This show masterfully blends a dark, dystopian setting with grounded comedy and cutting drama, creating a powerful commentary on modern Britain and its uncertain future, performed by a minimalist three-actor cast.
Written by and starring the talented Briony Martha and Zach Reay-Barry, the two bring layers of comedic authenticity and a raw emotional honesty to the stage. Lily and Gareth, the only characters visually present throughout the show, appear to be a happy and content couple at first. However, The Parental Act Law forces them on a journey that makes them question every aspect of themselves and their relationship. This unravelling of their psyche and dynamics is the driving force of what’s so great and intimate about this performance. You really grow a closeness for the pair, and that’s absolutely down to the writing and chemistry of the two leads.
Briony Martha adds an undeniable amount of levity to a character who could have just been a one-note representation of maternal doubt. Not only does she perfectly execute the emotional turmoil of her situation, but she also finds moments to shine with her physical comedy. The moment where she role-plays as a child is one impressive feat of acting from Briony, as the energy she asserts and the comedic timing she masters left a long-lasting impression. On the other hand, Zack Reay-Barry really understands how to balance the optimism and charm of a supportive partner with the deep-rooted trauma of a man who hasn’t fully grappled with the events of his past. Gareth is in a constant battle with his head and his heart throughout the story, and this is beautifully executed by Zack. Together, they are magnetic on stage and maintain a dynamic which feels specifically accurate to real life yet uniquely fresh.
The story itself can at times become a bit generic, as I feel there was a lack of intricate world-building within this dystopian society and the lodge they were staying at. However, this didn’t take away from the emotional journey of the characters; I would have just liked a bit more innovation or exploration when it came to this Government and the Laws which were at play. The third character in the show is ‘The Voice,’ played by Torya Winters, who performs multiple characters off stage for the performance. This element of the show really played into the dehumanisation of the society being portrayed, and Torya did a great job of adding pressure and confinement to the two characters without even being present on stage. Overall, this is a great exploration of two characters’ accelerated journey into parenthood with a cleverly written insight into a society which may not be too far detached from our own.
Do Astronauts Masturbate in Space?, runs until August 23rd at Greenside @ Riddles Court 45 with tickets available at https://www.edfringe.com/tickets/whats-on/do-astronauts-masturbate-in-space
Reviewer: Joe Lang
Reviewed: 11th August 2025
North West End UK Rating:
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