Richmond Theatre’s ‘Beauty and the Beast’ pantomime, penned by Alan McHugh and directed by Paul Robinson, offers a truly delightful seasonal treat, that combines the magic of traditional panto with the timeless tale of a cursed prince and his quest for love. This new production shines brightly with its blend of humour, heart, and magical enchantment, and whilst the pacing occasionally falters, and some routines feel a touch outdated for the modern stage, these moments are few, and do not significantly detract from the overall enjoyment, providing a perfect holiday outing for families and friends alike.
The strong cast is exceptionally talented, delivering performances that are both vibrant and engaging. Each performer brings a unique energy to the stage, creating a dynamic ensemble that elevates the show to delightful heights. Luke McCall portrays Prince Sebastian, transformed into the Beast, who must find love before a magical rose’s last petal falls. Opposite him, Hope Dawe’s Belle radiates warmth and independence, making their gradual romance a compelling centrepiece. Their performances, nuanced and sincere, anchor the narrative amidst the more flamboyant panto antics.
Dame Maureen Lipman, as Mrs. Potty, adds a layer of seasoned comedic talent, particularly during a hilariously botched tongue-twister sketch. Although her interactions with Ben Stock’s Betty Bouffant sometimes miss the mark, her ability to engage and entertain remains undiminished.
However completely stealing the show is Pete Firman as Silly Billy, whose natural comedic flair and impressive comedy based magic tricks captivate the audience. From laugh-out-loud slapstick to quirky illusions, Firman keeps the energy high and the laughs coming, making every one of his scenes a standout moment. Audience interaction is a highlight, with Firman skillfully drawing the crowd into the performance, although more such moments could amplify the communal joy that defines panto.
The production’s set and musical numbers create a lively atmosphere, though the songs, directed by Pierce Tee, while energetic, are not particularly memorable. However, the live orchestra adds a vibrant layer to the performance, enhancing the festive spirit. Technical aspects, such as Tim Oliver’s lighting and Nick Sagar’s sound design, are top-notch, crafting a visually and acoustically pleasing environment that complements the on-stage magic.
While ‘Beauty and the Beast’ sticks closely to tradition, it does so with such warmth and joviality that it’s bound to leave audiences smiling. Perfect for those looking to indulge in the festive spirit, this panto reminds us why we cherish these yearly theatrical traditions. Get your tickets booked before they sell out, the run ends on 5th January 2025.
Tickets are available here: https://www.atgtickets.com/shows/beauty-and-the-beast/richmond-theatre
Reviewer: Alan Stuart Malin
Reviewed: 11th December 2024
North West End UK Rating:
The BA Dance and Drama students from PASS showcase their artistry in two ensemble pieces,…
Thingwall players should be very proud of themselves for their fun and energetic retelling of…
Any kind of societal ill is, like society, gigantic. A hyperobject. Something that expands beyond…
Liar Liar Pants on Fire delivers an authentic slice-of-life experience, anchored by the remarkable debut…
Familiarity, surprise and a sumptuously sparkling set from Lez Brotherston: that’s Scottish Ballet’s The Nutcracker.…
Panacea is a tragedy centered on a scientist who creates an infectious disease intended to…