to display.

Functional cookies help perform certain functionalities like sharing the content of the website on social media platforms, collecting feedback, and other third-party features.

No cookies to display.

Analytical cookies are used to understand how visitors interact with the website. These cookies help provide information on metrics such as the number of visitors, bounce rate, traffic source, etc.

No cookies to display.

Performance cookies are used to understand and analyze the key performance indexes of the website which helps in delivering a better user experience for the visitors.

No cookies to display.

Advertisement cookies are used to provide visitors with customized advertisements based on the pages you visited previously and to analyze the effectiveness of the ad campaigns.

No cookies to display.

Tuesday, April 1

Are You Being Murdered? – Pleasance at EICC

What would happen if Agatha Christie met Father Brown? This seems to be asked by David Semple, the acclaimed writer of the famous series branded BBC ONE, in bringing to the stage the one man shows entitled “Are You Being Murdered?” A show focused exclusively on the talents of “Allo Allo” actor Arthur Bostrom, capable of bringing together comedy and mystery, suspense and social satire.

Set in the golden age of old BBC sitcoms, the show proves to be marked by a glossy nostalgia that winks at a specific generation and targets that generation specifically. Although with its lively monologue and ready wit, the show seems to take up, like a dress worn out by too much use, certain stereotypes of a genre unable to speak to a contemporary audience with sharper and more irreverent tastes. There is no shortage of gags, but they are mostly striking for their self-referentiality, for their lack of originality.

Focusing on the world of supporting artists, of TV extras, the plot is mostly interesting for a meta-theatrical reflection on what it means to be an actor and to seek one’s chance, that one big shot, in a world of pettiness and sacrifice. On the other hand, the mystery plot, where the protagonist, Jamie Button, moves Becomes from a mere stage extra, the protagonist of a real detective story, remains drab, a faded echo of a mystery novel to be read in a daze on the beach.

The story takes off and amuses only because of the comic and linguistic gag talent of its protagonist, who winks at the audience more than once, in a continuous game of references to a vanished pop culture and self-mockery, where the whodunit plot gives way to a series of linguistic and social satires, of strongly characterised and somewhat exaggerated characters. But it is the nostalgia that surrounds the whole act that emerges strongly in what appears to be a show that is a little too stale for today’s times, but certainly well-acted and wittily written.

Continues until 20th August with further details and tickets available HERE.

Reviewer: Anna Chiari

Reviewed: 9th August 2022

North West End UK Rating: ★★★

0Shares