Returning for their third year at the Fringe, Shark Bait Theatre places the audience in the jungle amidst the cast of a reality TV show, which is on the precipice of descending into chaos. Director Ivan Hamshaw Thomas and the cast electrify Jess Ferrier’s already hilarious script into a joyride, which doesn’t dwindle in pace when deconstructing the reality behind reality TV.
Aside from splicing together elements from many recognisable reality TV shows to form the basis of the premise, the show tackles themes such as surveillance, public perception, and the animosity that forms when faced with the task of survival. The script does an amazing job at balancing all of these themes whilst maintaining a relevant and distinct voice, which is poking holes into the superficiality and stupidity of these types of programmes. The script and directing never fail to add a quippy line or glance from a character, which either elevates the conflict of the story or serves as a way of letting the cast’s comedic chops shine.
Each member of the group brings to life a distinct character, which you can’t help but get invested in, raised to another level when they’re bouncing off one another with splendid comedic timing. The entire cast had an incredible ability to draw you into this setting and keep you on the edge of your seat until the very end, as if you were around the campfire with them. Although, it’s no surprise that the real star of the show is the diva herself, Cassia Whittaker, played effortlessly by Abi Price. Upon entrance, Abi changes up the entire energy of the show and injects maximalist levels of camp into her performance, leaving an effective and long-lasting impression.
Both the actors and director take advantage of the space, as the blocking feels dynamic and natural, never dwindling the audience’s attention for a second. Something which may have felt jarring was the crosscutting between the main plot and the interview segments, where we’re given an extra insight into the characters’ thoughts. However, these interview segments are executed seamlessly and elevate the material due to the flawless collaboration between the actors, staging, sound, and lighting. The sound and lighting both work in perfect tandem in maintaining the energy of the performance, making it hard to find any criticisms in their impeccable timing.
Whether you’re a fan of reality TV or not, there is no doubt that everybody will find an element to love about this production, as its cultural relevance and comedy won’t disappoint you and will leave you wanting more.
Crocodile Tears, runs until August 17th at theSpace @ Venue 45 with tickets available at https://www.edfringe.com/tickets/whats-on/crocodile-tears
Reviewer: Joe Lang
Reviewed: 8th August 2025
North West End UK Rating:
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