Fifteen years after Willy Wonka opened the gates of his chocolate factory, health and safety has finally caught up with him. And frankly, it has questions.
Why, for example, was there no handrail beside the chocolate river? Had there been one, perhaps Augustus Gloop would never have fallen in. And what about Veruca Salt’s father, who followed his daughter down the rubbish chute trying to save her? We now discover that he actually died in the furnace.
Welcome to Waiting for Wonka, Half Trick Theatre’s very funny reimagining of what became of Wonka’s unfortunate young visitors once childhood was over and the lawyers, trauma and demands for corporate responsibility arrived.
It is a terrific concept and frequently laugh out loud funny. Veruca, Augustus, Violet and Mike are adults now, each carrying the consequences of what happened inside the world’s least regulated confectionery factory.
There is something delicious about applying contemporary sensibilities to Wonka. Violet’s transformation has led to her blue-berification, accompanied by internet predators rather too interested in discovering how it felt to be pumped full of juice. Mike TV, meanwhile, seems to have discovered certain advantages to being very tiny. And anyway, why exactly was he subsequently stretched back to size against his will?
What once seemed magical begins to look suspiciously like a catalogue of safeguarding failures.
My only frustration is that they could twist the knife even further. There is savage satire waiting here about corporate negligence, childhood trauma, sexual exploitation and our voyeuristic obsession with damaged celebrities. For a while, gathering these survivors together even suggests some grotesque Big Brother reunion, although thankfully the production doesn’t take that obvious route.
All this is achieved on what appears to be a shoestring budget, with an appealing roughness around the edges. Augustus Gloop’s German accent occasionally wanders off somewhere. Perhaps he lost that too during the 15 years since he fell into the chocolate river.
But that’s a minor complaint. The material is clever, the premise excellent and the company attacks it with considerable wit.
Waiting for Wonka has found something wonderfully rotten beneath all that chocolate.
And there is plenty more still to bite into.
Playing until August 16th 2026, https://www.edfringe.com/tickets/whats-on/2026WAITINJ
Reviewer: Greg Holstead
Reviewed: 9th August 2026
North West End UK / Theatre Muse UK Rating:
Running time – 1hr
Produced by Dave Holden and Kimberly Holden, directed by Dave Holden, and with musical direction…
In a small Midwest American town there is a strange phenomenon happening. Researchers have arrived…
There is something wonderfully Fringe-like about Moving On. An Edinburgh company writes an entirely original musical,…
Having already seen Peter Marchant take on Freddie Mercury in Night Owl’s The Legend of Queen,…
There is something deliciously appropriate about entering Edinburgh’s newly refurbished King’s Theatre, one of the…
New Zealand collective Binge Culture's Werewolf arrives at Summerhall with considerable word-of-mouth behind it, and sizeable audiences…