Earworm by Gur Arie Piepskovitz is pitched as an ‘anti-rom-com’ and certainly succeeds in presenting the contemporary queer relationship as…
There are some shows you admire and others that catch you rather more unexpectedly. Captivate Theatre's Come From Away did both. I…
Voloz Collective have two propositions at this year's Fringe and having already seen their newer REDACTED: The Cover-Up of a Cover-Up…
I will confess I’d never heard of ‘Half a Sixpence’ but I know Clive Brill always brings a rip-roaring musical…
Written and performed by Nina-Lou Bricard, ‘The Waiting’ is an intense, uncompromising and frequently traumatic one-woman show. Developed from a…
Set in the early 1800’s, Edinburgh Days is the story of life in Edinburgh during Britain’s war with France, and…
Linus Karp has put his own name very prominently on the poster this time. After Diana: The Untold and Untrue Story and Gwyneth…
You have to marvel at the sheer industry of Bebe Cave. Swoon is not simply an hour of character comedy. Cave…
The Dissection Room at Summerhall is a fascinating space, double height and voluminous, and Tell Me certainly knows how to celebrate that…
Grace McLean's hands deserve a review of their own. In Penelope, they become almost another piece of stage machinery. A picture…