The Authenticator at the National Theatre is an aspirational play that seeks to question past historical slavery, in a way that raises the sensitive points of shared ownership and interpretation of the truth. Set in a country house ‘Harford’ it focusses on a time from 1756 when “the fictional Henry Harford departs England for Jamaica” where he settles and acquires his own plantation. Following the uprising to abolish slavery and the plight of colonial enslaved Jamaicans Henry returns to England and buys Harford House. Living there is his “ancestor Fen -Fenella Harford”. This dramatic short production is centred around three female characters’ whose lives are exposed as they all uncover secret references to their own inherited colonial past. It has cursive dialogue which brings about many twists and turns within the story.
Abi and Marva two academic historians arrive at Harford House in pursuit of their purpose of securing the permission to review and authenticate Henry Harford’s journals, only to find deeper meaning written within. The play’s strength lies in its provocative themes and strong performances, from Abi Rakie Ayola, Fen Sylvestra Le Touzel and Marva Cherrelle Skeete. It brings tension and nuance to complex ideas delivered via satirical dialogue. Occasionally the quip references got lost in translation. It was difficult to hear what was being spoken when voices were raised or shouting. The Dorfman theatre is in the round and therefore the acoustics contributed to the sound distortion briefly. It did not distract from the thread of the narrative, the attention to detail was eloquently acted out by the cast.
Jon Bauser’s set design was particularly impressive, featuring a cleverly constructed arrangement of movable staging that created the seamless illusion of transitioning from room to room. This dynamic approach not only felt convincing but added a real sense of fluidity to the performance. What made it especially effective was how well it was complemented by the cast’s skilful movement; their precise and natural interaction with the staging brought each shift in space to life, enhancing the overall immersion for the audience. Together, the innovative set and the cast’s coordination elevated the production, making the storytelling feel both engaging and visually compelling. Equally striking was the use of violin and cello throughout the production. The music underscored key moments with a dramatic, almost sinister edge, heightening the tension and drawing the audience deeper into the atmosphere of the play. This carefully crafted soundscape and lighting worked in perfect harmony with the visual elements, elevating the emotional impact and leaving a lasting impression.
Despite a few irregularities within the prose, Winsome Pinnock’sThe Authenticator is an ‘illuminating’ and thought-provoking play. It invites the audience to question how history is shaped and which voices are given prominence, ultimately leaving behind a lingering sense of discomfort that feels both deliberate and impactful.
Directed by Miranda Cromwell
Producer Tracey Low
Set Designer Jon Bauser
Composer Benjamin Kwasi-Burrell
This play commences at 7.30pm duration is 1hour 30 minutes approx. no Interval
Run 26th March – 9th May 2026
Booking Link https://www.nationaltheatre.org.uk/productions/the-authenticator/
Reviewer: Michelle Knight
Reviewed: 3rd April 2026
North West End UK Rating