A firm Edinburgh favourite, for locals and tourists alike, musical, Sunshine on Leith, set to the original songs of The Proclaimers, always does very well at Fringe time. Last years’ production by the same company, Captivate Theatre, was one of my Fringe highlights. So, I was looking forward to this one, accompanied this time by my musical loving daughter.
Following a pair of discharged soldiers, Ally and Davy, as they return home, across Pilrig Street and via Central bar to their beloved Leith, it is a simple romantic tale which initially at least, leans more towards comedy than drama and lets the music do most of the talking. Early highlights, I’m On My way, it’s over and done with, and Let’s get Married set the tone, and have the packed crowd chanting along to these uplifting songs.
However, the upbeat start following the boys return is soon replaced with weightier issues of uncertainty and identity and what to do after the Army, not to mention the pressures of rekindling existing relationships and starting new ones. Meanwhile, Davy’s parents are negotiating difficulties of their own on the eve of their 25th wedding anniversary.
It is impossible to name check every performer in a short review, suffice to say that this is clearly a well-rehearsed, slick production with excellent acting, singing and choreography. Not surprising given that I recognise most of the actors from last years’ production! However, it would be remiss of me not to highlight the standout performance of Hazel Beattie, as the Mother Jean, whose heart-wrenching rendition of the title number brought the house down.
The production has moved from the super cute Bijou tent, last year, to The Assembly Rooms Ballroom, which might have looked like a much better venue on paper, being inside, larger capacity and comfortable raked seating, but in reality, it created some new problems. The band are awkwardly located at the back of the deep stage, which makes them both distant, but also a hinderance to the chorus heavy production. Sound issues also dogged this performance, which is very unlike Captivate, who are usually tech perfect. Sound quality is arguable more important than anything else for a musical production, and at times this felt under powered, with the leads shouting their lyrics.
But maybe I’m being too picky. Comparison is the reviewers’ sharpest tool, but it can also be a dangerous weapon. My daughter absolutely loved it, and from the reaction of the sell-out crowd at the foot stomping finale so did they!
Reviewer: Greg Holstead
Reviewed: 20th August 2024
North West End UK Rating:
Running time – 1hr 30mins
I am not an opera regular, so I arrived at this double bill with a…
Baffo! Baffo! Baffo! You’ll be chanting and cheering, oohing and ahing, laughing, crying, and crying…
There’s no doubt that working conditions and employee power have slowly eroded in the past…
John Webber’s Fire Fire brings Paige, a middle-class queer climate activist of Nigerian heritage, and…
A murder mystery by Agatha Christie welcomes Miss Marple played by the wonderful Liza Goddard…
A setting of white picket fences (?) backed by a row of seemingly terraced houses…