A lyricist’s words can become so familiar to us that we forget the person who wrote them. ‘From the Heart’ brings Don Black, one of the world’s most accomplished lyricists into focus, offering a beautifully presented musical revue that traces his career through songs and autobiographical reflections.
Directed by Nick Winston, the evening feels carefully assembled, with a thoughtfully curated programme that makes room for discovery alongside recognition. The lesser-known numbers provide an opportunity to appreciate Black’s work beyond the songs audiences can immediately hum, and there is considerable pleasure in hearing these pieces given such accomplished treatment, allowing the lyrics their place in the spotlight.
The staging of this revue is equally assured. Sophia Pardon’s minimalist design leaves the theatre’s back walls visible, creating an appealing backstage intimacy, and Ben Cracknell’s lighting gives the exposed space warmth and definition, making the production feel elegant, refined and complete. The uncluttered setting suits an evening whose chief attractions are its voices and words.
All five performers are exceptional in their abilities, Frances Mayli McCann, Caroline O’Connor and Clive Rowe contribute to an ensemble whose contrasting qualities complement one another beautifully, with each performer given space to shine, yet the evening retains a satisfying sense of cohesion. Michael D. Xavier is a particular highlight, while Shona McGarty’s strikingly beautiful voice makes a lasting impression.
At the performance reviewed, special guest Michael Ball supplied an additional treat with “Love Changes Everything” from ‘Aspects of Love’. Black himself was also present, lending a personal resonance to this celebration of his work, however his attendance should not be assumed for every performance.
If there is a reservation, it concerns only the distribution of the better-known material. The audience’s response becomes noticeably more animated as familiar favourites arrive towards the end of the show, and threading a few more of these throughout might have given the programme a stronger rhythmic lift, without sacrificing its welcome exploration of less familiar territory.
Warm, polished and consistently well performed, ‘From the Heart’ offers both an affectionate portrait of its subject and a rewarding evening of song. A few adjustments to the balance of the programme might sharpen its impact, but this remains a thoroughly enjoyable show, well worth the ticket. The show runs at Garrick Theatre, London until 18th October and tickets can be purchased at https://thegarricktheatre.co.uk/tickets/from-the-heart
Reviewer: Alan Stuart Malin
Reviewed: 8th October 2026
North West End UK Rating: