Chicago – The Regent, Stoke

Originally directed by Bob Fosse, based on the play by Maurine Dallas Watkins and with music by John Kander, ‘Chicago’ graced the stage of the Regent Theatre in Stoke on Monday night. Directed originally by Walter Bobbie and with a recreation of the original direction by Stacey Haynes, ‘Chicago’ was set in the decadent 1920s and tells the story of the flamboyant ‘Roxie Hart’ (Faye Brookes) whose lover is murdered when he threatens to leave her. The story unfolds as she is desperate to avoid conviction.

With several well-known names in this particular cast, the surprise of the night was the role of classical tenor, Russell Watson. Whilst his vocals were never in doubt, his acting was unknown but from his performance with ‘the Girls’ to ‘All I care about’ it was evident he would not disappoint, and he certainly proved he was much more than a fabulous voice. His role portraying Billy Flynn, if a little laid back, was enjoyable to watch. With no hint of his familiar northern tones he was engaging, and full of energy as he interacted with the dancers on stage. He demonstrated comedic timing and humour particularly with his interaction with Roxie (Faye Brookes).

It was clear that the women absolutely captured the audience’s heart. Coronation Streets Brookes left the cobbles of Coronation Street to perform as the central character ‘Roxie Hart’. Demonstrating her versatility in the way she performed on stage she grabbed the total attention of the audience each time she appeared. With some ‘Judy Garland-esque’ mannerisms, Brookes had it all. Not just an exquisite ability to sing and dance but she also consistently provided a frantic, energetic persona entirely fitting of the character.

Three Degrees’ singer Sheila Ferguson played the role of ‘Mama Morton’. With her powerhouse of a voice and stage presence she had it all and was an absolute match for the younger cast.

Whilst there are too many outstanding members of the cast to mention it would be remiss not to highlight the fabulous Djalenga Scott who played the part of ‘Velma Kelly’. From the opening number of ‘All that Jazz’ it was clear that Scott is a force to be reckoned with. Effortless movement to some incredible choreography (Gary Chryst) her dancing was off the scale. (And those legs!). Her performance with Brookes at the end of the show to ‘Hot Honey Rag’ with original choreography by Bob Fosse was something very special to watch.

With an orchestra on stage, Andrew Hilton (Musical Director) must be applauded. The orchestra entirely framed the stage and formed an integral part to all numbers. The brass section (Alan Hase, Simon Crick and Simon Walker) transported you to a 1920s jazz club instantly. Every member of the orchestra demonstrated that they were also having fun on stage and were totally deserving of their standing ovation.

Having entertained audiences for more than 45 years, and performed worldwide in many languages, Chicago is surely one to tick off on every musical theatre lovers list. It is a musical that is enjoyed by a varied audience and to this day has not lost an ounce of sass. It is essential that the cast of Chicago are always a cut above so that they may continue to ‘razzle dazzle’ audiences just as this one did.

On until Saturday 19th March tickets are available from https://www.atgtickets.com/shows/chicago/regent-theatre/

Reviewer: Angela Kelly

Reviewed: 14^th March 2022

North West End UK Rating: ★★★★