In this artful production, writer and director Bonni Chan soars over Hong Kong, exploring themes of loss and change in the country through the stories of renowned Hong Kong author Xi Xi.
Produced by Theatre Du Pif, this show gives a masterful lesson in how to utilise all forms of artistry to create an immersive, cohesive, dreamscape. With projection, light, sound, and movement, Chen takes us on a moving journey from the fullness of childhood to the emptiness that becomes.
The creative team behind this show are true visionaries – for me this was a completely refreshing piece – every element was carefully considered and furthered the story’s metaphor. The poetry which inspired this work absolutely comes alive and flourishes on stage – each aspect was crafted to literally be poetry in motion.
Lau Chi-Bun, composer and musician, gave a very impressive performance, playing multiple instruments, sometimes playing multiple at once. You could truly see the feeling Lau puts into his music, injecting emotion into each noise. With a percussive-synth soundscape, Lau manages to create a huge scope of sounds from each instrument. The score intertwined beautifully with the action on stage.
This is a one-of-a-kind show which I feel has been a criminally underrated pick at the Fringe. Must I Cry shows us that a Fringe show can have perfectly polished and meaningful production aspects despite the confined and stripped back nature of production the Fringe requires. It is a must see.
Reviewer: Jessie Martin
Reviewed: 20th August 2024
North West End UK Rating:
All's Well is a tricky play for both performers and audience as the plot is…
Especially at this time of year, you can’t beat a panto. The beauty of this…
Disley Theatrical Productions return to St Mary’s Creative Space with the Christmas Classic, It’s a…
This musical is very much a children’s entertainment, so it’s therefore surprising that it runs…
I was glad to see how busy it was in the Studio for this production.…
Vanity publishing, which in recent years has metamorphosed into the far more respectable “self-publishing”, was…