H.M.S. Pinafore – The Bedlam Theatre

H.M.S. Pinafore or The Lass That Loved A Sailor tells the story of a timeless trope – despite societal differences, love really does level all ranks. But because this is Gilbert and Sullivan’s take on the matter, there’s a lot of wry satire, some song and dance and a bit of farce before we reach that delightful conclusion.

The story is simple, Josephine Corcoran (Helen Brown) daughter of Captain Corcoran (Harry Lempriere-Johnston) of the H.M.S Pinafore, is in love with Ralph Rackstraw (Owen Hatch) a lowly seaman. As her betrothed Sir Joseph Porter, First Lord of the Admiralty (Charles Barber), steps on board the ship, Josephine must make some important life changing decisions about which man she should marry.

Upon arrival the Bedlam Theatre does not look like it can stomach a Gilbert and Sullivan operetta. The 17-strong orchestra are hunched up in the corner of the performance space, while the stage doesn’t look like it could swing a cat o’nine tails. However, when the orchestra begins under the baton of Falk Meier, it becomes clear that one should not judge a book by its cover. Musical director Kathleen Davie has run a tight ship with orchestra to create strongly blended ensemble.  And rather pleasingly illuminated the Turner-inspired set designed by Holly Spragg- both musical direction and set together make for great partners.

As the production progresses it is clear that Fraser Grant has excelled in so many areas. Firstly, he’s given a refreshing spin on a production that many G&S fans can sing backwards and has cast a fine ensemble who each excel and shine in their roles and the movement. And with assistance from choreographer Sally Franks has them perfectly tuned to the confines of the Bedlam Stage. And with minimal setting and props, some well curated costumes, the cast bring this opera to life with tremendous gusto with characterisation and movement. On the whole it’s truly heart warming.

In Owen Hatch, the audience is treated to well-hammed up 50s style matinee idol Ralph Rackstraw, who’s striking twists and turns leave the audience in stitches. Hatch’s gentle vocals and comic delivery make for a very pleasing Ralph. They are complimented beautifully by Hannah Brown, whose voice sparkles as she ascends into the upper registers of her voice. Harry Lempriere-Johnston’s Captain Corcoran and Charles Barber’s Sir Joseph Porter battle it out in the comic stakes for best comedy presence on stage, both with outstanding voices that are the highlight of the production. And, Gemima Iseka-Bekano’s Buttercup is a solid performance, bringing out the character’s cheeky yet authoritative side, well.

Yes, this is a student production. And yes, the budget is low. But this is a brilliant example of how a simple production with excellent direction, artistic vision and wise casting choices can make for a delightful evening of entertainment. If you love Gilbert and Sullivan, and you’re willing to make allowances for some modern twists, this energetic bunch of students singing out Sullivan’s best tunes is an absolute joy.

Reviewer: Melissa Jones

Reviewed: 5th April 2023

North West End UK Rating: ★★★★