London

The Woman Who Turned into A Tree – The Omnibus Theatre

Presented by Omnibus Theatre and Collide Theatre, The Woman Who Turned into a Tree is an examination into external validation and the pressures placed on a young woman in today’s age. As a woman rhythmically sways in a dark, grungy club, an identically dressed woman enters the stage and the two watch each other intently. Daphne, as she introduces herself, is an ambitious event organiser fuelled by a need to fulfil this fantastical self-idealisation she constructed. Gradually, a force takes over and guides her towards freedom and finding peace in herself, as she metaphorically transforms into a tree.

Her battle between different self-concepts is visually represented through the two versions of Daphne. Bathsheba Piepe conveys Daphne’s wide-eyed furious desperation, sinuously moving between different states of panic and excitement. The dialogue is mostly oriented around Daphne’s interactions with others, driven by an obsession with the glimpses of her perfect self that she sees in others’ eyes. Lisa Langseth’s writing eloquently captures the pain and detail of searching for yourself through others and the torment related to self-identity. Ioli Filippakopoulou’s movements and humming signify an earthy, intuitive force opposing the other Daphne’s erratic, controlled nature.

Photo: Dan Tsantilis

Emily Louizou’s direction was emotionally sharp but stronger direction was needed in terms of pacing and with some of the movement scenes. Daphne’s character could have been more charming and self-assured at the beginning so that her image’s decay is even more drastic.

With excellent symbolism in the writing, the set designed by Ioana Curelea is just as evocative. It feels like a nightmare-ish bedroom with slurs and self-affirmations across the surfaces, and the black vinyl walls emulating the club also create a claustrophobic feeling. I particularly liked the use of the wardrobe, as she dressed herself to create an image but would hide inside it.

Langseth mirrors the increasing importance of marketing yourself and being admired to be successful and safe in an increasingly image conscious world.

Running until 22nd April, https://www.omnibus-clapham.org/the-woman-who-turned-into-a-tree/

Reviewer: Riana Howarth

Reviewed: 6th April 2023

North West End UK Rating: ★★★

Riana Howarth

Recent Posts

Catch Me If You Can – Northwich Memorial Court

Catch Me If You Can follows the story of Frank Abagnale Jr as he runs…

3 hours ago

him. – The Union Theatre

Fun. Flamboyant. Fantastic. Written by Natalie Ekberg and directed by Simon Fielding, him. follows Jane…

9 hours ago

The 39 Steps – Hull Truck Theatre

Early on, when watching The 39 Steps at Hull Truck Theatre on Thursday night, I…

9 hours ago

Is a Drag Act Suitable for the Role of Mother Superior in Sister Act the Musical

The casting of Mother Superior in Sister Act the Musical raises interesting questions about character…

20 hours ago

Joseph and the Amazing Technicolor Dreamcoat – Altrincham Garrick Playhouse

Go, go, Joseph! The Altrincham Garrick Playhouse has struck theatrical gold with Joseph and the…

21 hours ago

Life Would be Pretty Dull Without Sex, Raves and MDMA – Bread and Roses Theatre

After debuting in Edinburgh in 2025, winning the Keep It Fringe Award, and then appearing…

1 day ago