A screen cycles through a mixed bag of tweets sent to the mysterious Jazz Emu (Archie Henderson) as we wait for the show to begin. The elaborate, bright red set designed by Bonson Bonsonson JR matches his grandiosity and has a talk show feel. He parades out in a metallic emu helmet and begins a song about his proficiency and brilliance while his equipment malfunctions. Jazz emu’s eclectic character is like the result of putting a scientist, evil mastermind, superhero and a presenter in a blender. Henderson is a natural performer with his expressive darting eyes, an array of physicality and sharp comic timing directed by Adam Flynn.
We are welcomed into his existential, disco-like, jazz-emu-centred world where if he’s not thinking about himself, he’s wondering about how microwaves work or reminiscing over MSN. I admit that I am struggling to write this as I compulsively re-listen to his catchy tunes on Youtube. He goes on to explain that he is returning after a hiatus caused by bad publicity as he insulted a reputable goblin. Jazz emu talks and sings us through his past as he endeavours to regain his popularity. Faced with an oddly strict time limit imposed by his dad (who definitely wasn’t Jazz Emu with an old filter on his face), he frantically tries to redeem himself. In spite of the wackiness, the storyline touches upon the fundamental struggle for acceptance and validation.
Incredibly detailed and psychedelic music videos created by Hunter Allan, are paired with witty, pedantic lyrics that question the inane. The lighting designed by Bonsonson JR also took on the show’s personality perfectly. All of the different creative elements fused together to create a perfect platform for Jazz Emu’s stunning, groovy vocals, music and comedic talent.
Reviewer: Riana Howarth
Reviewed: 12th December 2022
North West End UK Rating: ★★★★★
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