Pride & Prejudice* (*sort of) – Liverpool Playhouse

Pride, Prejudice and a party like no other. Isobel McArthur’s interpretation of the Austen classic is equal parts ingenious and impressive; taking the fan-favourite story and giving it a life of its own with a clever, impactful spin on things.

It’s no surprise that this production is delighting audiences all over the country, after an Olivier award winning run in London’s West End. Whether a passionate Janeite or someone who’s only seen the infamous “Wet Shirt Lake Scene” (no judgement here), you are guaranteed to have a jolly, good evening at the theatre.

From the get-go, the maids of the house run around the auditorium causing mayhem, joking with the audience and setting the tone – you’re here to have a good time. Writer and Director McArthur, establishes the piece very well; it’s not an all-frills and ruffles production, these maids are in charge, and they’re telling the story their way. By putting the maids as the focus, this allows the five-piece cast to embody many characters, with a multitude of accents and costumes, and invites the audience to be in on the fun. And there is so much fun.

The ever-present maids narrate each section, being interwoven with the action and sometimes even meddling in it too. Their multi-roling is fast and frenetic, not just bringing a relentless fast pace to the piece but also showing how strong this ensemble is. As Austen’s characters are so well-loved, the cast do an impeccable job at bringing their own fresh interpretations to the stage.

This play’s version of the over-bearing matriarch Mrs Bennett, is a triumph. It is no surprise that the iconic character has such a presence in the piece, but Julia Murray does a terrific job of making the character her own. Her ludicrous vocal intonations are scene-stealing, and her excessive nature made for lots of laughter. Contrastingly, her Mr Darcy (yes, what range) was as brooding and sensible as can be, and whose feelings for Elizabeth felt appropriately warm and affectionate.

Georgia May Firth is a captivating Elizabeth, who’s tenacity and no-nonse attitude make for great chemistry with Darcy. Her rendition of “You’re So Vain” was a highlight for me (and a genius choice for that moment).

Phoebe Marshall is terrific in every role she performs, but is most amusing as the flamboyant Caroline Bingley, whose consistent peacocking gained rapturous applause and laughter.

Eva Hope makes a gorgeously warm Jane, and a devilishly rizz-ful Wickham, whereas Roxanne Morgan’s many outlandish characters are charming as well as comical.

The whole cast come together in a masterclass of ensemble theatre. Every costume change was slick, every song performed beautifully, and most importantly, their cast chemistry makes their enjoyment apparent, and transferable to every person watching.

A white cascading staircase adorned with books is the main feature of the stage, with chairs, pianos and other decorations being rolled in to change up the scene. From Longbourn to Pemberley, it’s a simple and effective changeover to move the location and story along. With a literal snap of the finger, lighting states switch up the atmosphere, and add to the bright, entertaining feel of the play.

Although the adaptation is silly and mocking at times, the heart is still there. The narrative is faithful to the original, the characters feel familiar, and the story is a celebration of Austen’s finest work. And when I say celebration, I really mean it. Karaoke machines, pringles and WKD’s included.

Pride & Prejudice (sort of) runs at the Liverpool Playhouse til 17th October and continues its tour of UK theatres into 2027.

Tickets are available at https://prideandprejudicesortof.com/tour-dates/

Reviewer: Coral Mourant

Reviewed: 13th October 2026

North West End UK Rating: