London

Limp Wrist and the Iron Fist – Brixton House Theatre

Limp Wrist and the Iron Fist at Brixton House Theatre was nothing short of electric, a play that’s not just important but gloriously entertaining. It’s funny, heartwarming, and unflinchingly true to the lives it represents. Each character feels like a facet of what it might mean to be Black and queer today: tender, defiant, exhausted, and alive all at once.

The performances are uniformly strong, but the standout is Omari, played with fierce vulnerability by Tyler Orphé-Baker. His intensity grounds the play, every glance, every silence, feels heavy with truth. There are moments that made me laugh out loud and others that seemed to have the whole room in tears.

Yes, there are references to sexual assault and other sensitive topics, so go in knowing that, but they’re handled with honesty and care. The pain here isn’t for shock value; it’s for recognition.

Photo: Helen Murray

Some might call it cliché: the way the monologues stack, each voice taking its turn in the spotlight; but when the stories are this real, this necessary, that structure becomes a chorus rather than a crutch.

Emmanuel Akwafo’s writing moves like poetry. There’s rhythm to it- a kind of tide that pulls you in and won’t let go. His dialogue sings even in silence. There’s even a running joke about Beyoncé the bus driver that I won’t spoil, but it’s one of those moments that shows how humour can coexist with heartbreak.

Set mostly at a bus stop and on the bus itself, the play traces four queer men trying (and failing) to make it to their night out, a journey that becomes something bigger. Maybe the bus is a metaphor, maybe it isn’t. Either way, it’s a brilliant choice: a liminal space where waiting, longing, and living all collide.

Directed by Nathanael Campbell, Limp Wrist and the Iron Fist is a standout, raw, radiant, and deeply necessary. It captures the laughter, pain, and poetry of Black queer life with rare authenticity.

Black queer lives matter. And this play makes sure you feel why.

Reviewer: Zandra Odetunde

Reviewed: 11th November 2025

North West End UK Rating:

Rating: 5 out of 5.

Zandra Odetunde

Recent Posts

Blink – King’s Head Theatre

Phil Porter’s Blink at King’s Head Theatre is a darkly funny and tender meditation on…

12 hours ago

Head. Heart. Hand. – Traverse Theatre

Stef Smith is an uncompromising writer. Edinburgh’s Queen Margaret University has some history. What might…

12 hours ago

The Story of Peer Gynt: An Evening with Kåre Conradi – The Coronet Theatre

The Story of Peer Gynt is part lecture, part show and altogether brilliant. On a…

12 hours ago

Bird Grove – Hampstead Theatre

The great and the good were out in force for Bird Grove at Hampstead Theatre.…

12 hours ago

Priscilla Queen of the Desert – Palace Theatre

The Adventures of Priscilla, Queen of the Desert first frolicked onto the big screen back…

13 hours ago

The Mirror Crack’d – Altrincham Garrick Playhouse

Adapted by Rachel Wagstaff and Directed by Mike Shaw, The Mirror Crack’d graced the stage…

13 hours ago