Set with the backdrop of the Black British civil rights movement in the 1970s, Urielle Klein-Mekongo’s original musical Black Power Desk shines a light on the underrepresented figurehead activists of the time. This heart-felt, humorous and powerful piece showcases that although times have moved on, the struggles of our cast of characters are just as relatable today. Mixing in real news reports from the time, the musical quickly creates an authentic representation of the mistreatment of the Black community during this era of British history.
Our story centres around two sisters, Celia and Dina, who must navigate their place in a world that seems poised to tear them down, whilst also discover who they are after the passing of their mother. From the moment Rochelle Rose enters the stage as the vivacious Celia, she had the audience captivated by her every word, facial expression and stunning vocals. Unmissable performances must be a family trait – as Celia’s fictional sister Dina, brought to life by the talented Veronica Carabai, was equally as impressive. As the character of Dina navigates the prejudice British justice system, her raw emotion and supporting powerhouse singing brings the audience on the character’s journey of political resistance.
The entire cast excels here, all rightly deserving the unanimous standing ovation that the audience of The Lowry quickly reward at the musical’s conclusion. Seamlessly delivering natural comedic moments then transitioning gut-wrenching emotional beats, this cast is note-perfect. As Jarvis, Alexander Bellinfantie can flex both his acting and singing talent here, particularly strong when portraying the complex relationship with the character of Dina. Gerel Falconer and Chanté Faucher create a complex but relatable marriage with Carlton and Maya, supported by inspired direction, their interaction with the racially bias London police is particularly harrowing.
Gerel also contributes to the memorable lyrics and rap for the show, with both Urielle Klein-Mekengho and Renell Shaw. Memorable songs throughout, the musical inspirations of rap, reggae, soul and R&B not only feel fitting, but create some surefire hits that wouldn’t feel out of place on a modern musical playlist. Creatively the team were able to create an inviting world on-stage, particularly Natalie Pryce’s set design that allowed easy transition between the locations of our story. Through effective use of coloured light, Prema Mehta was able to add both inviting and dramatic moods throughout the show.
The biggest standout for the show was Gbolahan Obisesan’s direction, strongest during the resistance meetings held in the restaurant. Through some simple audience interaction, the stage suddenly extended across the theatre, bringing the audience into the story and creating a truly immersive experience. Expertly using humour to bring the audience on side, the musical quickly felt like a communal audience experience, reflected by the audible reactions to pivotal plot developments.
When all elements of a musical are as strong as Black Power Desk, it is easy to see this show becoming an instant classic and a promising sign for the future of British musicals. Combine that with a poignant and necessary story, I hope this musical can play to more audiences across the UK and the world.
Reviewer: Harry Alty
Reviewed: 17th October 2025
North West End UK Rating: