Customize Consent Preferences

We use cookies to help you navigate efficiently and perform certain functions. You will find detailed information about all cookies under each consent category below.

The cookies that are categorized as "Necessary" are stored on your browser as they are essential for enabling the basic functionalities of the site. ... 

Always Active

Necessary cookies are required to enable the basic features of this site, such as providing secure log-in or adjusting your consent preferences. These cookies do not store any personally identifiable data.

No cookies to display.

Functional cookies help perform certain functionalities like sharing the content of the website on social media platforms, collecting feedback, and other third-party features.

No cookies to display.

Analytical cookies are used to understand how visitors interact with the website. These cookies help provide information on metrics such as the number of visitors, bounce rate, traffic source, etc.

No cookies to display.

Performance cookies are used to understand and analyze the key performance indexes of the website which helps in delivering a better user experience for the visitors.

No cookies to display.

Advertisement cookies are used to provide visitors with customized advertisements based on the pages you visited previously and to analyze the effectiveness of the ad campaigns.

No cookies to display.

Friday, April 18

Lies where It Falls – Quaker Meeting House

Written and performed by Ruairi Conaghan, Lies Where it Falls is heartfelt and full of love. Conaghan (an ensemble actor with major shows such as Downton Abbey under his belt) takes us on an autobiographical, topical and socially important journey through the impact of growing up in Derry. It explores the lasting personal reverberations of The Troubles in Northern Ireland. And not in a Derry Girls kind of way.

Conaghan’s uncle, the Catholic Judge Rory Conaghan, was shot and killed by the IRA as he held his young daughter’s hand on his own doorstep in 1974. Conaghan was just eight at the time. And, sure, everyone gets on with life as best they can under the circumstances.

When Conaghan later took flight from Northern Ireland to study drama in Liverpool, he thought he’d escaped. But trauma lives under the skin and when acting parts call upon our personal experience to make them real, the tension between life, fiction and creative expression can be crushing.

Conaghan bravely acts out his story so we can appreciate the deep and dark legacy of British Rule over its foreign neighbour. The human cost is a debt not easily repaid. National anguish lingers to this day with Brexit and border issues rubbing salt into the wound and a parliament that appears to be choked by its own ingrained grief at family losses on both sides of the divide.

Through this dramatic recollection, Conaghan finally finds reconciliation and a personal peace of some sort. It is emotional and moving. The piece is rendered with grace and perfect pacing. It deserves to be seen. And we, on the mainland, deserve to understand our own history and appreciate the personal impact of what many in Northern Ireland considered a war cloaked in the pseudonym of The Troubles. 

Reviewer: Kathleen Mansfield

Reviewed: 4th August 2024

North West End UK Rating:

Rating: 4 out of 5.
0Shares