Evita – Capstone Theatre

One of the country’s oldest musical theatre society the Bentley Operatic Society once again proves its enduring legacy with a stirring production of Evita at the Capstone Theatre. The iconic musical by Tim Rice and Andrew Lloyd Webber follows the meteoric rise and tragic demise of Eva Perón. Under the direction of Alice McCormack this staging breathes fresh energy into the decades-old classic by adopting a minimalist modern era approach. This production also introduces Rosa Harrison as a new concept of ‘Young Eva’

From the outset, the production captivates. The dimly lit opening sequence, announcing Eva Perón’s death, sets an immediate tone of reverence before seamlessly transitioning into the vibrant narrative of her early ambitions.

In spite of some early technical issues narrator Matt Christiansen, as the ever-watchful Che, skilfully guides the audience through Eva’s tumultuous journey, delivering a performance that is equal parts incisive and charming. His rendition of High Flying Adored is a moment of pure theatrical magic, dripping with sincerity.

Sarah Mullis’ portrayal of Evita is simply mesmerizing. She commands the stage with fierce conviction, bringing Eva’s complexities to life—ambitious yet vulnerable, adored yet controversial. Her performance during Evita’s illness is particularly haunting, culminating in a rendition of Don’t Cry For Me, Argentina that lingers long after the final note fades.

Having previously played Barnum in The Greatest Showman Sam Trokes strong presence as Perón offers a perfect contrast to Mullis’ fiery interpretation of Evita, and in his first production with Bentley, Jonny Atherton delivers a delightfully charismatic turn as Magaldi. The atmosphere of the Tango Club, bolstered by evocative lighting and staging, creates one of the production’s most enchanting moments.

Although only playing the relatively small part of Peron’s mistress Roz Gibson excels with what turned out to be one of the best performed songs of the show, Another Suitcase in Another Hall.

Musical Director Jonas Tattersall in his first Lloyd Webber show deserves immense credit for his efforts in elevating the storytelling with each note. While minor sound and occasional music issues could have been refined, they hardly detract from the overall experience. It is worth noting the idea of a minimalist stage setting and effective lighting served to enable this performance to achieve its overall objective.

Following in the footsteps of notable past performers such as Julie Covington, Colm Wilkinson, David Essex and Barbara Dickson the Bentley Operatic Society production of Evita is a triumph—an emotional, visually stunning spectacle that lingers in the heart. The sheer theatricality, combined with powerhouse performances, makes it a must-see, affirming its rightful place on any stage.

Reviewer: Kevin Eccleston

Reviewed: 25^th June 2025

North West End UK Rating: