Few stories have endured quite like Shakespeare’s Romeo and Juliet, and in English National Ballet’s sumptuous production, Rudolf Nureyev’s choreography proves every bit as timeless as the tragedy itself. Rich in theatricality, romance and dramatic tension, this is a production that wears its classical heritage proudly whilst demonstrating ballet’s extraordinary capacity for storytelling.
Across three acts, Nureyev’s choreography brings lovely clarity to the familiar narrative. From the bustling streets of Verona to the intimacy of the lovers’ encounters and the devastation of their final moments, the storytelling remains assured and accessible. Prokofiev’s magnificent score provides the emotional heartbeat, its familiar, rousing passages lending grandeur to the action whilst its quieter moments beautifully underscore the burgeoning romance.
Julia Conway is a sparkling Juliet, her lightness of movement and graceful technique perfectly capturing the innocence and youthful exuberance of the character alongside some amusing moments of teenage rebellion.
Her partnership with Rentaro Nakaaki as Romeo is engaging, the pair moving with an easy fluidity that makes their growing affection entirely believable. Nakaaki, meanwhile, nicely embodies Romeo’s dreamy, romantic disposition, combining an appealing softness of characterisation with strength and vitality in his dancing.
There is plenty to enjoy beyond the central couple. Noam Durand and Rodrigo Pinto are delightful as Mercutio and Benvolio respectively, injecting a welcome touch of bawdiness and playful levity into proceedings. Laura Hussey similarly brings warmth and humour to the Nurse, providing another entertaining counterpoint to the increasingly tragic events.
The principals are ably supported by a strong corps de ballet, whose ensemble work brings energy and scale to the production’s larger scenes. Visually, too, this is a treat. Simple yet richly decorated sets, atmospheric lighting and sumptuous costumes combine to create a convincing Verona, balancing the grandeur of its noble households with the rawer vibrancy of its streets.
It isn’t entirely without imperfections. Occasional untidiness creeps into the dancing, with the odd over-rotation in tours en l’air, a sporadic lack of extension through arms or legs, and one or two lifts that look less assured than intended. However, none of these moments significantly diminish the overall achievement.
Ultimately, English National Ballet delivers a richly satisfying interpretation of this most enduring love story. Nureyev’s choreography remains wonderfully expressive and, with its engaging central performances, magnificent music and striking visual presentation, this Romeo and Juliet offers plenty to sweep audiences along albeit towards the inevitably tragic conclusion.
Romeo and Juliet runs at the Manchester Palace Theatre until Sunday 25th October. For tickets, visit https://www.atgtickets.com/shows/english-national-ballet-romeo-and-juliet/palace-theatre-manchester
Reviewer: Lou Steggals
Reviewed: 21st October 2026
North West End UK Rating:
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