Deep in the basement of Nebula Inc, a team of intrepid astrogeologists spot some weird rock markings on an alien world. Could this be evidence of life beyond our planet – or is it just another hoax?
The interns are on strike, and they are torn between fighting for better pay and conditions and researching the discovery of a lifetime. Student Mae (Kikelomo Hassan) isn’t being paid at all, and she is really struggling to make ends meet. Billionaire man-baby Armie (Ewan Little) sends his assistant, the meticulous Johnson (Emily Mahi’ai) to bust the strike by any means necessary.
Lex Davies’s script is lighthearted and very funny. It’s packed with references to sci-fi favourites like War of the Worlds and the works of Douglas Adams. The performers have a whale of a time playing the larger-than-life characters, and their enthusiasm is infectious.
As well as acting, Emily Mahi’ai took on the role of set and costume design. A particular stroke of genius was the roller skates on which the hopelessly spoilt Armie glides around the office.
The play is timely given that several Fringe venues use “volunteer” labour to carry out a wide range of jobs. Just like Mae, those without independent means are exploited or excluded, while wealthy individuals get richer from the festival that claims to be open to all.
This feel-good play, a collaboration between Headrush Theatre and New Celts Productions, is a lot of fun, and such a treat to watch. I really needed to watch a bit of lighthearted comedy, and this fit the bill perfectly.
Reviewer: Wendy McEwan
Reviewed: 21st August 2024
North West End UK Rating:
Catch Me If You Can follows the story of Frank Abagnale Jr as he runs…
Fun. Flamboyant. Fantastic. Written by Natalie Ekberg and directed by Simon Fielding, him. follows Jane…
Early on, when watching The 39 Steps at Hull Truck Theatre on Thursday night, I…
The casting of Mother Superior in Sister Act the Musical raises interesting questions about character…
Go, go, Joseph! The Altrincham Garrick Playhouse has struck theatrical gold with Joseph and the…
After debuting in Edinburgh in 2025, winning the Keep It Fringe Award, and then appearing…