Having been rather underwhelmed by my previous excursion into burlesque at this year's Fringe, I am pleased to report that Sexy…
The Inner Us is a beautiful and deeply expressive piece of storytelling brought to life through the graceful and powerful…
A dark and dingy detective’s office, on a dark and dingy street, in a dark and dingy city, you know…
Of the 30-odd shows I've had the pleasure of seeing so far this Fringe, Dreamgirl is certainly the sweetest. To look into…
What a contrast. Barely had The Love-Hungry Farmer packed away his lonely Irish farmhouse before Captivate Theatre arrived in the same Assembly…
Vibhinna Ramdev is an entrancing actor, pulling audiences into her life as she toils with questions of identity, belonging and…
There is something slightly curious about watching a consummate storyteller who, for the first ten minutes or so, appears not…
I interviewed Richard MacLean Smith earlier in the Fringe and was intrigued by the trajectory of a man who started…
Oh my God. What just happened to opera? Missy Mazzoli’s The Galloping Cure absolutely blew me away in its first half. Not…
An oft-overlooked aspect of many theatre productions is the music/soundtrack/sound design(er), call it what you will… but this (Faye James)…