Performing in the Bunker at Pleasance this Fringe, Ros Watt’s Trans People Are Awful couldn’t be placed in a more…
Elf Lyons is The Woman on the Edge arrived with considerable expectation, and for a while I thought I was in…
Francis Bacon distorted the human figure on canvas. Buggers asks what happened when that same capacity for distortion entered one of the…
There is a problem before Two Little Pigs has even begun. Sitting in the front row of The Green at Pleasance Courtyard,…
Dust travels through time and space, waltzing, dodging and diving through the life of a working-class man. It is the…
It was an absolute delight to spend an hour and ten minutes in the company of Ingeborga Dapkunaite, to hear…
I have taken time to mull over this show before writing my thoughts. I call it a show and not…
Voloz Collective have two propositions at this year's Fringe and having already seen their newer REDACTED: The Cover-Up of a Cover-Up…
There can hardly be two more different approaches to AI and bereavement at this year's Fringe than An Echo in the…
I have reviewed Lorna Rose Treen a few times over the years, through Skin Pigeon and 24 Hour Diner People, so Now That’s What…