Written and performed by Jan Carey, Author, Composer, Soldier-of-a-sort sees Marion Scott present a biography of her relationship with Ivor Gurney by means of their letters to each other and the music of Gurney. Carey masterfully swings between the voices of both Scott and Gurney, giving us a sense of the eccentric personality of Gurney, and the wistful nature of Scott as she reflects on the pair’s friendship.
Despite being Carey’s first piece of writing, this play is a true, heartfelt representation of what theatre should be. The audience are taken on a journey of reminiscence that leaves us with both a hollowness and fullness that only an exceptional show can conjure. With humour and sadness, we are given a glimpse into a beautiful relationship and the themes that shaped it – from war, to sickness, to art and nature.
The use of Gurney’s music throughout the piece is thoughtfully done, creating a narrative in its own regard. As we see Scott soak in the melodies, we too feel the sorrow, love, and hope that inspired the songs. Carey’s acting lends itself perfectly to the piece, giving us nuance and subtlety that pierces to the heart. I was surprised to find myself tearing up at Gurney’s last line to Scott – that, accompanied by the song Thou Didst Delight My Eyes solidified this performance as a Fringe favourite for me.
Reviewer: Jessie Martin
Reviewed: 14th August 2024
North West End UK Rating:
Catch Me If You Can follows the story of Frank Abagnale Jr as he runs…
Fun. Flamboyant. Fantastic. Written by Natalie Ekberg and directed by Simon Fielding, him. follows Jane…
Early on, when watching The 39 Steps at Hull Truck Theatre on Thursday night, I…
The casting of Mother Superior in Sister Act the Musical raises interesting questions about character…
Go, go, Joseph! The Altrincham Garrick Playhouse has struck theatrical gold with Joseph and the…
After debuting in Edinburgh in 2025, winning the Keep It Fringe Award, and then appearing…