Considered to be one of the greatest films of all time, Frank Capra’s wholesome tale of community, love and redemption has become a staple of the Christmas movie selection. Adapted by Mary Elliot Nelson, tonight is a reimaging of the tale of George Bailey who, contemplating ending his life following the collapse of the business and town that he has given up his own dreams to keep afloat, is given a glimpse of what life would be like if he had never been part of it.
Old Fruit Jar Productions, have revived their previous, highly praised staging, playing once again to a packed house. Whilst the original play was written for four multi-role actors, the team, under the steady direction of Alex King, has expanded the production to a company of 12. Utilising a simple set where signage and small furniture, combined with Phil Dickinson’s evocative lighting and sound design, sets the sense of place, means the company successfully immerses us into the homely town of Bedford Falls without creating technical challenges for themselves.
Several of the actors have returned, with Sean Radford stepping up from his previous role of town cop Bert, to take the lead as George Bailey, made iconic by Hollywood everyman James Stewart. He fully captures the essence of the big-hearted dreamer who sacrifices his own dreams to help others, taking us on a rollercoaster of emotion as challenges emerge one after the other.
He is ably matched by Florence King, returning to the role of Mary Bailey, providing a lovely foil to his flightier moments and a beautiful singing voice showcased in a solo rendition of In the Bleak Midwinter. Similarly, Jordan Barkley makes a welcome return as Clarence, the guardian angel sent to steer George away from the depths of despair so Clarance can finally earn his wings, bringing a sense of childlike optimism and fun, despite what is on the line.
Luke Seddon plays the nefarious businessman Mr Potter with relish, helping to maintain the dramatic stakes as he takes advantage of a painful mistake by George’s Uncle Billy (played with charm by Joseph Winder) and Taona Matope has lost none of his charisma and stage presence in his excellent second outing as best friend Sam Wainwright.
The full ensemble work nicely together, giving a slick account that manages again to breathe new life into a classic tale. Musical numbers, including the famous rendition of Auld Lang Syne, are delivered well. Occasionally the pacing wobbles, with some important touchpoints, as we visit George’s life in flashbacks, feeling raced and others featuring dramatic pauses that linger just a touch too long.
Nevertheless, it remains a heartfelt and confidently staged production that captures the enduring spirit of the film, delivering warmth, sincerity, and just the right touch of festive magic to leave the audience uplifted.
It’s a Wonderful Life runs until Saturday 22nd November. For tickets and What’s On visit https://liverpoolsroyalcourt.com/
Reviewer: Lou Steggals
Reviewed: 11th November 2025
North West End UK Rating:
A vacuum cleaner might seem an unlikely starting point for an absorbing piece of theatre…
Fences by August Wilson “is a powerful family drama about racism, lost dreams, fatherhood, betrayal…
Love is very complicated, and The Love That I’ve Lost undoubtedly demonstrates that. Written and…
Calendar Girls is a beautifully uplifting and heartfelt production that all audiences relate to. The…
There is something truly special about watching young talent take to the stage with confidence,…
A lyricist’s words can become so familiar to us that we forget the person who…