Scottish Opera: The Verdi Collection – Usher Hall, Edinburgh

Two 30ft tall gilded iconic Columns and Pilasters support the muscular un-curtained proscenium arch framing the gargantuan stage of the Usher Hall, internationally acclaimed music venue. It is angular, strong unfettered and on the tiered stage the orchestra of Scottish opera are arranged, and ready.

The orchestra immediately launch into a frenzied overture, La Forza del destino, under the baton of Stuart Stratford, which puts a wide smile on the faces of the nearly full audience. Stuart then, rather breathlessly, addresses the packed audience and introduces a collection of some highlights from the middle years of Giuseppe Verdi, one of opera’s most beloved and recognisable figures.

The format of the show is somewhat problematic, without a set, costume changes, lighting effects or props it is a big ask for the five strong cast to bring these individual pieces to life and pushed to the very front of the stage I felt for their vulnerability. The cast were on the edge both literally and metaphorically and it was difficult for the audience to relax into these performances.

The effective use of subtitles does allow the audience to follow the original Italian libretto, but given the short nature of the pieces, there is insufficient time to bond with the characters or invest in their stories.

That said, the music is, of course, absolutely sublime. From the sinister bassoon counterpoint in Otello, or the cornets’ piercing voice providing a sound reminiscent of Spain in Don Carlo. The first act highlight however was The Four Seasons: Summer the stunningly plaintive Oboe line reduces the hall to absolute stillness, and you can feel Verdi’s mastery of time at work.

After the interval a longer section from La Triviata brings Peter Auty, Katherine Aitken, Eri Nakamura and Lester Lynch together in a much more cohesive piece which works particularly well. The story telling pulls the audience along with the music and the performers have time to relax into their roles. Peter Auty in particular stands out, giving flesh and colour to each performance and always appearing to be the joker in the pack. With so many of the pieces ending in death and destruction a bit of levity is much appreciated.

Running time – 2hrs 30 mins including 15min interval

Reviewer: Greg Holstead

Reviewed: 11th February 2023

North West End UK Rating: ★★★