Ten years at the Edinburgh Fringe makes Stamptown something of an institution. The problem, perhaps, is that alternative comedy is supposed to…
There are some voices you simply cannot mistake. Peter Marchant gets remarkably close to one of them. Close your eyes…
There is a particular Gen Z manipulation of language that I am encountering increasingly at this Fringe. Words are compressed,…
Rosie Jones has the sort of characteristics that, in considerably darker times, would have put her first in line for…
Probably Samuel Beckett's second most famous work after Waiting For Godot, Endgame is, perhaps not coincidentally, a much bleaker play…
Other than the closing line of one of Twonketta’s musical interludes, there was no ‘Soft’, ‘December’, ‘Night’ or ‘Tallahassee’. Of…
The Scottish Chamber Opera dazzles again with its high-spirited rendition of Mozart’s Don Giovanni for the Edinburgh International Festival. Conducted…
Hidden Room Theatre produce this show from writer-director Beth Burns and writer-magician Patrick Terry, who also stars as Houdini, along…
Swan Song, produced by Irish theatre company Jilted Bride Productions, is a camp melodrama providing commentary on the hypocrisy, corruption…
Steak Out is the latest offering from Edinburgh born writer and actor Ruaraidh Murray, providing a dark comedy with a…