Dracula – National Youth Theatre

Everyone knows the classic Gothic horror tale of Dracula, first written by Bram Stoker, but the National Youth Theatre offers a bold reinterpretation that feels almost like two plays in one.

The first act remains largely faithful to the spirit of the original story. Sasha Jagsi commands centre stage as the young woman who has been bitten by Dracula and is visited nightly as he continues to drain her blood. Her portrayal captures the terrifying uncertainty of a character questioning her own sanity: is she unwell, losing her mind, or actually dying? Through visions, night terrors and sleepwalking episodes, the audience is drawn into her psychological unravelling. Jagsi’s slow, deliberate movements and her haunting, bewitching stare out towards the audience create an unsettling atmosphere. Even when surrounded by others attempting to understand her sudden decline, she feels isolated, suspended between reality and nightmare.

She is supported by a tremendous ensemble cast. The Brides of Dracula, played by Amy Young, Joanna Bentley and Rachael Dowsett are particularly striking. Their eerie presence at the back of the stage, often unseen by the other characters yet undeniably felt, deepens the sense of dread. They bring a physical darkness to the production, embodying both seduction and menace without uttering a word.

The second act delivers a complete tonal shift. We are transported to a modern nightclub, soundtracked unexpectedly by Beyoncé’s “Love on Top.” After the Gothic intensity of the first act, this initially feels jarring. However, as the narrative unfolds, the choice becomes compelling. The production explores how these centuries-old vampires have evolved and adapted, living among us in contemporary society. It examines survival, identity and morality — the lengths one might go to in order to endure, even if it means harming those closest to them.

Louise Coggrave stands out in this act, delivering a powerful performance as a vampire struggling with the guilt of hurting her own sister to survive. Her internal conflict anchors the modern reimagining and gives emotional weight to the stylistic shift.

Though it takes a moment to adjust to its dual structure, this fresh interpretation ultimately succeeds. It feels like two productions fused together a traditional Gothic horror and a sharp contemporary drama showcasing both the evolution of vampirism and the exciting new voices emerging in theatre today.

Dracula runs until 13^th March 2026 at National Youth Theatre with tickets available at National Youth Theatre

Reviewer: Zain Russell

Reviewed: 25^th February 2026

North West End UK Rating: